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Sometimes the Criterion Collection goes and does a silly thing, like releasing Guillermo del Toro's The Devil's Backbone as Spine 666. How spooky! One of the great Mexican director's films about how fascism is bad for children - a lesson we as a society apparently do actually keep needing to learn - The Devil's Backbone sets a ghost story at an orphanage during the waning years of the Spanish Civil War, just before Franco cemented power. The release is also chock full of del Toro and his collaborators talking about the film, its politics, and its special effects.
By Lost in Criterion2.9
4848 ratings
Sometimes the Criterion Collection goes and does a silly thing, like releasing Guillermo del Toro's The Devil's Backbone as Spine 666. How spooky! One of the great Mexican director's films about how fascism is bad for children - a lesson we as a society apparently do actually keep needing to learn - The Devil's Backbone sets a ghost story at an orphanage during the waning years of the Spanish Civil War, just before Franco cemented power. The release is also chock full of del Toro and his collaborators talking about the film, its politics, and its special effects.

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