
Sign up to save your podcasts
Or


Okay, here’s a cocktail party question for music fans: “What do James Brown — the master of funk — and Soviet symphonic composer Dmitri Shostakovich have in common?”
The answer is Stomp, a piece by Seattle-based composer David Schiff that premiered on today’s date in 1990 at Alice Tully Hall in New York City at a concert by Marin Alsop’s Concordia orchestra.
For starters, on the score of Stomp, Schiff includes a reference to James Brown’s music, instructing the players, “Every instrument is treated like a drum.” Also, during its opening, there’s a staccato rhythm based on Brown’s iconic tune, “I Feel Good.”
And the Shostakovich connection? Well, Schiff confesses to modeling Stomp on the opening movement of that composer’s Symphony No. 9, right down to a strict imitation of Shostakovich’s repeat of the exposition, in sonata-form style.
On the origin and subsequent use of Stomp, Schiff said, “Marin Alsop conducted one of my pieces at Tanglewood in 1988 and later asked me for a new orchestral piece for her Concordia orchestra; since then, Stomp has since been played by many orchestras including the L.A. Philharmonic, who took it to high schools to demonstrate that classical music could be really loud.”
David Schiff (b. 1945): Stomp; Baltimore Sym; David Zinman, conductor; Argo 444 454-2
By American Public Media4.7
176176 ratings
Okay, here’s a cocktail party question for music fans: “What do James Brown — the master of funk — and Soviet symphonic composer Dmitri Shostakovich have in common?”
The answer is Stomp, a piece by Seattle-based composer David Schiff that premiered on today’s date in 1990 at Alice Tully Hall in New York City at a concert by Marin Alsop’s Concordia orchestra.
For starters, on the score of Stomp, Schiff includes a reference to James Brown’s music, instructing the players, “Every instrument is treated like a drum.” Also, during its opening, there’s a staccato rhythm based on Brown’s iconic tune, “I Feel Good.”
And the Shostakovich connection? Well, Schiff confesses to modeling Stomp on the opening movement of that composer’s Symphony No. 9, right down to a strict imitation of Shostakovich’s repeat of the exposition, in sonata-form style.
On the origin and subsequent use of Stomp, Schiff said, “Marin Alsop conducted one of my pieces at Tanglewood in 1988 and later asked me for a new orchestral piece for her Concordia orchestra; since then, Stomp has since been played by many orchestras including the L.A. Philharmonic, who took it to high schools to demonstrate that classical music could be really loud.”
David Schiff (b. 1945): Stomp; Baltimore Sym; David Zinman, conductor; Argo 444 454-2

90,966 Listeners

38,518 Listeners

6,782 Listeners

8,770 Listeners

3,997 Listeners

9,193 Listeners

3,629 Listeners

925 Listeners

1,389 Listeners

520 Listeners

182 Listeners

1,225 Listeners

13,700 Listeners

3,083 Listeners

247 Listeners

28,255 Listeners

13,238 Listeners

5,490 Listeners

2,177 Listeners

14,110 Listeners

1,142 Listeners

6,356 Listeners

2,514 Listeners

229 Listeners

635 Listeners