Slow Motion Records

Señor Chugger, a prolific Bristol-based producer and remixer, makes his debut on Wrong Era with an EP filled with his unique blend of euphoric synth lines and sophisticated, arcane themes. His music immerses listeners in a synth-ridden realm, offering a collection of instant classics. The EP, 'Sunset On The A38' , also includes remixes from Wrong Era Label heads Sesto Senso and fellow label affiliate Radondo.

Señor Chugger sets the tone with '75 To Seafront ', a track that kicks the release into high gear. The tight, weighty drums and metallic pads create a powerful backdrop, while the descending bass-arp adds a visceral element. '75 To Seafront' seamlessly combines Chugger's monstrous bass tones and fluttering emotional melodies, creating a journey of euphoria with each rhythmic combination.

'Party In A Field In Cornwall' flirts with flashes of early UK house and Señor Chuggers special blend of Italo Disco. A creamy synth line, singing over a rasping, defined bass riff, unfolds into the mix. Still in keeping with the solidity of the intro track, percussion is robust and melodics are carefully detailed. The midway point of the EP is marked with the endlessly emotive and sophisticated 'Festival Skyline'. Painting an artful sonic depiction of its title' Festival Skyline' breathes a modern breath onto the golden era of new wave with choral harmonies that bring a tear to the eye and a bassline that anchors these emotions.

Stepping into the synthwave 'From The Harbour' weaves into flange-soaked electro. A swirling synth hook dances over a pulsating bass arp. Deliciously tuned vocoder lines swim through the crisp instrumentation with punctual vocal stabs. Choral pads join the medley preempting sliced vocal chops that put his elegant sound design on full display. These vocals whip across the stereo field, concluding the track's excitement.

'Sunset On The A38' closes with the fittingly named Devon Expressway. An anthemic pad-driven atmospheric piece with dimly lit twilight imagery. A tweeting synthline clambers over the augmented low-end hinting at the central theme to come. Haunting choral synths chant and swathes of pads sweep through the arrangement. A CMI cries out, and an enigmatic melody pricks the ears. Señor Chugger combines his innate gift of pushing genre boundaries, painting sonic scenes with effortless charm.

Along with these 5 shimmering tracks, label heads Sesto Senso and Wrong Era's Radondo join the release with remixes of '75 To Seafront' and 'Festival Skyline'. The illustrious collaboration of Fabrizio Mammarella and Franz Scala brings their signature metallic arps and earth-shattering drums to the remix. Respectfully lifting key elements from the original and injecting them with their infectiously energetic flair, a peak-time dancefloor gem is born. Radondo gives 'Festival Skyline' a stripped-back rework, letting the choral harmonies of the original shine forth. His signature percussive approach tows the line for an infectious bassline to dance below the arps of Señor Chugger.

credits

Señor Chugger, a prolific Bristol-based producer and remixer, makes his debut on Wrong Era with an EP filled with his unique blend of euphoric synth lines and sophisticated, arcane themes. His music immerses listeners in a synth-ridden realm, offering a collection of instant classics. The EP, 'Sunset On The A38' , also includes remixes from Wrong Era Label heads Sesto Senso and fellow label affiliate Radondo.

Señor Chugger sets the tone with '75 To Seafront ', a track that kicks the release into high gear. The tight, weighty drums and metallic pads create a powerful backdrop, while the descending bass-arp adds a visceral element. '75 To Seafront' seamlessly combines Chugger's monstrous bass tones and fluttering emotional melodies, creating a journey of euphoria with each rhythmic combination.

'Party In A Field In Cornwall' flirts with flashes of early UK house and Señor Chuggers special blend of Italo Disco. A creamy synth line, singing over a rasping, defined bass riff, unfolds into the mix. Still in keeping with the solidity of the intro track, percussion is robust and melodics are carefully detailed. The midway point of the EP is marked with the endlessly emotive and sophisticated 'Festival Skyline'. Painting an artful sonic depiction of its title' Festival Skyline' breathes a modern breath onto the golden era of new wave with choral harmonies that bring a tear to the eye and a bassline that anchors these emotions.

Stepping into the synthwave 'From The Harbour' weaves into flange-soaked electro. A swirling synth hook dances over a pulsating bass arp. Deliciously tuned vocoder lines swim through the crisp instrumentation with punctual vocal stabs. Choral pads join the medley preempting sliced vocal chops that put his elegant sound design on full display. These vocals whip across the stereo field, concluding the track's excitement.

'Sunset On The A38' closes with the fittingly named Devon Expressway. An anthemic pad-driven atmospheric piece with dimly lit twilight imagery. A tweeting synthline clambers over the augmented low-end hinting at the central theme to come. Haunting choral synths chant and swathes of pads sweep through the arrangement. A CMI cries out, and an enigmatic melody pricks the ears. Señor Chugger combines his innate gift of pushing genre boundaries, painting sonic scenes with effortless charm.

Along with these 5 shimmering tracks, label heads Sesto Senso and Wrong Era's Radondo join the release with remixes of '75 To Seafront' and 'Festival Skyline'. The illustrious collaboration of Fabrizio Mammarella and Franz Scala brings their signature metallic arps and earth-shattering drums to the remix. Respectfully lifting key elements from the original and injecting them with their infectiously energetic flair, a peak-time dancefloor gem is born. Radondo gives 'Festival Skyline' a stripped-back rework, letting the choral harmonies of the original shine forth. His signature percussive approach tows the line for an infectious bassline to dance below the arps of Señor Chugger.

credits

Señor Chugger, a prolific Bristol-based producer and remixer, makes his debut on Wrong Era with an EP filled with his unique blend of euphoric synth lines and sophisticated, arcane themes. His music immerses listeners in a synth-ridden realm, offering a collection of instant classics. The EP, 'Sunset On The A38' , also includes remixes from Wrong Era Label heads Sesto Senso and fellow label affiliate Radondo.

Señor Chugger sets the tone with '75 To Seafront ', a track that kicks the release into high gear. The tight, weighty drums and metallic pads create a powerful backdrop, while the descending bass-arp adds a visceral element. '75 To Seafront' seamlessly combines Chugger's monstrous bass tones and fluttering emotional melodies, creating a journey of euphoria with each rhythmic combination.

'Party In A Field In Cornwall' flirts with flashes of early UK house and Señor Chuggers special blend of Italo Disco. A creamy synth line, singing over a rasping, defined bass riff, unfolds into the mix. Still in keeping with the solidity of the intro track, percussion is robust and melodics are carefully detailed. The midway point of the EP is marked with the endlessly emotive and sophisticated 'Festival Skyline'. Painting an artful sonic depiction of its title' Festival Skyline' breathes a modern breath onto the golden era of new wave with choral harmonies that bring a tear to the eye and a bassline that anchors these emotions.

Stepping into the synthwave 'From The Harbour' weaves into flange-soaked electro. A swirling synth hook dances over a pulsating bass arp. Deliciously tuned vocoder lines swim through the crisp instrumentation with punctual vocal stabs. Choral pads join the medley preempting sliced vocal chops that put his elegant sound design on full display. These vocals whip across the stereo field, concluding the track's excitement.

'Sunset On The A38' closes with the fittingly named Devon Expressway. An anthemic pad-driven atmospheric piece with dimly lit twilight imagery. A tweeting synthline clambers over the augmented low-end hinting at the central theme to come. Haunting choral synths chant and swathes of pads sweep through the arrangement. A CMI cries out, and an enigmatic melody pricks the ears. Señor Chugger combines his innate gift of pushing genre boundaries, painting sonic scenes with effortless charm.

Along with these 5 shimmering tracks, label heads Sesto Senso and Wrong Era's Radondo join the release with remixes of '75 To Seafront' and 'Festival Skyline'. The illustrious collaboration of Fabrizio Mammarella and Franz Scala brings their signature metallic arps and earth-shattering drums to the remix. Respectfully lifting key elements from the original and injecting them with their infectiously energetic flair, a peak-time dancefloor gem is born. Radondo gives 'Festival Skyline' a stripped-back rework, letting the choral harmonies of the original shine forth. His signature percussive approach tows the line for an infectious bassline to dance below the arps of Señor Chugger.

credits

Señor Chugger, a prolific Bristol-based producer and remixer, makes his debut on Wrong Era with an EP filled with his unique blend of euphoric synth lines and sophisticated, arcane themes. His music immerses listeners in a synth-ridden realm, offering a collection of instant classics. The EP, 'Sunset On The A38' , also includes remixes from Wrong Era Label heads Sesto Senso and fellow label affiliate Radondo.

Señor Chugger sets the tone with '75 To Seafront ', a track that kicks the release into high gear. The tight, weighty drums and metallic pads create a powerful backdrop, while the descending bass-arp adds a visceral element. '75 To Seafront' seamlessly combines Chugger's monstrous bass tones and fluttering emotional melodies, creating a journey of euphoria with each rhythmic combination.

'Party In A Field In Cornwall' flirts with flashes of early UK house and Señor Chuggers special blend of Italo Disco. A creamy synth line, singing over a rasping, defined bass riff, unfolds into the mix. Still in keeping with the solidity of the intro track, percussion is robust and melodics are carefully detailed. The midway point of the EP is marked with the endlessly emotive and sophisticated 'Festival Skyline'. Painting an artful sonic depiction of its title' Festival Skyline' breathes a modern breath onto the golden era of new wave with choral harmonies that bring a tear to the eye and a bassline that anchors these emotions.

Stepping into the synthwave 'From The Harbour' weaves into flange-soaked electro. A swirling synth hook dances over a pulsating bass arp. Deliciously tuned vocoder lines swim through the crisp instrumentation with punctual vocal stabs. Choral pads join the medley preempting sliced vocal chops that put his elegant sound design on full display. These vocals whip across the stereo field, concluding the track's excitement.

'Sunset On The A38' closes with the fittingly named Devon Expressway. An anthemic pad-driven atmospheric piece with dimly lit twilight imagery. A tweeting synthline clambers over the augmented low-end hinting at the central theme to come. Haunting choral synths chant and swathes of pads sweep through the arrangement. A CMI cries out, and an enigmatic melody pricks the ears. Señor Chugger combines his innate gift of pushing genre boundaries, painting sonic scenes with effortless charm.

Along with these 5 shimmering tracks, label heads Sesto Senso and Wrong Era's Radondo join the release with remixes of '75 To Seafront' and 'Festival Skyline'. The illustrious collaboration of Fabrizio Mammarella and Franz Scala brings their signature metallic arps and earth-shattering drums to the remix. Respectfully lifting key elements from the original and injecting them with their infectiously energetic flair, a peak-time dancefloor gem is born. Radondo gives 'Festival Skyline' a stripped-back rework, letting the choral harmonies of the original shine forth. His signature percussive approach tows the line for an infectious bassline to dance below the arps of Señor Chugger.

credits

Señor Chugger, a prolific Bristol-based producer and remixer, makes his debut on Wrong Era with an EP filled with his unique blend of euphoric synth lines and sophisticated, arcane themes. His music immerses listeners in a synth-ridden realm, offering a collection of instant classics. The EP, 'Sunset On The A38' , also includes remixes from Wrong Era Label heads Sesto Senso and fellow label affiliate Radondo.

Señor Chugger sets the tone with '75 To Seafront ', a track that kicks the release into high gear. The tight, weighty drums and metallic pads create a powerful backdrop, while the descending bass-arp adds a visceral element. '75 To Seafront' seamlessly combines Chugger's monstrous bass tones and fluttering emotional melodies, creating a journey of euphoria with each rhythmic combination.

'Party In A Field In Cornwall' flirts with flashes of early UK house and Señor Chuggers special blend of Italo Disco. A creamy synth line, singing over a rasping, defined bass riff, unfolds into the mix. Still in keeping with the solidity of the intro track, percussion is robust and melodics are carefully detailed. The midway point of the EP is marked with the endlessly emotive and sophisticated 'Festival Skyline'. Painting an artful sonic depiction of its title' Festival Skyline' breathes a modern breath onto the golden era of new wave with choral harmonies that bring a tear to the eye and a bassline that anchors these emotions.

Stepping into the synthwave 'From The Harbour' weaves into flange-soaked electro. A swirling synth hook dances over a pulsating bass arp. Deliciously tuned vocoder lines swim through the crisp instrumentation with punctual vocal stabs. Choral pads join the medley preempting sliced vocal chops that put his elegant sound design on full display. These vocals whip across the stereo field, concluding the track's excitement.

'Sunset On The A38' closes with the fittingly named Devon Expressway. An anthemic pad-driven atmospheric piece with dimly lit twilight imagery. A tweeting synthline clambers over the augmented low-end hinting at the central theme to come. Haunting choral synths chant and swathes of pads sweep through the arrangement. A CMI cries out, and an enigmatic melody pricks the ears. Señor Chugger combines his innate gift of pushing genre boundaries, painting sonic scenes with effortless charm.

Along with these 5 shimmering tracks, label heads Sesto Senso and Wrong Era's Radondo join the release with remixes of '75 To Seafront' and 'Festival Skyline'. The illustrious collaboration of Fabrizio Mammarella and Franz Scala brings their signature metallic arps and earth-shattering drums to the remix. Respectfully lifting key elements from the original and injecting them with their infectiously energetic flair, a peak-time dancefloor gem is born. Radondo gives 'Festival Skyline' a stripped-back rework, letting the choral harmonies of the original shine forth. His signature percussive approach tows the line for an infectious bassline to dance below the arps of Señor Chugger.

credits

Señor Chugger, a prolific Bristol-based producer and remixer, makes his debut on Wrong Era with an EP filled with his unique blend of euphoric synth lines and sophisticated, arcane themes. His music immerses listeners in a synth-ridden realm, offering a collection of instant classics. The EP, 'Sunset On The A38' , also includes remixes from Wrong Era Label heads Sesto Senso and fellow label affiliate Radondo.

Señor Chugger sets the tone with '75 To Seafront ', a track that kicks the release into high gear. The tight, weighty drums and metallic pads create a powerful backdrop, while the descending bass-arp adds a visceral element. '75 To Seafront' seamlessly combines Chugger's monstrous bass tones and fluttering emotional melodies, creating a journey of euphoria with each rhythmic combination.

'Party In A Field In Cornwall' flirts with flashes of early UK house and Señor Chuggers special blend of Italo Disco. A creamy synth line, singing over a rasping, defined bass riff, unfolds into the mix. Still in keeping with the solidity of the intro track, percussion is robust and melodics are carefully detailed. The midway point of the EP is marked with the endlessly emotive and sophisticated 'Festival Skyline'. Painting an artful sonic depiction of its title' Festival Skyline' breathes a modern breath onto the golden era of new wave with choral harmonies that bring a tear to the eye and a bassline that anchors these emotions.

Stepping into the synthwave 'From The Harbour' weaves into flange-soaked electro. A swirling synth hook dances over a pulsating bass arp. Deliciously tuned vocoder lines swim through the crisp instrumentation with punctual vocal stabs. Choral pads join the medley preempting sliced vocal chops that put his elegant sound design on full display. These vocals whip across the stereo field, concluding the track's excitement.

'Sunset On The A38' closes with the fittingly named Devon Expressway. An anthemic pad-driven atmospheric piece with dimly lit twilight imagery. A tweeting synthline clambers over the augmented low-end hinting at the central theme to come. Haunting choral synths chant and swathes of pads sweep through the arrangement. A CMI cries out, and an enigmatic melody pricks the ears. Señor Chugger combines his innate gift of pushing genre boundaries, painting sonic scenes with effortless charm.

Along with these 5 shimmering tracks, label heads Sesto Senso and Wrong Era's Radondo join the release with remixes of '75 To Seafront' and 'Festival Skyline'. The illustrious collaboration of Fabrizio Mammarella and Franz Scala brings their signature metallic arps and earth-shattering drums to the remix. Respectfully lifting key elements from the original and injecting them with their infectiously energetic flair, a peak-time dancefloor gem is born. Radondo gives 'Festival Skyline' a stripped-back rework, letting the choral harmonies of the original shine forth. His signature percussive approach tows the line for an infectious bassline to dance below the arps of Señor Chugger.

credits

Introducing CLUB CUTS - A series of sets from our parties and takeovers, kicking things off with none other than the illustrious duo that is our very own Sesto Senso AKA Fabrizio Mammarella and Franz Scala. Recorded at Sameheads, our home far from home, earlier this year.

Label head Fabrizio Mammarella and fellow Italian innovator Rodion return to Slow Motion with their energetic single ‘Un Segnale Di Speranza’, a mesmerising precursor to their upcoming album ‘Musica E Computer’ recorded at “Museo Del Synth Marchigiano”. Another ground-breaking collaboration between the pair which again features Mammarella’s signature arcane arps and the sweeping, glassy harmonies of Rodion. Fabrizio has also pieced together a Dub mix of the track that explores the further corners of his sonic world, displaying his innate gifts for creating future classics.

‘Un Segnale Di Speranza’ once again progresses their captivating, pioneering sound and leaves us eager to experience more of the new dimension they have entered.

Label head Fabrizio Mammarella and fellow Italian innovator Rodion return to Slow Motion with their energetic single ‘Un Segnale Di Speranza’, a mesmerising precursor to their upcoming album ‘Musica E Computer’ recorded at “Museo Del Synth Marchigiano”. Another ground-breaking collaboration between the pair which again features Mammarella’s signature arcane arps and the sweeping, glassy harmonies of Rodion. Fabrizio has also pieced together a Dub mix of the track that explores the further corners of his sonic world, displaying his innate gifts for creating future classics.

‘Un Segnale Di Speranza’ once again progresses their captivating, pioneering sound and leaves us eager to experience more of the new dimension they have entered.

Karolina Bnv makes a glimmering debut on Wrong Era with a 4 track EP set to reinforce the labels’ progressive Italo, Proto sensibilities with forward-thinking flare. Laced with crisp thunderous energy, ‘Good Girls Always Play Piano’ starts the release with strength, marching you into the acidic, electro machine ‘Mouth Work’. Sophistication swims through Karolina’s release, with perfectly placed cinematic vocoder lines and tasteful flashes of electro. 

'Spinal Emotion' is another distinguished synth lead track rich with intelligent earworms rattling through beautiful instrumentation. Triggers and responses dance off each other with ease. The record culminates in the menacing, artful dissonance of ‘They Are Coming', a compelling, aptly named track with a captivating arcane nature. Karolina Bnv leaves listeners with an enticing cliffhanger of what is to come.

Radondo, Berlin 2024