As a conservative artist who's been working in the mainstream since 2007, Nate has an artistic opinion that's going to get conservative folks angry: Capitalism doesn't produce great art. Lest you join this commenter who said "this take is so dumb it got me to engage, brilliant", if you care about this topic, you need to listen to the whole episode. Nate's argument is that the incentives of capitalism reward the MOST entertainment, for the MOST people, for the MOST money. But actual greatness of art? That's not a problem that capitalism is solving for. Capitalism is a Delta stewardess serving cheese cubes to the Delta Sky Club Diamond members. It'll get you the most cheese cubes at the lowest price, but it's not not gonna get a steak. Instead, Nate argues for a return of patronage. Cathedrals, requiems, masses, paintings, statuary -- it's all been the result of patronage. Brian objects. Nate qualifies. The truth is that when streaming is king, an uncompromising demand for excellence and improvement only eats into your profit, because a creator's profit is capped by the streaming service. How do you resist the allure of cold hard cash if you're a creator? Better make sure you have principles you can hold on to beyond the desire for money.

This episode is a justification for the Stories Are Soul Food manifesto. First, Brian makes Nate react to the worst SASF episode from last year; then, Brian makes Nate react to the 2025 Golden Globes winners (The Brutalist, Emilia Perez, The Substance, Flow, etc.); and lastly Brian makes Nate justify the importance of story in a time when everybody else seems to be crazy. Kinda seems like we should be focusing on more important stuff than narrative, right? Nate describes 2025 as the year of living next to the insane asylum -- what can we do with our own lives when your neighbors are coloring on all their walls? Nate says story is not only part of the answer, it's the solution for how you, your spouse, and your kids are going to get through these "interesting times."

Longtime listeners will get that particular feeling in the pit of their stomach when they hear Nate start talking about life in a particularly bleak way -- you know, the "make that heartbeat count because we're all going to die" kind of way. Brian has named this manifestation of his podcast co-host "Black Pill Nate." For today's episode, Black Pill Nate goes on a rampage against those who desperately hope for excellence of output while inputting mediocrity. There are a million ways to drive off the road, and only one way to stay on it -- and this applies to film, art, creativity, work, and everything in between. Mediocrity of input, Nate says, may be the reason we have "Wicked" dominating the box office, and why Severance season 2 may fail, and (contrarily) why Silo season 2 is currently succeeding (with filters, people!). The flip side of this is that there is also a very exclusive fraternity of excellence. If that doesn't make sense to you yet, keep repeating "mediocrity of input doesn't deserve excellence of output" every night until you fall asleep.

Nate and Brian discuss flattering your kids versus telling them the truth, what would happen if we stopped giving gifts on Christmas (it would be really really really horrible), and touch on some Christmas movie classics.

Listeners of this podcast know that when Christmastime rolls around, the SASF podcast likes to focus on the less appreciated Bible stories that lead up to the birth of the Christ:. You may remember past Advent episodes on the Levite's concubine, Onan, and Tamar. This year, the guys discuss the place of the Jewish people in the Christmas story. Why? Well, nobody needs a reason to talk about the Gospel, but in addition (if you're on X), you've definitely noticed a certain vocal minority who loves nothing more than to denigrate the Jews. Don't worry, we don't spend much time on those dummies -- but we do spend time discussing the meaning of Christmas, its place in history, the rights and wrongs of Zionism, Old Testament heresies like Talmudic Judaism, and, of course, the Jewish story that is the whole basis for the birth of our Jewish Savior... and why we're Christians now. You're also going to find out that you're the second lobster on the heavenly sheet in Peter's vision, so get used to not being the main character. Merry Christmas!

Under duress, Brian admits that Gladiator (the original) is still his favorite movie, having stayed atop the BK Movie podium since Brian was a teenager. Nate attacks Brian for his bashfulness at recommending what is, in fact, an all-time great movie, and the guys have a pleasant reminiscence of Russell Crowe and 2000's Gladiator, remembering all the great parts and forgetting all the supporting actors' names. Unfortunately, all good things must come to an end, and it turns out they just released a NEW Gladiator, and Nate had watched it with his kids. You get to hear Nate's analysis of how the new Gladiator fails to emulate the old, along with his hypothesis for why Ridley Scott keep churning out poor quality movies from potentially amazing IP. You'll also hear Nate's director's take on the casting in Gladiator II, which is a single point of failure (well, maybe the CG baboons are the single point of failure). But the worst of Gladiator II is the effort spent undermining the nobility of Maximus.

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The guys make a oliphaunt-sized announcement -- the 1977 animated Hobbit is now streaming on Canon+ (along with the cartoon Return of the King!). Naturally, it's our next LAMPC pick (Look At Moving Pictures Club, for those of you who don't know). The discussion of the Rankin-Bass cartoon Hobbit leads to a discussion of Family Movie Night, and how all fiction is fantasy, really. In process Nate pokes fun at one of the sci-fi greats, Robert Heinlein, for his definition of sci-fi, and the guys turn their attention to discussing the movie I Am Legend.

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Yes, these two topics are both related, but not in the way you're thinking. Brian asks Nate a vital parenting question for anyone with boys -- how do you deal with kids talking about gross things? Nate points out that it's God who made the world with poop, pee, and barf in it, but it's also God who forbid coarse jesting. So Nate's family had a no-tolerance approach to fart jokes, for example; or yuk-yukking it up about poop and pee. But Nate also has a keen eye for the gross parts of God's storytelling, so there's nothing wrong with noticing and being amused when your infant destroys her new Easter outfit. This is all related to Shrek; but the real damage of Shrek is not in the earwax or swamp farting but in the "princess to monster" character arc that Princess Fiona epitomized. The guys break down wish fulfillment of Fiona's sort and how it has perverted (technical word) most of our modern storylines.

Around election time people get addicted to bad stories, downing them cocktail after cocktail. And that's because presidential elections, which are the beauty pageants of babylon, usually turn on this simple storytelling question: Who can tell the most compelling tale about their opponents? Harris-Walz is trying with video games and guns and abortion; Trump-Vance is trying with filthy comedians and French fries and free speech. Analysis gets really entertaining when you get to watch how fringe elements on both side stand where their opponents tell them to stand and say what their opponents tell them to say (this is where AOC and groypers overlap in their hatred of Israel, and where fascists and communists sort everyone into categories based on sunburn-ability). In literary terms, we Americans in 2024 are living in a black comedy, which is a satire in which the main characters cannot see that the rules they live by are crazy. But the audience can. And unfortunately, black comedies usually end in destruction for everyone but the audience. Speaking of audiences: who is your audience? What matters for you, right now, on a Tuesday afternoon, isn't the centuries-long stories God is telling of the rise and fall of nations -- it's how you treat your wife, kids, boss, pastor; and how your actions are telling a story to everyone you live with. So, vote for Trump, but God is the only Storyteller who should have control of your emotions. Stories are soul food, after all.