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We get one of our earliest Jean Renoir films this week, and it's a treat. Noted for it's encapsulation of Paris between the wars, Boudu Saved from Drowning is a critique of Bourgeois values via rejection. It's also noted for essentially allowing star Michel Simon to play his no-holds-barred libertarian and libertine self. Pat and I have problems with rejecting Bourgeois sensibilities for right wing individualism, but maybe we just have problems with spitting in books.
By Lost in Criterion2.9
4848 ratings
We get one of our earliest Jean Renoir films this week, and it's a treat. Noted for it's encapsulation of Paris between the wars, Boudu Saved from Drowning is a critique of Bourgeois values via rejection. It's also noted for essentially allowing star Michel Simon to play his no-holds-barred libertarian and libertine self. Pat and I have problems with rejecting Bourgeois sensibilities for right wing individualism, but maybe we just have problems with spitting in books.

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