Haydn Keenan is a director, writer and producer in Sydney, who's been making some of Australia's most unique cult films since the early 70s.

In this interview I chat with him about his approach to financing transgressive films outside the state funding system, his 1987 fever-dream surrealist masterpiece Pandemonium, and his 1983 vibrant coming-of-age love letter to 1980s Sydney, Going Down, which is getting a cinema re-release from May 14th.

Buy tickets to Going Down here.

Keep up to date with Smart Street Films on their Instagram, @smartstreetfilms

Follow me on Instagram at @alfiefaber

Oops sorry I ghosted there for a bit! But I'm back - and in this trailer, I chat a bit about where I been and where we're going!

This weekend, the prodigal podcaster will return with a fresh new episode, interviewing the legendary cult Aussie filmmaker Haydn Keenan about his 1983 flick GOING DOWN which is getting a cinema re-release. Get your tickets here!

I'll also give you a peek behind the curtains of what I've been doing (directing a doco about gay nuns)

If you're in Australia and want to watch it, it's called Old Habits and it's on ABC iView https://iview.abc.net.au/video/RN2411H022S00

If you're international and want to watch it just DM me on Instagram! @alfiefaber

See you this weekend for a fresh new episode of the pod!!!

The Big Dog is playing at a cinema near you! Tickets available here https://www.2cpictures.com/films/thebigdog

Dane McCusker is a director in Sydney, whose debut feature The Big Dog is about to start its theatrical release after sold-out sessions at Sydney Film Festival.

The Big Dog is a dramedy about a married stockbroker with a penchant for the esoteric fetish "findom" - financial domination. When his secret dominatrix cleans out all of his bank accounts, he has one day to save his life from ruin.

It's a hilarious, heart-wrenching and nuanced interrogation of class, gender and toxic masculinity. I couldn't recommend it highly enough.

Check out Dane's other shorts here

Follow me on Insta and Letterboxd @alfiefaber

Follow Dane's production company 2c Pictures here

Garth Davis is a director from Melbourne whose credits include the 6-time Oscar nominated Lion (2016), Mary Magdalene (2018), episodes of Jane Campion's show Top Of The Lake, and most recently Foe (2023).

This episode we chatted about his beginnings in directing commercials, his first documentary feature in 2000 (one of Greig Fraser's first projects as DOP), his long-standing collaboration with previous Sound Perspective guest Robert Mackenzie, and his newest film, Foe: a heady blend of sci-fi and drama starring Paul Mescal and Saoirse Ronan in a dystopian future Earth.

Foe is currently in cinemas in Australia, and will soon be streaming on Amazon Prime.

Follow me on Instagram and Letterboxd @alfiefaber

Follow the Sound Perspective Podcast on Facebook https://www.facebook.com/soundperspectivepodcast

Thomas M. Wright is an Australian director in Melbourne. He started as an actor and has since directed 2 features, the most recent being The Stranger, a Netflix original crime thriller starring Joel Edgerton and Sean Harris which premiered at Cannes 2022. He's incredibly intelligent and articulate.

In this interview we chatted about everything from dreams, to his bizarre writing style, and how he likes to develop the tone of his films.

Follow me on Instagram and Letterboxd @alfiefaber

Follow the Sound Perspective Podcast on Facebook https://www.facebook.com/soundperspectivepodcast

Hlynur Pálmason is an Icelandic filmmaker and artist.
films include Godland, A White White Day, and Winter Brothers. He's won awards at Cannes, Toronto, Locarno and more. I saw Godland at Sydney Film Festival last year and had an absurd out of body experience, he's very quickly become one of my favourite directors.

Happy awards season! Todays episode is with Frank Kruse and Lars Ginzel, sound supervisor and re-recording mixer of the new Netflix war film All Quiet on the Western Front, which recently won the BAFTA for Best Sound and is nominated for an Academy Award. Frank and Lars chat about their history in the German film industry, the extensive crowd recording done with hundreds of extras on set, and how they communicate with director Edward Berger.

All Quiet on the Western Front is now available on Netflix and is still in consideration for the Academy Award for Best Sound.

Follow Sound Perspective on Facebook here

Follow me on Letterboxd at @alfiefaber

To get in touch with comments about the podcast email me at [email protected]

Maya Newell is a documentary filmmaker in Sydney whose body of work is a beautiful testament to the power of documentary to engender empathy. Her first feature documentary, Gayby Baby, followed the experiences of children of same-sex parents, and her second, In My Blood It Runs, is a cinematic portrait of a young Indigenous boy in central Australia - it was selected for the Sundance Music and Sound Design Lab.

Often working with her participants as credited collaborators, Maya's documentaries are emotionally stunning and politically vital. Her most recent film, The Dreamlife of Georgie Stone, is a half-hour Netflix Original following teenage trans activist Georgie Stone.

In this interview, we chatted about her beginnings in video art, the experience of recording an orchestral score for In My Blood It Runs at Skywalker Sound, and how she and Georgie Stone discovered a format and tone that would suit Georgie's story.

More about The Dreamlife of Georgie Stone here

Follow us on Facebook

Follow me on Instagram @alfiefaber

and on Letterboxd @alfiefaber

WARNING: In this episode, I repeatedly mispronounce Leo Grande. Sophie was really nice so she never corrected me and I didn’t realise till I uploaded. It’s not easy being this dumb but somehow I stumble through life.

Sophie Hyde is a super talented Australian director from Adelaide whose first fiction feature, 52 Tuesdays, won directing awards at both Berlin and Sundance. Since then she’s been making a bunch of phenomenal work in features, doco and TV, most recently the film Good Luck To You, Leo Grande, starring Emma Thompson.

We chatted about everything from her background in documentary, shooting 52 Tuesdays over 52 weeks, her collaboration with Irish sound editor Steve Fanagan, rehearsing over Zoom and the challenges of shooting a film in one location.

Good Luck To You is currently screening in theatres across Australia (maybe still in the US and UK?) Either way watch it it’s so good!

Follow me on Letterboxed @alfiefaber

Instagram @alfiefaber

Contact me on [email protected]

In this episode I chat to sound supervisor Wayne Pashley and composer/music producer Elliott Wheeler about their work on the new Elvis biopic directed by Baz Luhrmann. I joined Wayne at his studio Big Bang Sound Design, and Elliott Skyped in from the US. We chatted about their history working with Baz Luhrmann, the intense collaboration between sound design and music necessary for a soundtrack this dense, the contextual news recordings that Wayne used as “sonic glue” and the joy of bringing Elvis’s music to a contemporary audience.

Check Wayne’s IMDB at https://www.imdb.com/name/nm0664563/

Elliott Wheeler at https://www.imdb.com/name/nm1395268/?ref_=nv_sr_srsg_0

Got feedback? Email me at [email protected]

Follow Sound Perspective on Facebook at https://www.facebook.com/soundperspectivepodcast/