This documentary will look at how music for Shakespeare plays was used during his career, from the late 1500's to the early 1600's. We will be interviewing the expert on Shakespeare's music, Ross W. Duffin. 

Links to the books :

1) Shakespeare's Songbook: https://wwnorton.com/books/9780393058895

2) Some Other Note: https://global.oup.com/academic/product/some-other-note-9780190856601?cc=us&lang=en& 

In this episode we’ll be interviewing the members of ICOT, formerly known as the Iranian Canadian Composers of Toronto, as well, exploring themes of identity in Canada's vastly diverse cultural landscape. ICOT is a collective of composers that revolves around story-telling, exploring identity as immigrant artists, and creating artistic bridges.

This podcast will focus on Louise DiTullio's work as a flutist in the Los Angeles recording studios during a period of over 50 years. She is one of the most widely heard flutists in the world, having performed on over 1,200 motion picture and television scores. She worked for the top film composers, including John Williams, Jerry Goldsmith, Danny Elfman, John Barry, Henry Mancini, and many more.

In today's episode we'll be exploring how music and dance have inspired one prominent Toronto musician to form Echo Chamber Toronto, an ensemble which combines chamber music with contemporary dance.

Stephen Bonfield, from Ludwig Van Toronto, writes: "Toronto’s hottest chamber performance series going these days"

Canadian Violinist Aaron Schwebel leads Echo Chamber Toronto. Aaron writes:

"My objective as Artistic Director is to create performances that offer a new lens through which both music and dance can be experienced. By merging these two art forms in an intimate setting, Echo Chamber performances deliver the unique opportunity to see and hear music and dance together as one integrated expression."

Throughout Scarborough, there are multiple excellent music programs. This includes a broad offering from those found in our public schools, to after school and weekend youth music programs. This includes vibrant and free programs run by Sistema Toronto, Axis Music, St. Paul’s L’Amoreaux Anglican Church, and more. There is an East Indian music program lead by Esther Mithradeva, an award-winning violinist in Scarborough. Scarborough Arts runs the East Youth Collective Program, which included the Sister Sound System, created through an artistic and personal development program for young women of colour. The program was led by the entertainer and entrepreneur, Dynesti. As well, the University of Toronto Scarborough Campus has an excellent music program.

Interviewees: Andres Tucci-Clarke (Managing Director of Sistema Toronto), Roger Mantie (Associate Professor of Music and Culture at the University of Toronto Scarborough Campus) and Tony Leong (Music Teacher at Sir Oliver Mowat Collegiate Institute and Conductor of the University of Toronto Scarborough Campus String Orchestra).

A look at the diverse world of orchestras in the province of Ontario. Besides the major orchestras like the Toronto Symphony and the National Arts Centre Orchestra, there are exciting orchestral activities throughout the province. Featuring part 1 interviewees conductor Philip Sarabura and Co-President of the Board Joann Alho (the Brantford Symphony), and part 2 Artistic Director Joyce Lai (Canadian Sinfonietta), Music Services Manager Ana-Maria Lipoczi (Canadian Music Centre), Vice-President Christine Fong (Cathedral Bluffs Symphony) and Executive Director Devin Scott (Scarborough Philharmonic Orchestra).

A look at the diverse world of orchestras in the province of Ontario. Besides the major orchestras like the Toronto Symphony and the National Arts Centre Orchestra, there are exciting orchestral activities throughout the province. Featuring part 1 interviewees conductor Philip Sarabura and Co-President of the Board Joann Alho (the Brantford Symphony), and part 2 Artistic Director Joyce Lai (Canadian Sinfonietta), Music Services Manager Ana-Maria Lipoczi (Canadian Music Centre), Vice-President Christine Fong (Cathedral Bluffs Symphony) and Executive Director Devin Scott (Scarborough Philharmonic Orchestra).

Composing music for an animated film is among the most complex, time consuming and technically challenging project a film composer can face. From Walt Disney’s developments in the field to present day work, go behind the scenes with composers who have experience in the field. Featuring interviews with film composers Jim McGrath, Bruno Degazio and more. This podcast is part of a YouTube project which includes Sheridan College student animated short films with music created by SPO related composers.

Part 1 explores how composers approach writing music for animated film, along with Canadian contributions to the genre from Sheridan College and the University of Toronto Faculty of Music. Guest host and composer Ronald Royer interviews film composers Bruno Degazio and Jim McGrath.

Part 2 will look at the history of Hollywood cartoons and music featuring noted professor Daniel Goldmark, author of "Tunes for ‘Toons: Music and the Hollywood Cartoon" (California, 2005).

This podcast episode features brief music and audio from the animated short film, Ramon The Magnificent, created by Sheridan College Animation graduate, Vladimir Volkov, with new 2020 music by composer, Ronald Royer. Used with permission.

Composing music for an animated film is among the most complex, time consuming and technically challenging project a film composer can face. From Walt Disney’s developments in the field to present day work, go behind the scenes with composers who have experience in the field. Featuring interviews with film composers Jim McGrath, Bruno Degazio and more. This podcast is part of a YouTube project which includes Sheridan College student animated short films with music created by SPO related composers.

Part 1 explores how composers approach writing music for animated film, along with Canadian contributions to the genre from Sheridan College and the University of Toronto Faculty of Music. Guest host and composer Ronald Royer interviews film composers Bruno Degazio and Jim McGrath.

Part 2 will look at the history of Hollywood cartoons and music featuring noted professor Daniel Goldmark, author of "Tunes for ‘Toons: Music and the Hollywood Cartoon" (California, 2005).

This podcast episode features brief music and audio from the animated short film, Ramon The Magnificent, created by Sheridan College Animation graduate, Vladimir Volkov, with new 2020 music by composer, Ronald Royer. Used with permission.

There is a long history of composers being inspired to tell stories through instrumental music, with Vivaldi’s Four Seasons being a famous example. In 2018, the SPO in partnership with its ensemble-in-residence, the Odin String Quartet, embarked on the Drying Ink project to create new Canadian music for the quartet. Interestingly, each of the composers involved created music with an embedded story. This episode will look at ways composers can tell stories using music and why this type of creation is appealing. Featuring interviews with members of the Odin String Quartet and 7 Canadian composers connected to this project.