This episode of Storied Ground is part one of a series on the history of the Wyandotte people in Ohio, from their arrival in the early eighteenth century, to their removal later in the nineteenth century, to their extraordinary return in the present day. With guest experts Chris Houk, Lifeways Researcher at the Wyandotte Nation of Oklahoma’s Culture Center & Museum, and historian Dr. Mary Stockwell, author of the book The Other Trail of Tears: The Removal of the Ohio Indians.

In the heart of the City of Defiance, Ohio, the Defiance Public Library stands at the western edge of Old Fort Defiance Park, overlooking the confluence of the Maumee and Auglaize Rivers. Now listed on the National Register of Historic Places, the architecturally distinctive Defiance Public Library has been a beloved fixture of the Defiance community since its opening in 1905. It is also one of over a hundred public libraries in Ohio that were built with funds provided by a grant from the wealthy Gilded Age industrialist Andrew Carnegie, who was a fervent believer in the necessity of public libraries to an informed American citizenry. Though he is a controversial figure today, Carnegie’s philanthropy – which by 1917 had funded the building of over 1600 public libraries across America – was foundational to the development of the renowned public library system we enjoy today in the United States. In this episode of Storied Ground, we’re paying a visit to the Defiance Public Library to discover what the unique history and architecture of one Carnegie library in a rural Northwest Ohio community can tell us about the wider legacy of Carnegie libraries in America, with guests Dr. Abigail Van Slyck, Dayton Professor Emeritus of Art History at Connecticut College; Cara Potter, Director of the Defiance Public Library System; Taryn Lawson, Communications Coordinator at the Defiance Public Library System; and Mike McCann, Mayor of the City of Defiance.

Since its opening in 1975, the Wood County Museum has been dedicated to telling the story of Wood County, Ohio and its people. But in recent years, the museum has been increasingly focused on preserving and interpreting its own institutional history as the former Wood County Infirmary, and in doing so, it has achieved renown as one of the few museums in the United States where visitors can learn about the history of rural poverty and public charity in nineteenth- and twentieth-century America. County infirmaries were among the earliest institutions of public welfare in Ohio, having first been authorized by the Ohio General Assembly in 1816. They were originally designed to be self-sustaining communal farms that provided temporary refuge for the poor, and were commonly referred to as “poor farms” or “poorhouses.” But without a wider social safety net, in reality county infirmaries often ended up becoming permanent homes for the elderly, sick, physically and mentally disabled, mentally ill, and other disadvantaged people unable to economically and materially support themselves, and whose families, if they had any, were either unable or unwilling to care for them. By 1900, Ohio’s public welfare system had evolved to include more specialized institutions to provide for the specific needs of certain vulnerable populations, marking the beginning of the transition of infirmaries into modern nursing homes. But this process was much slower to take root in Ohio’s predominantly rural counties. In Wood County, the infirmary remained the only place of refuge for the disadvantaged until well into the latter twentieth century, when it was finally closed and converted into the Wood County Museum. In this episode of Storied Ground, we’re exploring the history of the Wood County Infirmary with guest Holly Kirkendall, Curator at the Wood County Museum. We’ll also learn about the work Kirkendall and her colleagues are doing today to tell the story of the infirmary in ways that humanize its residents and correct misconceptions about the nature of rural poverty in America in the nineteenth and twentieth centuries.

In the mid-twentieth century, Toledo was among the thriving epicenters for blues music in the American Midwest, with shows happening nightly at the many blues clubs on Dorr Street, a major thoroughfare for culture and commerce in Toledo’s African American community. But there was no place in Toledo like the Hines Farm Blues Club, located on the property of Sarah and Frank Hines outside the city in the rural farm country of the Swanton/Spencer-Sharples area. What started out as a series of house parties in the Hines’ basement in 1949 grew into the renowned Hines Farm Blues Club, featuring indoor and outdoor performance venues on the Hines’ sprawling acreage that harkened back to the country origins of blues music in the American South. Hines Farm became a favorite Midwestern stop on the Chitlin’ Circuit for nationally celebrated blues artists like B.B. King, John Lee Hooker, Muddy Waters, Little Esther Phillips, and Jimmy Reed, among many others. Local blues legends Big Jack Reynolds, Art and Roman Griswald, and “Blind” Bobby Smith were also regular fixtures at Hines Farm. In this first episode of Storied Ground, we’ll explore the history of the legendary Hines Farm Blues Club and its unique place in the evolution of American blues music, with guests Dr. Matthew Donahue of Bowling Green State University and Toledo blues musician and impresario John Rockwood.