South Bend's Own Words

We’re releasing a new book. Placing History: An African American Landmark Tour of South Bend, Indiana, features South Bend’s African American history as told through some of the many landmarks where that history was made. The book is available for free in print while supplies last, and always available as an e-book by visiting http://aalt.iusb.edu/.

The oral histories we’ve archived deeply informed the writing. Today, we hear longer versions of the oral histories quoted in Placing History—just some of the many people who lived, worked, or organized for change within some of these landmarks.

This episode was produced by Nathalie Villalobos and George Garner from the Indiana University South Bend Civil Rights Heritage Center. 

Full transcript of this episode available here.

Want to learn more about South Bend’s history? View the photographs and documents that helped create it. Visit Michiana Memory at http://michianamemory.sjcpl.org/. 

Title music, “History Explains Itself,” from Josh Spacek. Visit his page on the Free Music Archive, http://www.freemusicarchive.org/. 

The daughter of migrant farmworkers, Rebecca Ruvalcaba witnessed the growth of the Latines community from a few originators, like her father, Benito Salizar. Rebecca’s parents instilled in her a desire to learn, and to serve. She adapted to a late-in-life diagnosis of dyslexia to earn degrees from Indiana University South Bend and the University of Notre Dame. She became a social worker, a director of La Casa de Amistad, and served in various leadership roles at the University of Notre Dame. 

In 2018, Rebecca sat down to talk about her roots in South Bend’s migrant farm community, her growth as a learner and a leader, and her continued passion for serving her community. 

This episode was produced by Nathalie Villalobos and George Garner from the IU South Bend Civil Rights Heritage Center. 

Full transcript of this episode available here. 

Want to learn more about South Bend’s history? View the photographs and documents that helped create it. Visit Michiana Memory at http://michianamemory.sjcpl.org/. 

Title music, “History Explains Itself,” from Josh Spacek. Visit his page on the Free Music Archive, http://www.freemusicarchive.org/. 

In the 1940s, professional baseball segregated players both by race and by gender. The All-American Girls’ Professional Baseball League, and our home team, the South Bend Blue Sox, famously upset rigid gender discrimination and opened pro-ball to white women. But only white women.

For a talented young athlete like Renelda Robinson, the opportunity to play ball came from a café owner on Birdsell Street in South Bend’s west side. Uncle Bill’s All-Colored Girls Softball team brought young players on adventures across the Midwest.

In 1987, Renelda sat down to talk about her years in baseball’s spotlight.

This episode was produced by Nathalie Villalobos and George Garner from the Indiana University South Bend Civil Rights Heritage Center.

Additional thanks to Ryan Olivier and the Ernestine M. Raclin School of the Arts at IU South Bend.

Full transcript of this episode available here.

Over the last three years, professors, staff, and students from the University of Notre Dame reached out to community partners about a new project called Foundry Field. They’re building a new diamond on South Bend’s southeast side, focusing on honoring local baseball history, particularly marginalized players. The Civil Rights Heritage Center is one of the partners, contributing historical research. Learn more about the project and its focus on local history and art at foundryfield.org.

Want to learn more about South Bend’s history? View the photographs and documents that helped create it. Visit Michiana Memory at http://michianamemory.sjcpl.org/.

Title music, “History Explains Itself,” from Josh Spacek. Visit his page on the Free Music Archive, http://www.freemusicarchive.org/.

Near the end of World War II, at age four or five years old, Abdul Nur moved from Elkhart, Indiana, to South Bend. Despite the short distance, Abdul experienced a huge cultural shock. For the first time, he was surrounded by children from multiple racial and cultural groups. Abdul went on to experience multi-ethnic spaces throughout his time at Central High School and into the Air Force.

As early as middle school, Abdul began a deep education into Islam that eventually led him, as an adult, to convert and take on the name Abdul Nur. These experiences led him to get involved in civil disobediences in Nashville, Tennessee, fighting for justice during the height of the 1960s civil rights movement. With a degree from Indiana University South Bend, Abdul became involved in several activist groups here from the 1960s through the 90s.

In 2001, IU South Bend Civil Rights Heritage Center students Andrea Sheneman and David Healey sat down with Mr. Nur. They spoke about his early experiences in South Bend’s schools, his learning and conversion to Islam, and how that all informed his actions for justice.

This episode was produced by Donald Brittain from the Ernestine M. Raclin School of the Arts at IU South Bend, and by George Garner from the Civil Rights Heritage Center.

Full transcript of this episode available here.

Want to learn more about South Bend’s history? View the photographs and documents that helped create it. Visit Michiana Memory at http://michianamemory.sjcpl.org/.

Title music, “History Explains Itself,” from Josh Spacek. Visit his page on the Free Music Archive, http://www.freemusicarchive.org/.

At two public events in October 2022, doctors Jamie Wagman and Julia Dauer from Saint Mary’s College presented the results of an oral history collection project they’d been working on. The idea was to collect stories of real people in our community deeply impacted by the COVID-19 pandemic. The full versions of these oral histories are preserved in the Civil Rights Heritage Center’s archives, but today we share audio from Drs. Wagman and Dauer’s public presentations.

Narrators include Mark Albion, Dea Andrews, Fr. Brian Ching, Stacy Davis, Nikki Hammond, Skyler H., Jennet Ingle, HR Jung, Andre Northern, Lauren S., Ramal Taylor, and Asa Wood.

This episode was produced by Jamie Wagman and Julia Dauer from Saint Mary’s College, Donald Brittain from the Ernestine M. Raclin School of the Arts at Indiana University South Bend, and George Garner from the IU South Bend Civil Rights Heritage Center.

Full transcript of this episode available here.

Want to learn more about South Bend’s history? View the photographs and documents that helped create it. Visit Michiana Memory at http://michianamemory.sjcpl.org/.

Title music, “History Explains Itself,” from Josh Spacek. Visit his page on the Free Music Archive, http://www.freemusicarchive.org/.

One of the most fundamental human needs is shelter.

From the 1910s through the 1950s, many thousands of people of African descent fled the most brutal forms of economic, racial, and violent oppression in the U.S. South and sought refuge in South Bend, Indiana. Many white people did not warmly welcome them into their new homes.

African American people were largely only allowed to live in the city’s west side. Quickly produced, low-quality factory homes were one of the few choices for most African Americans. A lot of people were only able to make shacks out of old piano boxes.

As the city grew and evolved, some neighborhoods maintained white racial exclusivity by adding restrictions onto deeds that homes only be sold to other white people. In other neighborhoods, less overt, but equally effective pressures thwarted African American homeownership well into the twentieth and twenty-first centuries.

Today, we hear from South Bend citizens who were simply trying to find a place to live. Narrators include Willie Mae Butts, George McCullough, Maurice Roberts, Charlotte Hudleston, Margaret and Leroy Cobb, Jack Reed, Audrey and Dr. Bernard Vagner, Tom Singer, Barbara Brandy, Ralph Miles, Glenda Rae Hernandez, and Federico Rodriguez.

This episode was produced by Donald Brittain from the Ernestine M. Raclin School of the Arts at IU South Bend, and by George Garner from the Civil Rights Heritage Center.

Full transcript of this episode available here.

Want to learn more about South Bend’s history? View the photographs and documents that helped create it. Visit Michiana Memory at http://michianamemory.sjcpl.org/.

Title music, “History Explains Itself,” from Josh Spacek. Visit his page on the Free Music Archive, http://www.freemusicarchive.org/.

On June 29, 1922, several hundred people attended a special, two-hour evening opening of the new Engman Public Natatorium. By September, South Bend’s Parks Board estimated almost 10,000 people took advantage of the brand-new facility.

It is unclear exactly when the white people in charge of the Natatorium first denied entry to African American people—but they did. And as a taxpayer funded, supposedly “public” facility, it became a focus of local civil rights action by a group of doctors, lawyer, politicians, and other Black professionals pushing against an entrenched system of discrimination.

By 1978, the Natatorium was over fifty years old, and it was falling apart. Officials started asking whether it was time to shut it down.

Paul McMinn was just out of college then. Bob Goodrich offered him a job to run the Natatorium. Neither of them knew it would be the Nat’s last open season.

In 2018, I sat down with Paul and Bob, and also Bob Heiderman who taught classes at the Natatorium and other pools in South Bend.

As we’re now over a century since the Natatorium first opened, I thought it was fitting to hear Paul and the two Bob’s talk about the last days of the Engman Public Natatorium.

This episode was produced by Donald Brittain from the Ernestine M. Raclin School of the Arts at IU South Bend, and by George Garner from the Civil Rights Heritage Center.

Full transcript of this episode available here.

Want to learn more about South Bend’s history? View the photographs and documents that helped create it. Visit Michiana Memory at http://michianamemory.sjcpl.org/.

Title music, “History Explains Itself,” from Josh Spacek. Visit his page on the Free Music Archive, http://www.freemusicarchive.org/.

Madeline Smothers was born in Rockville, Illinois, in 1917. By 1935, she joined members of her extended family living in South Bend’s east side, soon befriending people in power like lawyers J. Chester and Elizabeth Fletcher Allen.

At this time, South Bend was rapidly evolving—but for African Americans who left the South to chase factory jobs up north, they were still confronting the entrenched racism they hoped they were fleeing when they left the South. As entrenched as racism was, many people still pushed for change—including Ms. Smothers’ friends, the Allens. And the Allens’ young, fair complected friend Madeline was a palatable candidate for some of the first jobs held by African Americans downtown.

The trust she built led Ara Parseghian, the University of Notre Dame’s football coach in the late 1960s and early ‘70s, to ask Madeline and her husband for help recruiting and retaining Black athletes.

In 2003, David Healey sat down with Madeline in the east side home she lived in for decades. Madeline talked about the early days of South Bend’s growing African American community, her time with the Allen family, and how different her experience was as a light-skinned African American woman in South Bend.

This episode was produced by Jweetu Pangani from the Ernestine M. Raclin School of the Arts at IU South Bend, and by George Garner from the Civil Rights Heritage Center.

Full transcript of this episode available here.

Want to learn more about South Bend’s history? View the photographs and documents that helped create it. Visit Michiana Memory at http://michianamemory.sjcpl.org/.

Title music, “History Explains Itself,” from Josh Spacek. Visit his page on the Free Music Archive, http://www.freemusicarchive.org/.

Jack Reed was about four or five years old when his mother moved him from Tennessee to South Bend. He absorbed a strong desire to work watching his mother clean other people’s homes. The job he desired most was as a state police officer. The Indiana State Police, however, did not hire African Americans.

Jack eventually served as the first African American Battalion Chief in the South Bend Fire Department, and then later got an offer from Mayor Joe Kernan to serve on a greater scale in his administration. Jack stayed on with the transition to Mayor Steve Leucke. From an office atop the County City Building, Jack had a unique view of how the city worked and tried to support its people.

In 2001, IU South Bend student Greg Balue and Civil Rights Heritage Center Director Les Lamon sat down with Jack Reed. They talked about Jack’s experiences with racism in this city, and in spite of his treatment, how he made his way up through multiple levels of city service.

This episode was produced by Donald Brittain from the Ernestine M. Raclin School of the Arts at IU South Bend, and by George Garner from the Civil Rights Heritage Center.

Full transcript of this episode available here.

Want to learn more about South Bend’s history? View the photographs and documents that helped create it. Visit Michiana Memory at http://michianamemory.sjcpl.org/.

Title music, “History Explains Itself,” from Josh Spacek. Visit his page on the Free Music Archive, http://www.freemusicarchive.org/.

Dr. Les Lamon was a long-time history Professor at IU South Bend. In 2000, he started the Freedom Summer class that brought students on a bus tour through the civil rights movement in the U.S. South. David Healey was a student in that class. Inspired by his experience, he became an early founding member of the Civil Rights Heritage Center on campus and led the early Oral History program. His efforts preserved the life stories of dozens of local people— the very stories we’ve shared on this podcast.

David passed away in March 2010—two months too soon to see the results of his research and organizing to transform the former Engman Public Natatorium.

In May 2009, Les and David were on a road trip to Fort Wayne—and Les turned on the tape recorder. He and David talked about their inspirations as white men to study the African American civil rights movement, and about forming and leading the early days of the Civil Rights Heritage Center.

This episode was produced by Jweetu Pangani from the Ernestine M. Raclin School of the Arts at IU South Bend, and by George Garner from the Civil Rights Heritage Center.

Full transcript of this episode available here.

We’re going to take a two-month break from releasing episodes so our IU South Bend student producers can concentrate on finishing their semester’s classes. Look for a new year of local stories beginning January 26, 2022, with longtime firefighter, police officer, and Mayoral staffer Jack Reed.

Want to learn more about South Bend’s history? View the photographs and documents that helped create it. Visit Michiana Memory at http://michianamemory.sjcpl.org/.

Title music, “History Explains Itself,” from Josh Spacek. Visit his page on the Free Music Archive, http://www.freemusicarchive.org/.