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This week, Joe and Emily do what they do best: start recording before they realize they’re recording and let the conversation go wherever it wants.
They debate coffee vs tea, spiral over why drip coffee is disappearing, and assign themselves questionable caffeine homework. Things take a turn into absurdity with invisible art selling for $18,000, silent comedy shows, naked stand-up, and why comedy doesn’t need gimmicks to work.
Joe shares a painfully memorable roast story involving powerful politicians, bombing in front of friends, and why sensitive comics never forget. Along the way, they get into Knives Out, White Lotus, reality TV conspiracies, Chris Hansen nostalgia, and the ethics of “To Catch a Predator.”
And somehow, it all ends with a heated argument over what to call the place where you buy food — because apparently “food store” is controversial.
Loose, funny, observational, and exactly the kind of episode you didn’t know you needed.
By Joe FernandesThis week, Joe and Emily do what they do best: start recording before they realize they’re recording and let the conversation go wherever it wants.
They debate coffee vs tea, spiral over why drip coffee is disappearing, and assign themselves questionable caffeine homework. Things take a turn into absurdity with invisible art selling for $18,000, silent comedy shows, naked stand-up, and why comedy doesn’t need gimmicks to work.
Joe shares a painfully memorable roast story involving powerful politicians, bombing in front of friends, and why sensitive comics never forget. Along the way, they get into Knives Out, White Lotus, reality TV conspiracies, Chris Hansen nostalgia, and the ethics of “To Catch a Predator.”
And somehow, it all ends with a heated argument over what to call the place where you buy food — because apparently “food store” is controversial.
Loose, funny, observational, and exactly the kind of episode you didn’t know you needed.