One more TIFF episode! This one features Quebec writer-director Alexandre Franchi, whose third feature L’Autre makes its world premiere tonight at the festival. And he’s here to talk about the endless allure of Alain Resnais’ avant-garde breakthrough Hiroshima, Mon Amour. Your genial host Norm Wilner had a very similar experience.

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With her first documentary feature Still Night, Burning House making its world premiere at TIFF on Saturday, award-winning filmmaker Carol Nguyen stops by to talk about Tampopo, and how one scene from Juzo Itami’s 1985 "ramen western" introduced her to a whole new world of cinema. Your genial host Norm Wilner regrets not eating before recording this episode.

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Before his challenging new film Nobody’s Violence has its North American premiere at TIFF this Friday, September 11th, Quebecois writer-director Denis Cote is here to ponder the unanswerable questions of Michelangelo Antonioni’s first English-language feature, Blow-Up and maybe reflect on his own auterist perspective a little. Your genial host Norm Wilner is really glad he gets to do this.

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As she readies her new film Armageddon Road for its Toronto premiere at the Revue Cinema this Thursday and Friday, writer-director Karen Lam pauses to celebrate the power of Martin McDonagh’s first feature In Bruges, in which the Irish auteur first discovered the anti-chemistry of Colin Farrell and Brendan Gleeson. Your genial host Norm Wilner has a confession to make about this one.

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Screenwriter, producer and now author Aaron Barnett – whose 30th anniversary novelization of Matthew Bright’s cult thriller Freeway is available this Sunday, August 30th, from Echo On Publications – is here to celebrate Phil Joanou’s State of Grace, a magnificent mob thriller that got steamrolled by Martin Scorsese’s GoodFellas in September 1990. Your genial host Norm Wilner has room in his heart for both of them.

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As his new series American Hostage makes its way towards a world premiere at TIFF, actor, comedian and makeup effects artist Aaron Merke stops in to talk about The Ladykillers – the original 1955 Ealing Studios comedy where Alec Guinness and a crew of wrong’uns plot the perfect heist, only to be foiled by a little old lady. Your genial host Norm Wilner is impressed by how much ground we cover in this one.

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Her new documentary The Art of Adventure is now available on VOD and streaming on Hollywood Suite in Canada, so filmmaker Alison Reid drops by to share her love for Jon Avnet’s 1991 drama Fried Green Tomatoes. Your genial host Norm Wilner is still trying to figure out why his preview audience rejected it so violently.

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With his aristocratic comedy Savage House now available on digital and on demand, writer-director Peter Glanz is here to venture into the depths of Joel and Ethan Coen’s unquantifiable Hollywood nightmare Barton Fink. Your genial host Norm Wilner is already quite well-acquainted with the life of the mind, thank you.

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As her first feature A Safe Distance rolls towards its Canadian premiere at Fantasia on Thursday, director Gloria Mercer is here to make sure Robert Altman’s Thieves Like Us is held in the same regard as all his other ‘70s classics. Your genial host Norm Wilner can’t really find a flaw in that argument. 

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With his directorial debut The Outer Threat opening across Canada today, veteran producer William Woods steps up for M. Night Shyamalan’s Unbreakable, the follow-up to The Sixth Sense that dared to imagine a different kind of superhero movie. Your genial host Norm Wilner is curious to see where this goes.

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