Episode 6 in the Speeches of the Peloponnesian War series.

The Funeral Oration of Pericles with modern translation (Book 2, Chapters 35-46).

Athens. Winter, 431 BC. The first year of the Peloponnesian War is over.

The bones of the dead have been carried through the city. The coffins have been lowered. And Pericles steps forward to speak.

If you want the full historical context and rhetorical analysis, that is in episode 5.

Sources:

Thucydides. (1874). History of the Peloponnesian War (R. Crawley, Trans.). Longmans, Green and Co. (Original work written ca. 431–404 BC)

Music:

"Heavy Heart" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License

"Strings Impromptu Number 1" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License

"Lost Time" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License

"Final Count" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License

"Trio for Violin and Viola" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License

Episode 5 in the Speeches of the Peloponnesian War series.

The war had begun. Sparta had burned the Attic countryside. Thousands of Athenians had abandoned their farms and crowded inside the city walls at Pericles' instruction. The anger toward him was real, raw, and barely contained.

That winter, Athens buried its dead. And by tradition, a man chosen by the city stepped forward to speak over the open graves.

Athens chose Pericles.

What followed was not a conventional eulogy. It was one of the most extraordinary pieces of political oratory ever delivered, and 2,500 years later, it still is.

Pericles did not dwell on grief. He did not catalogue victories. Instead he described Athens — not as a set of laws or institutions, but as a philosophy made into a state. A democracy where merit, not birth, determined a man's standing. Where private life was genuinely private and public life was genuinely open. A city, he said, that was a school to all of Greece.

In this episode we hear the full funeral oration, analyse the extraordinary craft behind it, and ask the question that scholars have been arguing about ever since — was Pericles describing Athens, or constructing it?

Sources:

Kagan, D. (2003). The Peloponnesian War. Viking Penguin.

Thucydides. (1874). History of the Peloponnesian War (R. Crawley, Trans.). Longmans, Green and Co. (Original work written ca. 431–404 BC)

Music:

"Heavy Heart" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License

"Strings Impromptu Number 1" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License

"Lost Time" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License

"Final Count" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License

"Trio for Violin and Viola" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License

Episode 4 in the Speeches of the Peloponnesian War series.

Sparta had sent three messengers to Athens. Each carried demands. Each was sent home with a refusal.

The first invoked an ancient religious curse, a veiled attempt to expel Pericles himself from Athens through sacred procedure rather than military force. Athens saw through it immediately.

The second carried a list of concrete grievances — lift the Megarian Decree, abandon the siege of Potidaea, respect the autonomy of Aegina. Even within Athens, some argued these were reasonable demands. But Pericles reframed the question entirely: It was about who governed Athens. Was it Athens or Sparta?

The third messenger carried no list at all. Just one sentence. Leave the Greeks free. It was not an offer. It was a position that had hardened past the point of negotiation.

Athens called an assembly. Many speakers rose. Then Pericles spoke.

His answer was no. On every count, no. Not because the specific demands were worth a war, but because yielding to any of them would tell every ally in the Delian League that Athenian resolve had a pressure point — and once that was known, the empire would begin to quietly dissolve.

He then outlined a strategy that must have been genuinely hard for many Athenians to accept. No great battles. No decisive engagements. Just endurance and the quiet hope that Athens could outlast Sparta's will to fight.

Was he right? And could Athens hold together long enough to find out?

Episode 3 in the Speeches of the Peloponnesian War series.

Corinth had lost Epidamnus. Failed at Sybota. Watched its volunteers trapped inside the walls of Potidaea while Sparta did nothing. Its patience was gone.

So Corinth called a meeting. And the invitation went wide — any city with a grievance against Athens was welcome. They came from across the Greek world, one by one, each with their own account of Athenian pressure applied quietly, carefully, never quite crossing a line that could be called a line.

Then Corinth rose to speak.

What followed was one of the most devastating pieces of political rhetoric to survive from the ancient world.

Then they turned on Sparta directly. Your caution, they said, has become a strategic liability. Your inaction is the problem. And if you will not lead, we will find allies who will.

It was a speech designed to leave Sparta no exit. And it worked.

In this episode we hear the Corinthian ultimatum, analyse what made it so rhetorically devastating, and ask the question that Thucydides himself never quite answers — by the time Corinth sat down, was there anyone left in that room who genuinely wanted peace.

Episode 2 in the Speeches of the Peloponnesian War series.

Athens had heard Corcyra's case. A powerful fleet. A strategic alliance. A warning that war with Sparta was coming regardless. It was a compelling argument but Corinth had been sitting there listening to every word, and now it was their turn to speak.

In this episode we hear the Corinthian reply: A careful, methodical dismantling of everything Corcyra had just argued. A case built on law, on history, and on a debt of gratitude Athens owed but had not yet repaid.

Both sides had made serious arguments. Both were legally defensible. And when the first day of debate ended,

On the second day, Athens voted, but for a compromise. Not a full alliance, that would be too provocative. Instead a defensive pact. Ten ships.

It was a careful decision. A cautious one. And according to Thucydides, it changed nothing — because the real cause of what was coming was never legal or diplomatic. It was fear. The fear that a rising power inevitably inspires in those who watch it grow.

Music by Kevin McLoed, songs include: "Trio for Violin and Viola", "Teller of Tales", and "Devastation and Revenge".

All Licensed under Creative Commons: By Attribution 4.0 License.

Episode 1 in the Speeches of the Peloponnesian War series.

In the autumn of 433 BC, two delegations arrived in Athens uninvited, unexpected, and desperate. One came to ask for an alliance. The other came to prevent it.

What the Athenian assembly decided that day would set in motion a war that killed hundreds of thousands, erased cities from the map, and ended the Greek golden age.

But to understand that decision, we first need to understand the world it shattered. A world of proud, independent city-states. A world that had once stood united against the Persian Empire and then turned on itself. A world held together by a fragile treaty, a drawn line across the Greek world.

This is where the Peloponnesian War begins. Not in Athens or Sparta, but in a small, obscure city on the edge of the Ionian Sea that most Greeks couldn't place on a map. A city called Epidamnus.

In this first episode we follow the chain of events, a civil war, an oracle's instruction, a naval battle, and a desperate embassy to Athens. that forced the most powerful city in Greece to make a choice it could not take back.

The series on the speeches of the Peloponnesian War begins here.

Music by Kevin McLoed, songs include: "Trio for Violin and Viola", "Desert City", "Tabuk", Hero Down" and "Devastation and Revenge"

All Licensed under Creative Commons: By Attribution 4.0 License.

As a short note before we enter the narrative of the series, we address our sources and translations of the sources.

Introduction to the project. I intend to reanimate the greatest speeches of history. Welcome