On today's episode we sit down with Sound of Ages guitarist Sam Handley. We discuss the origin of his guitar playing, his approach to playing guitar with Sound of Ages, and much more.

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Saint-Saéns isn't known for his choral works, but there are several "French delicacies" that he penned worth performing, exploring, and discussing. Calme de nuits is one of those pieces. The beauty of this piece comes from it's simplicity. In this episode Kam does a composer profile of Saint-Saéns, Drew joins to discuss the work from a more technical standpoint, and we get to hear Sound of Ages' recording of the work from May of 2025, to be released as a single coming up soon!

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Andrew Maxfield's masterful tribute to The Bard stands as a masterclass in musical humor, storytelling, and artistry. Take a listen to Kam & Drew discuss elements of the piece and performance that help the punch lines land.

The two track Single featuring Poor Richard's Madrigal and All's Well that Ends...Well will be released on all streaming platforms Friday, July 10, 2026. Pre-Save the album here.

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I might be easy to spot the story in music that has text, but the music itself can tell a story. The timeless elements of storytelling can be found in and amongst the notes themselves. Andrew's Poor Richard's Madrigal is a prime example of great musical storytelling on both counts.

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Join us for the final episode of the Wind, Water, Stone: Deep Dives. If Ye Love Me Reimagined is the result of Kam and Drew's collaborations dealing with reimagining old works. Andrew takes us through the concept of a "palimpsest" in historical preservation and how he aimed for a similar effect, with glimpses of the original Tallis piece peaking through the surface that is Andrew's texture and style.

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The recording of the original setting of If Ye Love Me by Thomas Tallis featured in this episode is a performance by Tenebrae Choir and can be found on YouTube.

What is harmony? How is it formed? How does it function? Harmony can be explained very simply to a novice musician and also contains great depths that leave even the most seasoned professional wondering if they know "how to music at all." Day Is Done, the second to last track on Sound of Ages' most recent album Wind, Water, Stone explores various harmonic colors and functions. A baseline discussion follows about the fundamentals of harmony as a bi-product of linear sensibility.

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Kam & Drew take a deep dive into elements that make up musical texture, how they can be used to create motion, how rhythm plays a part, etc. Drew's setting of Loveliest of Trees employs various rhythmic and textural elements to take the listener on a contemplative journey through the seasons.

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Join Kam and Drew as they do a brief overview of some of the pieces, themes, and narratives that will be explored in Sound of Ages season retrospective concert. Repertoire to include William Byrd, John Tavener, Andrew Maxfield, Anton Bruckner, Claudio Monteverdi, and more.

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Wind, Water, Stone is available now! Get it wherever you get your streams!

Today we dive into Drew's setting of The Blue Bird, a text by Mary Elizabeth Coleridge made famous in the choral world by 19th Century English composer Charles Villiers Stanford. Kam and Drew discuss the differences between the French and German schools of thought when it comes to composition, the importance of line, the use of harmonic colors, and much more!

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Andrew Maxfield's setting of Paul Laurence Dunbar's famous text Invitation to Love serves as the subject of our next episode of deep dives into tracks from SOA's upcoming album Wind, Water, Stone. Hearkening to techniques from the renaissance madrigals, we get to feel and hear Drew's point of view of the text in song.

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