Danny Boyle and Alex Garland's 28 Days Later is a film that holds up a lot better than a lot of its contemporaries. Following a disappointing middle entry, Boyle is back in the director's chair with the epic 28 Years Later. We discuss the distinctive trilogy's emotionally-charged place in the horror canon and the quirks of its writer and director's visions.

Also include discussions of Saw X (2023), Locked (2025), M3GAN 2.0 (2025), The Excavation of Hob's Barrow (video game, 2022) and more.

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Maybe grab a poncho because in our latest ep you will get wet! We take a look at the grisly, gleeful gore of the splatter sub-genre. The absurd, nihilism, and the tenuous nature of our society all underpin a genre that cuts much deeper than it seems on the surface.

Includes discussions of The Shrouds (2025), The Great God Pan (short story by Arthur Machen, 1894), Chain Reactions (2024), Jigoku (1960), Blood Feast (1963), The Gore Gore Girls (1972), The Beyond (1981), Demons (1985), Ichi the Killer (2001) and The Sadness (2021).

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The Philippou Brothers' follow-up to the record smashing hit Talk to Me is here and it's grosser, weirder and... sadder? We investigate the powerful melancholy of Bring Her Back, which is both a terrifying gross-out horror movie and a nuanced, thoughtful exploration of grief. 

Also includes discussion of The Front Room (2024), Invasion of the Bee Girls (1973), and Stalked by My Amish Boyfriend (2024)

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Renowned for their low budget "mockbusters" and their absurd creature features, we take a look at the unusual place The Asylum occupies in the horror canon. What do these often bizarre, sometimes tongue-in-cheek, always unpredictable films say about art, commerce and the tastes of horror fans?

Also includes discussions of Fear Street: Prom Queen (2025), Skincare (2024), The Children of the Dead aka Die Kinder der Toten (novel 1995, film 2019), Hillside Cannibals (2006), When a Killer Calls (2006), Invasion of the Pod People (2007), Paranormal Entity (2009), Abraham Lincoln vs. Zombies (2012), Sharknado 2: The Second One (2014), Clown (2019) and more.

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We've got our finger on the pulse as we investigate two brand new movies - Final Destination: Bloodlines and Clown in a Cornfield. The sixth instalment in a belovedly camp splatter franchise and possible franchise-starter based on a novel make great fodder for a discussion of what actually makes a good horror movie. Through Final Destination: Bloodlines and Clown in a Cornfield, we get a strong picture of what horror is like in that space between mainstream and cult audiences.

Also includes discussions of W.R. The Mysteries of the Organism (1971), The Rule of Jenny Pen (2025) and Rebecca (novel, 1938, film 1940).

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As thanks for being a part of the Spooky cult, we're exploring the horror and mystique around cults, sects and New Religious Movements. Charismatic leaders, blind devotion and Flavor-Aid feature as we unpack the mechanisms of indoctrination and wonder if it would ever work on us.

Features discussions of Sinners (2025), Until Dawn (2025), Thirst (1979), Santa Sangre (1989), Suicide Club (2001), The Sacrament (2013), The Invitation (2015), The Void (2016) and more.

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Drop, the latest film from Christopher Landon (Paranormal Activity, Happy Death Day, Freaky), is a nail biter in the classic sense. We talk about this rollercoaster ride's tropes on motherhood and femininity, its big reaches, and its self-dating use of memes.

Also includes discussions of Lovely, Dark & Deep (2024),The Skeleton of Mrs. Morales (1960), the 2025 Fantastic Film Festival program and more.

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Nothing is certain but death, taxes and going to the doctor. We investigate the ways in which the medical system has carved out its own horrifying niche in the horror canon. Surgery, sickness and sinister doctors abound. 

Includes discussions of Afraid (2023), The Unholy Three (1925), Eyes without a Face (1960), The Curious Dr. Humpp (1969), Flatliners (1990), The Kingdom (1994), The Death of Mr. Lazarescu (2005), Excision (2012) and Grafted (2024).

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This year marks the 50th anniversary of what might be the greatest Australian film of all time - Peter Weir's Picnic at Hanging Rock. Full of tantalising mystery and suggestions of dark, cosmic horror, what is the allure of this oblique dream of femininity and disappearance?

We also discuss the novel and the stage adaptation.

Also includes discussions of Dead Calm (1989) and Se7en (1995).

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Our fungal friends seem purpose-built for horror, but our they have only a small filmography. We investigate the creepiest, gooiest appearances by mushrooms and mould in horror movies.

Includes discussions of The Watchers (2024), Spider Baby (1967), The Vourdalak (2023), The Unknown Terror (1957), Matango (1963), Splinter (2008), Superdeep (2020), Gaia (2021) and The Spore (2021).

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