Stop! and check out the new episode, featuring The Supremes. who were on a run of consecutive #1 hits in 1965. "Stop! In the Name of Love" is the one with the iconic choreography, but we dig even deeper to explain the charms of this arresting song. The first cover we discuss is a very busy garage version from 1969 by Crosstown Switch. Beverly Kelley, the lead singer on this tune, sounds like she's been beamed in from 1962! Next up is an epic soul version by Margie Joseph which has to be heard to be believed. In 1979, new-wavers Blotto essayed the song with very expressive vocals and a disco pulse. Finally, the next year, Yukihiro Takahashi presented us with a faithful version, but with loungey and bossa-y vocals. Haven't we been good to you?

Stop! and check out the new episode, featuring The Supremes. who were on a run of consecutive #1 hits in 1965. "Stop! In the Name of Love" is the one with the iconic choreography, but we dig even deeper to explain the charms of this arresting song. The first cover we discuss is a very busy garage version from 1969 by Crosstown Switch. Beverly Kelley, the lead singer on this tune, sounds like she's been beamed in from 1962! Next up is an epic soul version by Margie Joseph which has to be heard to be believed. In 1979, new-wavers Blotto essayed the song with very expressive vocals and a disco pulse. Finally, the next year, Yukihiro Takahashi presented us with a faithful version, but with loungey and bossa-y vocals. Haven't we been good to you?

Stop! and check out the new episode, featuring The Supremes. who were on a run of consecutive #1 hits in 1965. "Stop! In the Name of Love" is the one with the iconic choreography, but we dig even deeper to explain the charms of this arresting song. The first cover we discuss is a very busy garage version from 1969 by Crosstown Switch. Beverly Kelley, the lead singer on this tune, sounds like she's been beamed in from 1962! Next up is an epic soul version by Margie Joseph which has to be heard to be believed. In 1979, new-wavers Blotto essayed the song with very expressive vocals and a disco pulse. Finally, the next year, Yukihiro Takahashi&nbsp;presented us with a faithful version, but with loungey and bossa-y vocals. Haven't we been good to you?

Stop! In The Name Of Love

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&amp;B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

Music

Music Commentary

Music History

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

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Stop! In The Name Of Love

Stop! In The Name Of Love

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