Sam Raimi is usually very comfortable with dark humour, especially with mixing genre elements like slapstick comedy, horror and suspense. So, his movie Crimewave, which is about a dweeb dealing with a murder plot, bumbling hitmen and trying to save and woo the woman he fancies and also written by dark humour maestros the Coen Brothers, really should have been a homerun, but ends up being a spectacular foul ball, with a major emphasis on the foul. What made this such a mess? Studio interreference apparently, but can that truly explain everything wrong with this misfire of a movie? Tune in to find out our answers.