In this exclusive SoundWorks Collection video we explore the captivating sound design and music of Pixar's Inside Out 2, an emotional rollercoaster that explores the inner workings of a young mind.

Discover the auditory brilliance behind the sound of Emilia Pérez with an inside look at the track, 'Bienvenida' sung by Selena Gomez.

The sound of WICKED transports you into the magical world of Oz with its soaring melodies and powerful orchestration. From the vibrant, bustling streets of the Emerald City to the mysterious and untamed lands beyond, the music pulses with emotion and energy.

In this exclusive conversation, we dive deeper into several key scenes, unpacking the sound team's meticulous craft behind the scenes. From the striking opening sequence to the breathtaking finale, we explore how different audio elements were carefully designed to heighten the emotional impact.

Featuring Supervising Sound Sound and Sound Designer / Re-recording Mixer John Marquis, Supervising Sound Editor and Sound Designer Nancy Nugent-Title, Re-recording Mixer Andy Nelson and Supervising Music Editor Jack Dolman.

Recorded on November 8th on the Hitchock mixing stage at Universal Studios.

In this exclusive SoundWorks Collection conversation, we're talking with writer and director Jason Reitman about his new film, Saturday Night.

In this SoundWorks Collection exclusive, we take a deep dive into the sonic world of two of Marvel's most iconic characters: Deadpool and Wolverine. Join us as we chat live from the Savannah film festival featuring Composer Rob Simonsen and Re-recording mixer & Supervising Sound Editor Craig Henighan.

Discover how Simonsen’s evocative score brings emotional depth and pulse-pounding energy to the chaos of these fan-favorite antiheroes. Meanwhile, Henighan reveals the secrets behind crafting the visceral soundscapes of brutal fights, sharp wit, and gritty adventures.

Whether you're a Marvel fanatic, a film score aficionado, or simply curious about how sound shapes storytelling, this episode delivers a fascinating exploration into the art of cinematic sound and music.

In this episode of the Soundworks Collection podcast we chat with the sound team behind Director Todd Phillip's Joker: Folie à Deux.

For Phillips, sound isn't just an afterthought; it's a vital part of his storytelling. And in this film, the collaboration between Phillips and his sound team creates an auditory experience that blurs the line between reality and madness.

In this conversation we feature Co–Supervising Sound Editors and Sound Designers Erik Aadahl and Ethan Van der Ryn, Re-Recording Mixers Tom Ozanich and Dean Zupancic, Production Sound mixer Steven Morrow and Executive Music Producer, Supervising Music Editor, and Executive Producer Jason Ruder.

In this exclusive SoundWorks Collection documentary, we dive deep into the mesmerizing world of Dune: Part Two and discover the creative brilliance behind its groundbreaking sound design.

On this episode of the SoundWorks Collection podcast, we’re diving into Netflix’s gripping thriller Woman of the Hour, directed by the multitalented Anna Kendrick in her remarkable directorial debut.

Joining us today are Director Anna Kendrick, Re-recording Mixer Tony Solis, and Supervising Sound Editor Paul Stanley. We’ll explore how these creative minds collaborated to heighten the tension and intensity of the film through sound, and break down a few key scenes that offer fascinating insights into the filmmaking process.

In this exclusive SoundWorks Collection podcast episode, we feature an in-depth conversation with the sound crew behind the critically acclaimed TV series "The Bear".  Featuring Re-recording mixer and Supervising Sound Editor Steve Giammaria, Dialogue Editor Evan Benjamin, and Production Sound Mixer Scott Smith discuss the creative and technical challenges of bringing the show's dynamic kitchen and restaurant environments to life.

The crew reflects on the show's early success and surprising cultural impact, as well as the challenges of capturing the authentic sounds of the chaotic kitchen scenes using multiple cameras, booms, and lavalier mics. They share insights into their innovative audio editing and mixing techniques, such as using auto-align, managing dynamics, and preserving production tracks to maintain the emotional impact of the dialogue.  We also discusses the importance of balancing noise reduction with preserving the life and energy in the audio, as well as overcoming challenges like background noise and improvisation.

This episode provides a fascinating behind-the-scenes look at the exceptional sound work that has contributed to the success of "The Bear" and the creative process behind it, offering valuable insights for anyone interested in the art of sound design and post-production for television.

Today is a hard day, I think for, many of you who know my story, a big reason why I started the SoundWorks Collection was because of the many people throughout my life, early on in my career that had an incredible impact, influencing me and inspiring me to pursue sound and filmmaking.

Ann was one of the first sound artists I met and worked with while I started my sound engineering degree around 2001. We spoke often on the phone and I would visit Ann over the years at her studio and home to catch up and chat. She is a pioneer in the audio world and her art and contributions will be remembered for a long time.

We remember Ann Kroeber by revisiting our 2017 conversation about her Cinematic Winds library released on Pro Sound Effects.