Episode 118: Road Kill. On the road again, rambling and gambling, highways and byways, running on empty, turn the page. SAE rides hell on wheels in the The Hitcher (1986) and Joy Ride (2001). 

Episode 117: Baby Horror. The ultimate body horror is bodies from bodies in an everlasting cycle of life, death and sometimes, the undead. It’s Alive (1974), Grace (2009).

Episode 116: Lake Sadness. Checking out a listener recommendation in the Australian mockumentary ghost story, Lake Mungo (2008) and a long awaited new to US steaming release in the Taiwanese contagion splatter fest, The Sadness. 

Episode 115: Houses are scary. Two films from 2021 involving houses, haunts, and ghosts. Under or above water, people and places who used to be alive but aren't now, can give one the creeps. The Deep House (2021), The Night House (2021). 

Episode 114: Tom Savini. Two early 80s classics featuring makeup and f/x work from horror legend Tom Savini in the controversial grimecore classic, Maniac (1980) and the cult calendar slasher, The Prowler (1981). 

Episode 113: More creepy crawly phobia, this time of the slithering reptilian and alien varieties. One blockbuster hit and one box office bomb, each regarded very differently today than their respective financial fates suggest in Anaconda (1997) and Slither (2006).

Episode 112: Two polarizing cult films divide the podcast in the Japanese scatological horror comedy, Zombie Ass: Toilet of the Dead (2011) and Bill Rebane's late career stab at the 80s slasher grab, Blood Harvest (1987). 

Episode 111: Dutch horror. SAE takes its first cinematic journey to the Netherlands and discovers The Lift (1983), written and directed by legendary Dutch filmmaker Dick Maas, as well as the revenge horror comedy, The Columnist (2019).

Episode 111: Dutch horror. SAE takes its first cinematic journey to the Netherlands and discovers The Lift (1983), written and directed by legendary Dutch filmmaker Dick Maas, as well as the newer horror comedy satire, The Columnist (2019). 

Episode 110: Who made who, indeed. One would be hard pressed to determine the respective order of chicken and egg in either last year's Palme d'Or winning Titane (2021) or Stephen King's Razzie nominated Maximum Overdrive (1986).