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Going through the Criterion Collection by Spine number often leaves us with some interesting thematic pairs that are just disconnected enough to seem accidental: the earliest that comes to mind is the racist undertones of #32 Oliver Twist and #33 Nanook of the North.
Likewise last week's Ikiru and this week's film both deal with men dying of stomach cancer. They take vastly different paths. Robert Bresson writes and directs Diary of a Country Priest (1951), a fairly heavy film, that may have been better if it were heavier.
By Lost in Criterion2.9
4848 ratings
Going through the Criterion Collection by Spine number often leaves us with some interesting thematic pairs that are just disconnected enough to seem accidental: the earliest that comes to mind is the racist undertones of #32 Oliver Twist and #33 Nanook of the North.
Likewise last week's Ikiru and this week's film both deal with men dying of stomach cancer. They take vastly different paths. Robert Bresson writes and directs Diary of a Country Priest (1951), a fairly heavy film, that may have been better if it were heavier.

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