What would you do for the sake of a story? In this live story, recorded at the 2024 Senior Story Slam, Alina Wilson shares the story that spawned this series on Nakedness for State of the Human.

www.firstpersonstory.org www.storytelling.stanford.edu.

Being naked–or seeing others naked–can evoke a firestorm of emotions . . . everything from freedom to vulnerability to sensuality to shame. In three stories pulled from the Storytelling Project archives (created in 2012) we explore the glory and grit of stripping down.

Destiny Cunningham learned shame early. The comments that teachers, church leaders, and other kids made about her body led her to wear clothes like armor, hiding herself from others so she wouldn't be noticed. Years later, Destiny and her friends decide to visit a nudist retreat in the hopes that she'll learn how to become naked without feeling exposed.

“Back to the Garden” tells the story of an organic farming couple, Jose and Rich, who are committed to sustaining the environment . . . and who don't believe in climate change. This episode explores how that dissonance might be possible, the power of language, and whether or not the term "climate change" will help save the planet.

Produced by Anna McNulty, Shameeka Wilson, and Laura Joyce Davis.

Max Du was so obsessed with whales that his childhood friends called him Orca Boy. But when a SeaWorld trainer named Dawn was killed by an orca, his love for whales turned to shame…until he met Dawn’s best friend, a whale trainer named Lyndsey. She leads him back to SeaWorld on a journey of reclaiming the Orca Boy that he thought was gone.

This story was produced by Max Du and Carolyn Stein with support from Laura Joyce Davis and the Stanford Storytelling Project. Max Du is an incoming computer science Ph.D. student and Knight-Hennessy Scholar at Stanford University. By night, he is a writer interested in immigrant experiences and the human-animal relationship. In addition to working on pieces for the Storytelling Project, he is currently doing fieldwork for a non-fiction book that features the oral histories of whale & dolphin trainers. When he’s not wrangling robots or making friends with whale trainers, Max also enjoys improvising on the piano and listening to Jimmy Buffet.

Max Du was so obsessed with SeaWorld that his childhood friends called him Orca Boy. But when a SeaWorld trainer named Dawn was killed by an orca, his love for whales turned to shame . . . until he met Dawn’s best friend, a whale trainer named Lyndsey, who led him back to SeaWorld on a journey of reclaiming the Orca Boy that he’d thought was gone.

When Anastasia Sotiropoulos joined the Stanford chapter of the Prison Renaissance Project, she got paired up with a man named Adamu Chan, who had been incarcerated at San Quentin prison for two decades. Their relationship began a few weeks before the pandemic, and the first time they talked San Quentin was the site of one of the largest COVID outbreaks in the nation. Over the next three years, Anastasia and Adamu exchanged dozens of letters, had weekly phone calls, and dreamed of creating a film together. Neither of them could have imagined where that friendship would lead them: not just to Adamu’s release from San Quentin, but his admission to Stanford as a CCSRE Mellon Arts Fellow. Today Adamu is an award-winning filmmaker and community organizer. Adamu and Anastasia have continued their friendship, and together created the 2024 podcast episode, Friends in Liminal Spaces, through the Stanford Storytelling Project’s Braden Storytelling Grant.

Carolyn Stein grew up with music like Avril Lavigne and The Marianas Trench – classic, trashy pop punk. But she never considered herself much of a punk rocker, until she took a little trip to the East Bay to a tiny venue called 924 Gilman Street. But soon after Carolyn discovers this venue, she learns that it may be at risk of closing. What will be lost if this venue closes?

Welcome to Paradise was produced by Carolyn Stein, Ana De Almeida Amaral, and Max Du, with support from Laura Joyce Davis and the Stanford Storytelling Project.

Whether you have a tattoo or not, we are all familiar with the stigmas that are commonly held against tattoos. Where does this aversion come from? What do these taboos say about history? What do they say about us? In this story, Keoni Rodriguez shares how his tattoos helped him reclaim his indigenous Hawaiian heritage, connect with his ancestors, and begin to heal a history of colonialism and erasure.

Tattoos and Taboos was produced by Ana De Almeida Amaral, Natasha Charfauros, Mikayla An-Yee Chen, & Chloe Gabrielle Mendoza, with support from Laura Joyce Davis and the Stanford Storytelling Project. A special thank you to Keoni Rodriguez for sharing his story with us