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We did it! Sound Expertise recorded its first-ever live episode at the American Musicological Society conference in Chicago. It was a super-fun event with a raucous crowd. Please enjoy this thoughtful conversation with Jonathan Bailey Holland, dean of Northwestern's Bienen School of Music, about his path as a composer and what it means to oversee a music school at a transformative moment.
Show notes and more over at soundexpertise.org!
Questions? Thoughts? Email [email protected] or tag Will on Instagram/Twitter @seatedovation
Naomi André is one of the most important scholars of opera today, best known for her landmark 2018 book Black Opera: History, Power, Engagement. But the study of opera and race is not where Professor Andre’s career began: her path through musicology has been incredibly fraught, because of who she is, and what she wanted to do as a scholar. This week's conversation is difficult but necessary, for registering how exclusionary the field of musicology once was, and what work still has to be done.
Show notes and more over at soundexpertise.org!
Questions? Thoughts? Email [email protected] or tag Will on Instagram/Twitter @seatedovation
ALSO, we're going to be at the American Musicological Society conference in Chicago this week!!
Friday, Nov 15, 11:45am: Sound Expertise LIVE! The American Composer and the Future of the Conservatory with Jonathan Bailey Holland.
What does it mean to compose in America today, while overseeing a major cultural institution in flux? For this special live taping of the podcast Sound Expertise, host Will Robin interviews composer Jonathan Bailey Holland, dean of the Bienen School of Music at Northwestern University, to answer these crucial questions. (Accessible only to those registered for the conference)
Friday, Nov 15, 8pm: A hang for friends and fans of the pod, at 2Twenty2 Tavern right by the conference hotel. Come by anytime between 8 and 9:30 or so and say hi, and also goodbye!
Everybody's studying Taylor Swift these days, from Swifties decoding her vault to YouTubers decoding her harmonies to right-wing conspiracists decoding her plot against America. But what does it mean to study Taylor Swift as a musicologist? Christa Bentley, Kate Galloway, and Paula Harper know: they're co-editing Taylor Swift: The Star, the Songs, the Fans, a book of essays out next year. This week: a conversation about what it means to study the cultural phenomenon that is Taylor Swift, and what Taylor can tell us about musicology today.
Show notes and more over at soundexpertise.org!
Questions? Thoughts? Email [email protected] or tag Will on Instagram/Twitter @seatedovation
ALSO, we're going to be at the American Musicological Society conference in Chicago soon!
Friday, Nov 15, 11:45am: Sound Expertise LIVE! The American Composer and the Future of the Conservatory with Jonathan Bailey Holland.
What does it mean to compose in America today, while overseeing a major cultural institution in flux? For this special live taping of the podcast Sound Expertise, host Will Robin interviews composer Jonathan Bailey Holland, dean of the Bienen School of Music at Northwestern University, to answer these crucial questions. (Accessible only to those registered for the conference)
Friday, Nov 15, 8pm: A hang for friends and fans of the pod, at 2Twenty2 Tavern right by the conference hotel. Come by anytime between 8 and 9:30 or so and say hi, and also goodbye!
Election Day is approaching, and both presidential candidates have been foregrounding music, from Kamala Harris walking out Beyoncé's "Freedom" to Donald Trump...dancing for 30 minutes to "Memory" from Cats. It's been a weird, and terrifying, campaign season. But music can help us make sense of it, according to musicologist Dana Gorzelany-Mostak, who runs the project "Trax on the Trail." In this conversation, we discuss the sound and spectacle of this turbulent moment: how do Harris's playlists and Trump's dance parties define the candidates to voters, and what do they say about the state of American democracy?
Dana Gorzelany-Mostak is an Associate Professor of Music at Georgia College & State University.
Show notes and more over at soundexpertise.org!
Questions? Thoughts? Email [email protected] or tag Will on Instagram/Twitter @seatedovation
ALSO, we're going to be at the American Musicological Society conference in Chicago soon!
Friday, Nov 15, 11:45am: Sound Expertise LIVE! The American Composer and the Future of the Conservatory with Jonathan Bailey Holland.
What does it mean to compose in America today, while overseeing a major cultural institution in flux? For this special live taping of the podcast Sound Expertise, host Will Robin interviews composer Jonathan Bailey Holland, dean of the Bienen School of Music at Northwestern University, to answer these crucial questions. (Accessible only to those registered for the conference)
Friday, Nov 15, 8pm: A hang for friends and fans of the pod, at 2Twenty2 Tavern right by the conference hotel. Come by anytime between 8 and 9:30 or so and say hi, and also goodbye!
Florence Price was exceptional, but she was not singular. In the fascinating new book "South Side Impresarios," musicologist Samantha Ege situates Price amidst multiple generations of Black women who transformed Chicago into a Black classical metropolis. In this conversation, we discuss the city and community that built Price, including the pivotal figures Nora Holt and Maude Roberts George, as well Dr. Ege's own work as a scholar, pianist, and advocate for this powerful lineage.
Samantha Ege is an award-winning researcher and musicologist, internationally recognized concert pianist, and popular public speaker.
Show notes and more over at soundexpertise.org!
Questions? Thoughts? Email [email protected] or tag Will on Instagram/Twitter @seatedovation
Welcome to Season 4 of Sound Expertise! Opera is a four-hundred-year-old genre, and it often looks and sounds that way: despite opera's revolutionary merging of artistic disciplines, its administrators and musicians are often stuck in the past. But in his visionary productions, the director Yuval Sharon has imagined many potential futures for the art form; this conversation, about his new book, reveals where he thinks opera needs to go next, and why. Plus, a discussion of his highly-anticipated Ring cycle for the Metropolitan Opera!
Show notes and more over at soundexpertise.org!
Questions? Thoughts? Email [email protected] or tag Will on Instagram/Twitter @seatedovation
WE'RE SO BACK. Our fourth and final season begins October 15. Seeya then!
soundexpertise.org
Philip Ewell has, in recent years, become the most controversial music scholar on the planet. After his incisive work on music theory's white racial frame was unfairly attacked by fellow academics, he was suddenly thrust into the national spotlight, as right-wing news outlets targeted him as part of a broader backlash. A discussion about what it means to be caught up in the Culture Wars, racism in music scholarship, and how Dr. Ewell has grappled with it all.
Philip Ewell is professor of music theory at Hunter College of the City University of New York.
Show notes and more over at soundexpertise.org!
Questions? Thoughts? Email [email protected] or tag Will on Instagram/Twitter @seatedovation
Do we hear silence? John Cage certainly thought so, and so does Chaz Firestone, a scientist whose laboratory's recent study revealed that yes, we do hear silence. In this conversation, we discuss his new findings, what they mean for the fields of perception studies and philosophy, and how science and the humanities can work together to provide new answers to longstanding questions.
Chaz Firestone is Assistant Professor of Psychological and Brain Sciences and Director of the Hopkins Perception & Mind Laboratory at John Hopkins
Show notes and more over at soundexpertise.org!
Questions? Thoughts? Email [email protected] or tag Will on Instagram/Twitter @seatedovation
In curating music and the performing arts at the Smithsonian’s National Museum of African American History and Culture, Dwandalyn Reece has one of the most important jobs one can have as a music scholar: providing a framework for the public to understand African-American culture, at a moment in which Black history is under a nationwide assault. In this conversation, Dr. Reece discusses her work at the Smithsonian, the process of acquiring important artifacts of Black musical life, and the museum's significance today.
Show notes and more over at soundexpertise.org!
Questions? Thoughts? Email [email protected] or tag Will on Instagram/Twitter @seatedovation
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