Beggars contains multitudes. Here, three very different acts from its storied roster share their own experiences of the label. Buffalo Tom’s Bill Janowitz recalls emerging from the same Amherst alt rock scene that birthed Dinosaur Jr and happily stumbling into the line up of one of his all-time favourite labels. Then, Trevor Tanner tells the story of The Bolshoi – another act who seemed poised to take it all. Finally, Aki Nawaz and Natacha Atlas bring us the story of Fundamental, Transglobal Underground and Nation Records.

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Bonus time! A story so compelling, we thought it deserved its very own episode. Behold: the full account of the fire that gutted Rick Rubin’s studio, destroyed all of Love and Rockets’ gear, and had everyone involved swearing never to dabble with a ouija board ever again. Featuring a scene-stealing walk-on from Throbbing Gristle’s General P. Orridge, and the most hair-raising description of a voodoo doll you’re ever likely to encounter. Buckle up, kiddos, things are about to take a turn for the paranormal…

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When Love and Rockets tentatively emerged from the ashes of Bauhaus, Daniel Ash and David J were mainly looking for a way to get out of the shadow of their first, totemic project, and to have a little fun in the process. Little did they know that Love and Rockets would offer them so much more: a route into a whole new phase of music history, as legends in their own right. Here, the two of them reflect on the heliotropic instinct to move towards something new and bright as the gloom of the 80s gave way to the Second Summer of Love…

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In part two of this Go-Betweens special, frontman Robert Forster remembers his dear friend, the late Grant McLennan, the band they began together as schoolboys, and his group’s quest to find a creative home that would last after the turmoil of moving from Brisbane to London. After a couple of false starts, that quest would eventually lead them to Beggars Banquet. The Go Betweens might not have found the fame and fortune that they’d travelled across the world for, but with Martin Mills, they did at long last find a place to truly realise their potential. As with the Gene Loves Jezebel episode, different band member’s memories don’t always match up and resolutions can take years to come by.

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For every Gary Numan or The Cult, there’s a few Go-Betweens. Those bands that stood right on the brink of breaking through – but, by some trick of fate or circumstance, never quite tipped over the edge. In part 1 of a 2-part special celebrating Australia’s greatest indie pop export, drummer Lindy Morrison reflects on all the things that made The Go-Betweens both so special and so very unlikely to ‘make it’ – at least in the years they were active. Now, the band are better known than ever, and theirs is a story that has had a lasting impact not only on the musical legacy of the country that they left, but also on the way that Beggars Banquet conducts all of its business with artists. Linda’s story is a powerful one, and she tells it brilliantly. 

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Subscribe to ⁠Fela Kuti: Fear No Man.⁠

Can a song save a life? Change a law? Topple a president? Get you killed?

In Fela Kuti: Fear No Man, Jad Abumrad—creator of Radiolab, More Perfect, and Dolly Parton’s America—tells the story of one of the great political awakenings in music: how a classically trained 'colonial boy’ traveled to America, in search of Africa, only to return to Nigeria and transform his sound into a battering ram against the state—creating a new musical language of resistance called Afrobeat.

For years, the world’s biggest stars made pilgrimages to Nigeria to experience Fela’s Shrine, the epicenter of his musical revolution. But when the mix of art and activism got too hot, the state pulled out its guns, and literally opened fire.

Fela Kuti: Fear No Man is an uncategorizable mix of oral history, musicology, deep dive journalism, and cutting edge sound design that takes listeners deep inside Fela’s life, music, and legacy.

Drawing from over 200 interviews with Fela Kuti’s family, friends, as well as scholars, activists, and luminaries like Burna Boy, Paul McCartney, Questlove, Santigold, and former President Barack Obama (just to name a few), Fela Kuti: Fear No Man journeys deep into the soul of Afrobeat to explore the transformative power of art and the role artists can play in this current moment of global unrest.

An Audible Original presented by Audible and Higher Ground. Produced by Western Sound and Talkhouse.

©2025 Higher Ground, LLC (P)2025 Audible Originals, LLC.

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It’s the dawn of the 90s and Beggars Banquet, after a decade of goth darkness, are due a little refresh. Enter, The Charlatans – a band surfing the crest of the baggy zeitgeist. Every label in Britain wants to sign them, and lo and behold, where others fail, Martin Mills succeeds. It should be the beginning of a long leisurely stroll towards ‘happily ever after’, but the story of The Charlatans is burdened with more than its fair share of catastrophe and tragedy. Here, frontman Tim Burgess reflects on the reality behind a rock and roll fantasy and the band’s extended tenure as one of the most important bands ever signed to Beggars Banquet.

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Mark E Smith was many things. Visionary songwriter? Certainly. Enduring champion of DIY culture? Without a doubt. Lifelong grunt-worker at the Post-Punk factory? Sure, why not. But one thing he most certainly wasn’t, is easy-going. In this episode of States of Independence – the accounts of two people well placed to testify to that effect: firstly Beggars boss, Martin Mills, who had the distinct pleasure of attempting to wrangle the famously industry-hating Smith during his most prolific and marketable years; secondly, his former bandmate and wife, Brix Smith, who is widely credited with injecting the pop sensibilities that defined The Fall’s imperial era on Beggars Banquet. As you might expect, there are stories galore for Fall fans both young and old…

Accompanying Playlist: https://bit.ly/StatesPodPlaylist

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There are two sides to every story… In part two of the Gene Loves Jezebel saga, Michael Aston shares his own recollections of the band he formed, loved, and lost with his twin, Jay. Funnily enough, his story doesn’t always align with his brother’s account. But then that’s what makes the whole story of Gene Loves Jezebel so very interesting…

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Rock and roll partnerships are tempestuous at the best of times. Throw twin brothers into the mix? That’s a recipe for Armageddon. Gene Loves Jezebel were, for a stretch in the mid-80s, one of Beggars Banquet’s flagship bands, but when differences between the twin frontmen at the heart of it all became irreconcilable, they split apart – and eventually launched two competing versions of the same group. Which is why episode four of States of Independence gets the ‘two parter’ treatment. First up, we hear Jay Aston’s side of the Gene Loves Jezebel saga.

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