Spooky Bitch Gang

Take a trip back in time to the heyday of the iconic British production company Hammer Film Productions. Between the mid-50s and the early 70s, Hammer left an indelible mark on horror, with hits that were sexy, lurid, gothic and campy. We take a look at the lasting impact and sometimes questionable politics of a small selection of Hammer Horror films. 

Includes discussions of David Cronenberg's novel Consumed, Blow Out (1981), The Hound of the Baskervilles (1959), Taste of Fear (1961), The Gorgon (1964), The Devil Rides Out (1968), The Vampire Lovers (1970), Hands of the Ripper (1971) and more.

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Subtitle haters and subtitle lovers are at odds over the new James McAvoy vehicle Speak No Evil, a remake of a film that in some circles is already a minor classic. We unpack the pitch black satire of both, very different versions of Speak No Evil. 

Also includes discussions of Something in the Water (2024) and Strange Darling (2024).

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In this episode, we take a look at movies that explore all the ins and outs of bearing a child. Turns out the beginnings of life might be not-so-secretly horrifying. What commentary can horror movies offer on pregnancy, abortion and motherhood itself?

Includes discussions of In a Violent Nature (2024), Blink Twice (2024), The Phantom of the Opera (1925), The Suckling (1990), Inside (2007), Prevenge (2016), Baby Ruby (2022), Birth/Rebirth (2023), The Deliverance (2024) and more.

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Everyone is talking about the latest instalment in the Alien franchise. How does the classic Alien formula of popcorn action plus compelling characters fare in this new iteration? Is Alien: Romulus a return to form or a sad attempt at recapturing the magic?

Also includes discussions of The Coffee Table (2024), Woman in the Dunes (1964) and Kidnapping in the Grand Canyon (2023).

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Once again, we're taking a look at the rich tapestry of movies that is white people getting stuck places. Going from microgenre to macrogenre, it feels like these movie are unavoidable and this time we've got some bangers. Where did they get stuck and where will they get stuck next?

Includes discussions of Trap (2024), The Coffee Table (2024), Lord of the Flies (1963), Lady in a Cage (1964), P2 (2007), 12 Feet Deep (2017), Oxygen (2021), Holy Shit! (2022) and more.

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With the most impressive viral marketing campaign since Skinamarink, Osgood Perkins' Longlegs was a sensation long before anyone even knew Nicolas Cage was involved. We discuss the good and the bad of this fascinating and ambitious film and wonder if it ever had a chance of living up to the hype.

Also includes discussions of Twisters (2024), Messiah of Evil (1973) and more.

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He's big, he's hairy and he lives in the woods. No it's not another Russell Crowe movie; it's Bigfoot, Sasquatch, the yeti, yowie, and more. We discuss some of the hairy forest-dweller's onscreen appearances, and what we've learned about Bigfoot's (and similar monsters') place in the pop culture canon.

Includes discussions of A Quiet Place: Day One (2024), The Abominable Snowman (1957), The Legend of Boggy Creek (1972), Abominable (2006), Willow Creek (2013), There's Something in the Pilliga (2014), Exists (2014) and more.

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Was anyone asking for another exorcism-based horror movie starring Russell Crowe? Well, we got one anyway! This time it's a bit meta with a personal connection to a certain venerated classic. We take a look at Crowe's latest foray into the horror genre and wonder if the exorcism sub-genre is all dried up.

Plus some Sydney Film Festival highlights and the return of 2 Spooks and a Lie!

Includes discussions of Hunting Daze (2024), Under Paris (2024), The Substance (2024) and more.

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M.  Night Shyamalan's breakthrough feature is twenty-five years old this year. Does the rapturous acclaim it received at release still hold up today, or has its maverick director run out of goodwill? We talk about its quirks, its lasting influence, and what makes it a great horror movie.

Also includes discussions of The Witch's Mirror a.k.a El espejo de la bruja (1960) and Unfrosted (2024).

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These movies might not be technically horror, but they definitely scratch the same part of our brain that wants thrills, chills and mayhem. Disaster movies pit humanity against some of its harshest challenges. What is revealed when everything is stripped away from the human spirit?

Includes discussions of Tarot (2024), Sleep Has Her House (2017), Deluge (1933), The Poseidon Adventure (1972), Submersion of Japan a.k.a. Japan Sinks (1973), The Last Wave (1977), The Quiet Earth (1985), Melancholia (2011), Sharknado (2013) and more.

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