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We are in the midst of awards season. The Oscars, the Grammys, the Golden Globes. They are all about both content and popularity. But what is the nexus and separation of the two? To many people, if it’s popular, it can’t be “good.” To others, choosing anything other than the top movies or the top 50 songs on Spotify seems useless.
What this doesn’t tell us is what drives popularity. Can it be manufactured, or is it the proverbial lighting in a bottle? How real or artificial is popularity?
It’s seems like the perfect time to explore these questions. Senior Editor of The Atlantic, Derek Thompson takes us down this popular road in Hit Makers: The Science of Popularity in an Age of Distraction.
My conversation with Derek Thompson:
By Jeff Schechtman3.7
77 ratings
We are in the midst of awards season. The Oscars, the Grammys, the Golden Globes. They are all about both content and popularity. But what is the nexus and separation of the two? To many people, if it’s popular, it can’t be “good.” To others, choosing anything other than the top movies or the top 50 songs on Spotify seems useless.
What this doesn’t tell us is what drives popularity. Can it be manufactured, or is it the proverbial lighting in a bottle? How real or artificial is popularity?
It’s seems like the perfect time to explore these questions. Senior Editor of The Atlantic, Derek Thompson takes us down this popular road in Hit Makers: The Science of Popularity in an Age of Distraction.
My conversation with Derek Thompson:

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