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An entire book dedicated to a single song may strike some as bewildering, but not if the song in question is both The Beatles' longest single (in length) as well as one of their most successful (quadruple platinum): 1968's "Hey Jude." Deceptively simple and universally appealing, the Apple Records debut marked an astonishing launch to their label while serving as an anthem of healing during a tumultuous year - in the world as well as within the band.
Author James Campion (Take A Sad Song: The Emotional Currency of Hey Jude) discussed the song with returning guest Jeff Martin and I for nearly two hours. You too will discover what James did - that uncovering the magic and pull of this recording is something that will take you farther than you can imagine.
This podcast is sponsored by BetterHelp. Go to www.betterhelp.com/satb for 10% off your first month.
In which the worlds of three returning guests collide to discuss 1) is there (or should there be) a common starting point for all critiques of art and 2) the world of rock criticism generally - what's the purpose and where does it go wrong?
Dr. Allison Bumsted is a popular music scholar, specializing in teen magazines (Teen Set in particular) and has written extensively on rock criticism on the 60s and 70s. She appeared on SATB here and here.
Are you Get Back-ed out yet? No? Good, because there are still plenty of avenues to explore within the scope of January 1969. Featured today is something from the vaults: the conversation reuniting three witnesses to the events on Savile Row on 30 January, 1969: Apple press office deputy Chris O'Dell, Beatles equipment manager Kevin Harrington, and EMI tape operator Alan Parsons; yes, the eventual producer and recording artist himself.
This was taped live at the Fab4ConJam event in February 2021 and therefore before Peter Jackson's film had been screened. Therefore, their recollections come purer: what they remembered and how they remembered it, unaffected by any more recent info coming their way. They all experienced the day from different perspectives, but over 5 decades on cannot help but be moved by what the were a part of, all these years later. Co-hosting is Beatles author and podcaster Anthony Robustelli.
This podcast is sponsored by BetterHelp. Go to betterhelp.com/satb for 10% off your first month of treatment.
In which Gary Wenstrup and I continue the discussion of Revolver, followed by a thorough analysis of the group's OTHER 1966 UK release, A Collection of Beatles Oldies (But Goldies!).
This podcast is sponsored by Betterhelp. Go to betterhelp.com/SATB for 10% off your first month of treatment.
Taking a detour from some of the heavier SATB topics of late for end-of-summer light entertainment, Gary Wenstrup and I return to the series of gold, silver and bronze rankings of Beatle cuts through their catalog. We're at the halfway point now as The Beatles turned the page from a touring to a studio band, but not before a final blast of nostalgia by years' end.
In the time since publishing his memoir, The Redhead on the Roof and first appearing on SATB (160), Beatles equipment manager Kevin Harrington has now become known to millions of fans by his ubiquitous presence captured on film and presented in the eight hours of Peter Jackson's Get Back. It therefore was time to bring him back to get his reaction to the film and drill down deeper on his experiences working with The Beatles.
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