He kicked the heap of useless timber, then picked it up and flung it across the room. It slammed into the framed photo of his icon, Robert Johnson. It crashed to the floor—bits of glass and wood scattering everywhere.

Once, the lonely house had been painted light green and white, but now much of the paint was peeled, flaked off, revealing weathered grey boards. Some windows still held glass, reflecting a washed-out and colourless sky.