In this episode, we re-examine the concept of the given circumstances. Every play has its own set of given circumstances, from which all drama emerges. It’s helpful to look at your work from this perspective because it helps you understand what your character is fighting against. Milton’s objection to what is known as “substitution” or “emotional recall” is because these techniques exist in order to create an effect. And since they tap into our own lives, as opposed to the given circumstances, it pulls us out of the play we’re doing and into our own private play. “I object to it because I think it cheapens plays,” says Milton, “but also because it loses the fun for you. Part of the joy of acting is being able to live off of the play that you’re in.”