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Less glamorous than jade, gold or silver ware, pottery gets less attention at museum exhibitions. Archaeologists, however, argue that pottery is the most important cultural relic for understanding human prehistory.
Unlike gold or jade, most ceramics are practical and designed for daily use. Pottery thus can offer a well-rounded view of the era it came from.
In the recent Palace Museum exhibition “The Making of Zhongguo – Origins, Developments and Achievements of Chinese Civilization,” a ceramic piece stood out – a painted vase with a human head sculpted at the rim.
While viewing this painted vase, one can feel instantly a distinct human connection that traverses thousands of years. The Yangshao culture’s concepts of death are yet another contribution to humanity’s search for life’s ultimate meaning.
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Less glamorous than jade, gold or silver ware, pottery gets less attention at museum exhibitions. Archaeologists, however, argue that pottery is the most important cultural relic for understanding human prehistory.
Unlike gold or jade, most ceramics are practical and designed for daily use. Pottery thus can offer a well-rounded view of the era it came from.
In the recent Palace Museum exhibition “The Making of Zhongguo – Origins, Developments and Achievements of Chinese Civilization,” a ceramic piece stood out – a painted vase with a human head sculpted at the rim.
While viewing this painted vase, one can feel instantly a distinct human connection that traverses thousands of years. The Yangshao culture’s concepts of death are yet another contribution to humanity’s search for life’s ultimate meaning.
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