If self-tapes feel like punishment, there’s a good chance you’re approaching them completely wrong. Self-tapes didn’t kill auditions. They just changed the rules.

Self-tape auditions are now the standard for film, TV, and many theatre projects — but many actors still treat self tapes like a chore instead of a creative opportunity. In this episode of The Working Actor NYC, Benjamin Howes and Patrick Richwood share practical self-tape audition tips, discuss how to approach acting self tapes creatively, and talk about what actually helps actors stand out on camera.

Self-tapes have completely changed the way actors audition — and a lot of actors still treat them like a chore.

In this episode of The Working Actor NYC, Benjamin Howes and Patrick Richwood unpack the mindset shift that can make self-taping not just tolerable… but actually creative and empowering.

Yes, many actors miss the energy of being in the room with casting directors. But the self-tape era has also opened up new opportunities: more control over your performance, the ability to collaborate with your own community of readers, and a chance to approach the audition like a miniature piece of storytelling.

We talk about:

• Why self-tapes feel isolating — and why that might be a myth

• How building a circle of readers can actually strengthen your acting community

• Whether props help or hurt your audition

• Why overproducing your self-tape can backfire

• The difference between playing it safe and making specific choices

• How to start thinking of self-tapes as a creative opportunity instead of a burden

Because here’s the truth: the rules of the industry have changed. And the actors who adapt fastest are the ones who keep working.

If you’re still treating self-tapes like something you have to get through, this conversation might help you start using them to your advantage.