Time to talk about Christians in novels:
+ Secular novelists love to make their villains hypocritical Christians.
+ Christian novelists are very honest about their Christian characters' flaws as well.
+ So don't be offended when you bump into a fake Christian in a story.
+ Nate walks through the flaws of his Christian protagonists (Niffy, Rupert, etc.).
This episode dissects Christians and their character flaws on the page... and in real life.

Brian asks Nate what tips he'd give a teenage SASFer who wants to become a movie director. And, perhaps surprisingly, Nate's advice has nothing to do with movies. Because if you want to direct feature films when you grow up, you're the kid saying "I am gonna be an NFL quarterback." That kind of career wish has everything to do with whether you're the kind of person who could manage someone else's million-dollar investment. That doesn't just happen for wanting. Are you ready to convince the rich guys, direct the talent, soothe the producers, reject the bad network notes, talk to the cinematographers, and maintain total clarity on your artistic vision for the film through it all? And that assumes you know your stuff when it comes to story (watch Canon+ resources like "On Directing" and "Fantastical Wordcraft") and aren't hoping your elementary critical analysis will take the place of artistic talent. The best thing you can be doing is MAKING films with your (or your parents') iPhones. Also in this episode, the guys take some potshots at allegory, Reformed Facebook groups, Edmund Spenser, and more.

You're used to saying "stories are soul food" -- this episode discusses why Nate thought kids in our time especially need to read stories about corrupt institutions failing them, and how to reconsecrate an institution in its own rubble. This takes courage, strength, and determination. It takes having stomach for the fight. It takes a leader who refuses to sabotage himself by turning around. It takes becoming immune to the stress of conflict... but also being willing to let love cover it when it doesn't matter. And, it also takes a thorough knowledge Nate's First Law of Meetings (listen to find out this key piece of advice). Because the truth is that any institution that loses sight of the mission is decaying in front of you... and if you notice the Snickers wrapper on the floor in the classroom, you need to pick it up. All of these themes are things you may have noticed in the Ashtown Burials series. You'll also get a few bonus SASF musings on whether Trump can continue his strategy of nonstop wins or whether he'll run out of steam; SASF for Canada and Canadians; and much more.

Brian springs an awful Aslan casting surprise on Nate, and the results are delightful. The SASF discussion of Greta Gerwig's new Netflix Narnia series ranges far afield. Planet Narnia, which book of the series is Nate's favorite, Lewis's repeated character archetypes, adaptation of books to film... this one has all things Lewis. Including Nate's claim that Edmund / Eustace / Digory all behave the way they do because CSL had thumbs that couldn't bend.

It's old news that the boys aren't reading. The NY publishing industry was obsessed with the idea when they first took at look at Nate's work twenty years ago. This episode of SASF features the story of the (female) editor who wanted to reach boys with Nate's manuscript of Leepike Ridge by 1) taking out the treasure, 2) taking out the father figure, and 3) making the book about the relationship between the boy and his widowed mom. The industry at large moved on to graphic novels to try to get boys to read. But Nate says things have gotten worse since then: Boys weren't reading then; they aren't even watching now. Hollywood is currently freaking out over the difficulty of getting young adult males into theaters. Turns out boys play video games a bit and watch YouTube and p*rnography a lot (devastating). The rest of the podcast discusses how to defeat the algorithms by creating dopamine with your family instead of your phones. This is the first step to freeing a generation of young people enslaved to the doomscroll.

What should your decision process be when you are thinking about moving your family across the country to a new place? Well, the answer is rooted in story. Are you moving to a place where you can be a better character, where your kids can be more active, where your family can grow -- or are you relocating yourself merely to consume the products that are brought to you by this new community? Don't be a hummingbird, be an ant. Jump on the moving walkway and start running. This discussion of communities, moving, and what makes Moscow, Idaho different from other parts of the US is equal parts practical and (probably) offensive. Enjoy!

Many of us remember a time when Pixar reigned supreme over the many competing Animation Studios. But now, 15ish years later, that distinction has become blurry. Can we bet on any one Animation Studio for quality? Join Nate, Amira, and Lucia as they talk about childhood movie memories and the problem with animation today.

This week the guys discuss some frustrating creative decisions behind the new Season of Severance. #severance #benstiller #adamscott

A project Nate worked on is arriving this February: It's House of David, a serious retelling of the life of David. But Nate only worked on early drafts, and it's now a Prime Video project. The guys watch the preview; Brian criticizes vestiges of what feels like Rings of Power; Nate talks about the vision for the project, and (even if he were to have quibbles about the final result) talks about what success for this series would do: Reignite some interest in telling faithful Bible stories. He talks about the importance of Christians telling real stories, and Brian makes a surprising pivot into the movie Magnolia (1999, directed by PTA, definitely NOT a Christian movie, don't show your family and then send us angry messages). Brian argues that Magnolia's director Paul Thomas Anderson is trying to take a divine perspective on the rise and fall of ten characters in Los Angeles. Nate gives his thoughts on a movie that is more honest about grace and judgment than any "Christian" film he has seen recently.  As Magnolia's Christian Officer Kurring (John C. Reilly) puts it: "Sometimes people need to be forgiven. And sometimes they need to go to jail. And that's a very tricky thing on my part." This leads to a challenge: Christian directors should be more ambitious than Paul Thomas Anderson in their efforts to make Christian films great again.