Notations / meanings -> http://www.shivkumar.org/music/#s

Ragam: Brindavana Saranga (aka Brindaavani) (22ndth Mela janyam)

AROHANA:   S R2 M1 P N2 S  ||

Talam: Rupakam

Composer: Mutthuswami Dikshitar

Version: D.K. Pattammal

Pallavi:

Soundara Raajam Ashraye Gaja Brindaavana Saaranga Varada Raajam

Anupallavi:

Nanda Nandana Raajam Naaga Pattana Raajam Sundari Ramaaraajam Suravinutamahiraajam

Mandasmita Mukhaambujam Mandaradhara Karaambujam

Nandakara Nayanaambujam Sundaratara Padaambujam

Charanam:

Shambaravairi Janakam Sannuta Shuka Shaunakam Ambarishaadi Viditam Anaadi Guruguha Muditam Ambujaasanaadi Nutam Amareshaadi Sannutam Ambudhi Garva Nigraham Anruta Jada Dukhaapaham Kambu Vidambana Kantham Khandikrutha Dashakantam Tumburu Nuta Shree Kantam Duritaapaha Vaikuntam

MEANING: (From T.K. Govinda Rao's book)

I seek the refuge("Ashraye")  in Soundara Raaja, who protected the Gajeendra ("gaja") in the forest of elephants ("brindaavana saaranga") and He is the top most("raajam")  in granting boons ("varada").

He is the darling son ("nandana") of Nanda, he is the ruler ("raajam") of Naagapattana. He is the spouse ("raajam") of the lovely ("sundari") Lakshmi ("Ramaa"). He is praised ("vinuta") by the celestials ("sura") and He is the King ("raajam") of the Universe ("mahi").

Whose lotus ("ambujam") face ("mukha") is lit with smiles ("mandasmita"), whose lotus like ("ambujam") hand ("kara") holds ("dhara") the Mandaara mountain.

Whose lotus-like eyes ("nayana-ambujam") gives happiness ("nandakara") to everyone and he possess the beautiful ("sundaratara") shining lotus-like ("ambujam") feet ("pada").

He is the father ("janakam") of the enemy ("vairi") of Siva ("shambara") -- Cupid. He is saluted ("sannuta") by Shuka and Shaunaka. He protects ("viditham") devotees like Ambarisha. He is the eternal joy ("mudhitham") of Guruguha. He is worshipped ("nutam") by Brahma ("ambujaasana"), praised by Indra ("amaresha") and other ("aadi") celestials.

He supressed ("nigraham") the pride ("garva") of the ocean ("ambudhi") - Samudra. He is the remover ("apaham") of the afflictions ("dukha") emerging out of falsehood ("anruta") and ignorance ("jada"). Whose neck ("kantam") equals the conch ("kambu vidambana") in beauty, who destroyed ("khandikrutha") the ten-headed ("dasha-kantam") Raavana. He is Srikanta, praised ("nuta") by the sage Tumburu. He removes ("apaha") sorrow ("duritha") and abides in Vaikunta ("vaikuntam").

Notations -> http://www.shivkumar.org/music/#s

Ragam: Sowrastram (17th Melakartha Suryakantham janya)

ARO: S R₁ G₃ M₁ P M₁ D₂ N₃ Ṡ    ||

AVA: Ṡ N₃ D₂ N₂ D₂ P M₁ G₃ R₁ S  ||

Talam: Adi (2 kalai)

Composer: Tyagaraja

Version: Peri Sriramamurthy

Lyrics/Meaning Courtesy: Thyagaraja Vaibhavam

Pallavi:

SrI gaNa patini sEvimpa rArE

Srita mAnavulArA

Anupallavi:

vAg-adhip(A)di su-pUjala cEkoni

bAga naTimpucunu veDalina (SrI)

Charanam:

panasa nArikEL(A)di jambU

phalamul(A)raginci

ghana tarambuganu mahipai padamulu

ghallu ghallana(n)unci

anayamu hari caraNa yugamulanu hRday-

(A)mbujamuna(n)unci

vinayamunanu tyAgarAja vinutuDu

vividha gatula dhittaLAngu(m)ani veDalina (SrI)

Meaning: (Courtesy: Thyagaraja Vaibhavam: http://thyagaraja-vaibhavam.blogspot.com/2007/05/thyagaraja-kriti-sri-ganapathini-raga.html)

P: O Devoted (Srita) folks (mAnavulArA)! Let us (rArE) (literally come) to worship (sEvimpa) the Lord SrI gaNapati (gaNapatini).

A: O Devoted folks! Let us worship Lord SrI gaNapati who, having accepted (cEkoni) worship (su-pUjala) of brahmA – Consort (adhipa) of sarasvati (vAk) - and others (Adi) (vAgadhipAdi), is proceeding (veDalina) dancing (naTimpucunu) nicely (bAga).

C: O Devoted folks! Let us humbly (vinayamunanu) worship Lord SrI gaNapati - praised (vinutuDu) by this tyAgarAja - who -

having partaken (Araginci) jack-fruit (panasa), coconut (nArikELa), jambU and other (Adi) (nArikELAdi) fruits (phalamulu) (phalamulAraginci),

heavily (ghana tarambuganu) placing (unci) His steps (padamulu) (literally feet) on the Earth (mahipai) to the jingle (ghallu ghallana) (ghallanununci),

ever (anayamu) seating (unci) the holy feet (caraNa yugamulanu) of Lord hari in the Lotus (ambujamunanu) of His heart (hRdaya) (hRdayAmbujamunanunci),

is proceeding (veDalina) to the varied (vividha) pace of beats (gatulu) sounding (ani) dhittaLAngu (dittaLAngumani).

Notations -> http://www.shivkumar.org/music/#s

Ragam: Janaranjani {29th Melakartha (“Shankarabharanam”) Janyam}

ARO:   S R2 G3 M1 P D2 P N3 S  ||

AVA:  S D2 P M1 R2 S    ||

Talam: DeshAdi

Composer: Tyagaraja

Version: Ram Kaushik

Pallavi:

smaraNE sukhamu rAma nAma naruDai buTTi nanduku nAma

Anupallavi:

vara rAjayOga niSTulau vArikAnanda maNDaTaTTu

Charanam:

rAma nAma shravaNamu valla nAma rUpamE hrdayamu niNDi

prEma buTTa sEyaga lEdA niSkAma tyAgarAju sEyu nAma

Meaning: (“Courtesy:  V Govindan: Tyagaraja Vaibhavam”)

Gist:

For taking birth as a human being, only mental recitation of name of Lord SrI rAma is comforting.

In the same manner as the joy experienced by those great men who are firmly established in the rAja yOga, for taking birth as a human being, only mental recitation of the name of Lord SrI rAma is comforting.

Isn’t it that because of listening to the name of SrI rAma, the very form of the name, filling the heart (“of the listeners”), enabled sprouting of pure love (“in them”) towards the Lord?

Therefore, for taking birth as a human being, only desire-less mental recitation of the name of Lord SrI rAma, as performed by this tyAgarAja, is comforting.

(“OR”)

Therefore, for taking birth as a human being, only mental recitation of the name of Lord SrI rAma, as performed by this desire-less tyAgarAja, is comforting.

Word-by-word Meaning

P: Only mental recitation (“smaraNE”) of name (“nAma”) of Lord SrI rAma is comforting (“sukhamu”);

for (“anduku”) taking birth (“puTTina”) (“puTTinanduku”) as a human being (“naruDai”), only mental recitation of name (“nAma”) of Lord SrI rAma is comforting.

A: In the same manner (“aTTu”) as the joy (“Anandamu”) experienced (“andeTu”) (“literally attained”) by those (“vAriki”) (“literally to those”) (“vArikAnandamandeTaTTu”) great men (“vara”) who are firmly established (“nishThulau”) in the rAja yOga,

for taking birth as a human being, only mental recitation of the name of Lord SrI rAma is comforting.

C: Isn’t it (“lEdA”) that because of (“valla”) listening (“SravaNamu”) to the name (“nAma”) of SrI rAma, the very form (“rUpamE”) of the name (“nAma”), filling (“niNDi”) the heart (“hRdayamu”) (“of the listeners”), enabled sprouting (“puTTa sEyaga”) of pure love (“prEma”) (“in them”) towards the Lord?

Therefore, for taking birth as a human being, only desire-less (“nishkAma”) mental recitation of the name (“nAma”) of Lord SrI rAma, as performed (“sEyu”) by this tyAgarAja, is comforting.

(“OR”)

Therefore, for taking birth as a human being, only mental recitation of the name (“nAma”) of Lord SrI rAma, as performed (“sEyu”) by this desire-less (“nishkAma”) tyAgarAja (“tyAgarAju”), is comforting.

Notations -> http://www.shivkumar.org/music/#s

Ragam: Hemavathi (58th Melakartha)

ARO: S R G M P D N S || AVA: S N D P M G R S  ||

Talam: Adi, 2 kalai

Composer: Dikshitar

Version: Semmangudi Srinivasa Iyer

Pallavi:

Sri Kanthimathim Shankara Yuvathim

Shree Guruguha Jananeem Vandeham

Anupallavi:

Hreemkaara Beejaakaara Vadanaam Hiranya Manimaya Shobaa Sadanaam

Paaka Shaasanaadi Deva Vinutham Parashuraama Natha Hima Shaila Suthaam

Shuka Shounakaadi Sadaaraadhithaam Shuddha Thaamraparnee Thatasthithaam

Shankadyashtotthara Sahasra Kalashaabhisheekha Modaam Surahithaam

Meaning: (From T.K Govinda Rao’s book)

Notations -> http://www.shivkumar.org/music/#s

Ragam: Shuddha Saveri / Devakriya{ 22nd Melakartha Kharaharapriya Janyam}

https://en.wikipedia.org/wiki/Shuddha_Saveri

ARO:   S R1 M1 P D2 Ṡ   ||

AVA:  Ṡ D2 P M1 R2 S   ||

Talam: rUpakam

Composer:  Muthuswami Dikshitar

Version: Peri Sriramamurthy ( Ranjani / Gayathri rendition: https://www.youtube.com/watch?v=ZPTRdiVEOP8)

SrI guru guha tArayASu mAM

SaravaNa bhava

SrI guru guha tArayASu mAM

(madhyama kAla sAhityam)

sura pati SrI pati rati pati vAkpati

kshiti pati paSu pati sEvita SrI

samashTi caraNam

rAgAdi rahita hRdaya vibhAvita

sura muni pUjita

tyAgAdhi-rAja kumAra

tApa traya hara kumAra

(madhyama kAla sAhityam)

bhOgi rAja vinuta pAda

bhU-dEva kriyA mOda

yOgi rAja yOga bhEda yukta -

manOlaya vinOda

Meaning: (Courtesy: http://guru-guha.blogspot.com/2008/07/dikshitar-kriti-sri-guru-guha-tharayasu.html

SrI guru guha  - O Guruguha!

tArayASu mAM  - deliver me quickly!

SaravaNa bhava  - O one born in the forest of reeds!

sura pati SrI pati rati pati vAkpati kshiti pati paSu pati sEvita - O one venerated by Indra, Vishnu, Manmatha, Brahma, various kings and Shiva!

samashTi caraNam

rAgAdi rahita hRdaya vibhAvita - O one meditated upon in the hearts (of great souls) that are devoid of passion and other such imperfections!

sura muni pUjita  - O one worshipped by Devas and Rishis (or) O one worshipped by Devarishis(such as Narada)!

tyAgAdhi-rAja kumara  - O son of Shiva(Tyagaraja)!

tApa traya hara  - O remover of the three kinds of suffering!

kumAra  - O youthful  one!

bhOgi rAja vinuta pAda   - O one whose feet are praised by the king of serpents!

bhU-dEva kriyA mOda  - O one who delights in the rites performed by Brahmanas!

yOgi rAja yOga bhEda yukta manOlaya vinOda - O one who sports in the hearts of those who practice the various forms of Yoga expounded by the best among Yogis!

Comments:

This Kriti is in the eighth(Sambodhana Prathama) Vibhakti

The three kinds of suffering are:

1. AdhyAtmika, sufferings from one's own mind and body;

2. Adhidaivika, sufferings arising from unseen forces, gods and nature

3. Adhibhautika, sufferings from other living creatures.

Notations -> http://www.shivkumar.org/music/#s

Ragam: Asaveri (8th Mela janyam)

ARO: S R1 M1 P D1 S  ||    AVA:  S N2 S P D1 P M1 R2 G2 R1 S   ||

Talam: Rupakam

Composer: Annasvami Shastry

Version: Ram Kaushik (Orig: D.K. Jayaraman)

Pallavi:

Sri Kaanchi Naayike Sritajana Phaladaayike

Anupallavi:

Lokeshvari Paalini Tripura Sundari Maalini

Ekaamranaatha Tharuni Manjubhaashini

Shivakaamesvarotsanga Madhya Nilaye

Sive Taapasa Vara Naarada Muni Geye

Nava Pallava Komale Prasaadam Kuru Shyamale

Naga Saarvabhauma Baale Nayana Vishaale

Meaning (from TK Govinda Rao’s book)

You, the presiding deity ("naayike") of Sri Kaanchi, bestow prosperity ("phala daayike") on those ("sritajana") who seek you.

You are the soverign ruler of this world ("lokeshwari") and also the sustainer ("paalini"). You are Tripurasundari, and Maalini -- the youthful Durga. You are the soft-spoken ("manjubhaashini") consort ("tharuni") of Lord Ekaamranaatha.

You are established ("madhya nilaye") in the harmonious union ("sanga") with Sivakaameshwara. You are Shive, the auspiscious one whose glory is sung ("geye") by distinguished sages ("taapasa muni") like Naaradha.

Your form is delicate ("komale") like the new ("nava") lotus sprout ("pallava"). O Shyamala, the dark hued ("shyamale") one! Bless me with your grace. The youthful ("baale") omnipotent suzerain ("sarvabhauma") of the seven worlds! You have very large ("vishale") eyes ("nayana")!

Notations -> http://www.shivkumar.org/music/#s

Ragam: Atana (29th Mela Shankarabharanam Janyam):

http://en.wikipedia.org/wiki/Atana

ARO:    S R2 M1 P N2 S                                     ||

AVA:    S N3 D2 , N2 P M1  P G2 ,  R2  S       ||

Talam: Adi (2 kalai)

Composer: Maharaja Swati Tirunal

Version: M S Subbalakshmi

Lyrics Courtesy: Lakshman Ragde

Anupallavi:

shrtajana kalpaka pAdapE shrI padmanAbha vadanAmbuja madhupE

Charanams:

C1:  manju ramaNita nUpurE karashincita kankaNa bhAsurE

manjuLAnana sudhAkarE nava kanjadaLa kalita vilasita cikurE

anjanAncita drugancala bhanjita ganjanad-vidya manjimapunjE

niranjanAshaya nikunja kELi rasikE ava mrgamada tilakE

C2:  kambu vara sadrsha kandarE jagadamba pAlita vasundharE

bimba phala rucirAdharE lOlambajAla ruci vilasita cikurE

amba kaccavi viTambita daLada sitAmbuja dyuti kadamba kaDambarE

shambarAri hari shambarArcitapadE pada natajana shubhadE

C3:  manda gamana jita vAraNE susura vrndavairi vinivAraNE

indirE bhuvana kAraNE kuruvinda danti kisalaya mrdu caraNE

manda hAsa ruci ninditEndu kara kunda vrnda makaranda bindu

sandOha samvalita sundarAmbujajAsyE jagadupAsyE

Meaning: (Courtesy: TK Govinda Rao’s book)

P: O' Goddess residing (“AlayE”) in shrI kumAra nagarA (Karthyayani Devi, Kumaranalloor temple, Kottayam district, Kerala)! You are the repository (“AlayE”) of compassion (“karuNa-AlayE”)! You reside (“AlayE”) in the lotus (“kamala-AlayE”).

A: You are the wish-yielding  (“kalpaka”) tree (“pAdapE”) to the devotees (“shrta-jana”). You are the bee that intently seeks the nectar (“madhupE”) of the lotus (“Ambuja”) face (“vadana”, “vadana-Ambuja”) of Sri Padmanabha.

C: Your gait (“manda gamana”) is more graceful (“jita”) than that of an elephant (“vAraNE”). You are the destroyer (“vinivAraNE”) of the enemies (“vairi”) of the celestials (“sura vrnda”).

You (“indirE”) are the origin (“kAraNE”) of the world (“bhuvana”). Your teeth (“danti”) are like jasmine buds (“kuruvinda”). Your feet (“caraNE”) are soft and delicate (“kisalaya mrdu”). Your charming smile (“manda hAsa ruci”) is more wonderful than the crescent moon (“ninditEndu”). Your hands (“kara”) resemble a garden (“vrnda”) night lily (“kunda”). The sweet nectar (“makaranda bindu”) from your smile lights up (“sandOha samvalita”) your beautiful lotus face (“sundara-Ambuja-ajAsyE”). You are worthy of being worshipped by all (“jagad-upAsyE”). Pray protect me!

Notations -> http://www.shivkumar.org/music/#s

Ragam: nArAyaNagauLa {28th Melakartha (Hari Kambodhi) Janyam}

ARO:     S R2 M1 P N2 D2 N2 S                       ||

AVA:      S N2 D2 P M1 G3 R2 G3 R2  S         ||

Talam: Adi

Composer: Muthuswamy Dikshitar

Version: T M Krishna

Pallavi:

shrI rAmam ravikulAbDhi sOmam shrta kalpa bhUruham bhajEham

Anupallavi:

dhIrA gragaNyam varENyam dIna janAdhAram raghuvIram

nAradAdi sannuta rAmAyana pArAyaNa mudita nArAyaNam

Charanam:

dasharathAtmajam lakSmaNA grajam dAnava kula bhIkaram

shrIkaram kushalava tAtam sItOpEtam kuvalaya nayanam sudarbha

shayanam su-sharacApa pANim sudhImaNim su-nrta bhASam guruguha

tOSam dashavadana bhanjanam niranjanam dAnanidhim dayArasa jalanidhim

Meaning: (Approximate – please report errors):

P: I contemplate (“bhajE-ham”) on SRI RAMA who is the moon (“sOmam”) to the solar dynasty (“ravi-kulAbDhi”). He is the KALPAKA tree (“bhUruham”) to supplicants (“Ashrta”).

A: He is One who is counted as the bravest (“gra-gaNyam”amongst the brave (“dhIrA”). The one to be sought after (“varENyam”). The support (“AdhAram”) for the afflicted (“dIna janA”). The valiant (“raghu-vIram”) one of the RAGHU dynasty. He is NARAYANA delighted (“mudita”) by the recitation (“pArAyaNa”) of the epic RAMAYANA by (“sannuta”) Narada and others (“nArada-adi).

C: Son (“Atmajam”) of DASHARATHA. Elder brother  (“Agrajam”) of LAKSHMANA. He was a terror (“bhIkaram”) to demons (“dAnava kula”). He bestows prosperity (“shrI-karam”). Father (“tAtam”) of LAVA and KUSHA (“kusha-lava”). He is in the company of SITA (“sIta-UpEtam”). He has lotus like (“kuvalaya”) eyes (“nayanam”). He reposes (“shayanam”) on the DARBHA grass (“sudarbha”). He holds a beautiful (“su”) bow and arrows (“shara-cApa”) in his hand (“pANim”). He is a gem among people of understanding (“sudhI-maNim”). He speaks (“bhASam”) only the truth (“su-nrta”). He pleases (“tOSam”) KARTTIKEYA (“guruguha”). He destroys (“bhanjanam”) the ten headed (“dasha-vadana”) RAVANA. He is faultless (“niranjanam”). He is the treasure trove of grace (“dAna-nidhim”). He is an ocean (“jala-nidhim”) of sentiment of compassion (“dayA-rasa”).

Notations -> http://www.shivkumar.org/music/#s

Ragam: Abhogi

Talam: Adi

Dikshitar

Pallavi:

Shree Lakshmi Varaaham Bhajeham

Shree Lakshmi Sahitam

Srithajana Shubha PRadam

Anupallavi:

Neela Megha Ghana Shyamala Gaathram

Neela Bhudevi Sthuthi Paathram

Neelakanta Shiva Guruguha Mithram

Akhila Bhaktha Jana Bhayaarthi Daathram

Charanam:

Mangalaalayaa Abhogi nutha Padam

Pungava Budhajana Natham Vedanutham

Sankara Priya karam Kubera Prathistitham

Shanka Chakra Dharam Krupaakaram

Pankajaasana Pramukha Sevitham

Pankaja Mukha Bhaargavee Bhaavitham

Bhanga Hara Thaamraparnee Theerastham

Sankata hara Sadaananda Sahitham

Meaning: (From TKG’s book)

I worship Lakshmi Varaaha, who is with Lakshmi and gives happiness to those who take refuge in Him.

Whose body is dark like monsoon cloud, who is the object of praise by Nilaadevi and Bhudevi. He is the friend of Nilakanta, the blue-necked one and Guruguha. He removes fear and miseries from all the devotees.

Whose feet is adorned by the auspicious Raga Abhogi, He is worshipped by virtuous, praised by Vedas. He delights Sankara, enriches Kubera, the God of wealth. He adorns conch and discus, full of compassion, worshipped by Brahma and other important ones. He is meditated upon by Lakshmi with the Lotus face, adorns garland of lotus. He resides on the banks of the river Tamraparni. He absolves obstacles and is always blissful.

Notations -> http://www.shivkumar.org/music/#s

Pallavi:

Sri Nathadi Guruguho Jayathi Jayathi

Sri Chidaananda Naathohamiti

Santhatham Hridini Bhaja

Anupallavi:

Naanaa Prapancha Vichitrakaro

Naamaroopa Pancha Bhoothakaro

Ajnaana Dhvaanta Prachanda Bhaaskaro

Jnaana Pradaayako Maheshwaro

Madhyama Kala Sahityam:

Dinavanodyukta Divyataro

Divyaughaadi Sakala Deha Dharo

Maanasaanandakara Chaturataro

Mad Guruvaro Mangalam Karotu

Charanam:

Maaya Maya Visvaadhisthaano

Maatmakaadi Mataanusthaano

Maalini Mandalaanta Vidhaano

Mantraadyjapaa Hamsa Dhyaano

Maayaakaarya Kalanaa Heeno

Maamaka Sahasra Kamalaasino

Maadhurya Gaanaamruta Paano

Maadhavaadyabhaya Vara Pradaano

Maayaa Sabalitha Brahma rupo

Maarakoti Sundara Svarupo

Mathimataam Hrudaya Gopura Dipo

Matta Suraadi Jayaprataapo

Madhyama Kala Sahityam:

Maayaamaalavagaulaadidesha

Mahipati Pujitha Pada Pradesha

Maadhavaadyamara Brunda Prakaasha

Maheshasya Mahaarthopadesha

MEANING (from TK Govinda Rao’s book):

Victory (“Jayathi”)  to Lord Guruguha, who is adorned (“bhaja”) by all Gods(“santhatham”)  beginning with Vishnu. Oh! Mind! Constantly contemplate on the fact  (“iti”) that you are the Chidaanandanaatha.

He is the originator of different (“naaana”) diversified (“vichitra”)  forms (“aakaro”) of worlds (“prapancha”). He manifests  (“rupa”) as the five (“pancha”) elements (“bhuta”) and as the named (“naama”) and famed ones. He is the mighty sun (“bhaskaro”) destroying (“prachanda”) the darkness (“dvantha”) of ignorance (“ajnana”). He is the bestower (“pradaayako”) of spiritual knowledge (“jnaana”). He is the Maheshvara.

He is the divine (“divya”) Kalpaka Vruksha (“vano dyukta”) for the afflicted (“dinaa”) ones. He bears the sacred rivers like Mandakini. He is adept in granting happiness to the heart of His devotees. May my Guru bless me (“mangalam karo”).

He (who) is the substratum (“adhistaano”) for this illusory (“maayaa maya”) world (“visva”). He (who) is to be invoked through mantra (“mataanusthaano”) beginning with “Ka” (“kaadi”), ending with “ma” (“maatmaka”). He resides (“vidhaano”) in the center (“mandalaanta”) of the Malini-Chakra. He (who) is to be meditated (“dhyano”)  upon as the swan (“Hamsa”) representing the AJAPAA Mantra.

He who is an expert in obliterating (“hino”) the result (“kalana”) of MAAYA, the illusion. HE resides in my heart which is like a thousand (“sahasra”) petalled lotus (“kamalaasino”). Who enjoys the nectar (“amruta”) of mellifluous (“madhurya”) music (“Gaana”). He provides (“pradaano”) sheltor (“abhaya”) and boons (“vara”)  to MAADHAVA and others. Whose Brahmasvarupa is veiled (“sabalitha”) by Maaya. Whose  beauty (“sundara svarupo”) excels that of crores (“koti”) of Cupids (“mara”). Who shines as the light (“deepo”) atop the tower (“gopura”) like the heart (“hrudaya”) of his devotees (“matimataam”).

He who vanquished the proud (“matta”) SURA and others (“adi”). His place of abode is worshipped by the kinds (“mahipathi”) of Mayamalavagoula Desha and the like. Who shines (“prakaasha”) as surrounded by Vishnu (“madhava”) and other Gods (“brundha”). Who impounded (“upadesha”) the real truth (“mahaartha”) of Pranava to His father, Mahesha.