Meg Wolitzer presents three unexpected stories that let us see the holidays’ associations—family, friends, food, gifts, and goodwill—in different ways.  Amy Krouse Rosenthal presents a playful encounter with the Almighty in “Interview with God,” performed by Jayne Atkinson and James Naughton.  In Sherrie Flick’s “Heidi is Dead,” read by Adina Verson, a second wife tries to tune in with her in-laws. And John Cheever’s “Christmas is a Sad Season for the Poor” is a richly comic and warmhearted look at giving and receiving.  Teagle F. Bougere reads.

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The vexing difficulty of finding the perfect gift.

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Prologue: Host Ira Glass goes to a busy Target store one week before Christmas. Most shoppers he talks to don't think any of their gifts will be returned. (3 minutes)Act One: Ian Brown tries, after decades of failure, to give his mother the perfect Christmas gift. He and his brother attempt something they haven't done since they were kids: Rehearse and sing her a program of Christmas carols. (19 minutes)Act Two: We play a 1959 original recording of Truman Capote reading his holiday story A Christmas Memory. (18 minutes)Act Three: Caitlin Shetterly reports on a true-life holiday fable from rural Maine, complete with a misunderstood recluse with a heart of gold, a deserving family in need, and a very special Christmas tree farm with secrets of its own. (16 minutes)

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Host Meg Wolitzer presents two provocative stories that address the idea of communing with something “other”.  In Etgar Keret’s “Polar Bear” an AI program, and a lonely widow, commune.  The reader is Michael Imperioli. And Mom is close by—and full of unwanted advice—in “The Acorn” by Elizabeth Stix, performed by Dylan Baker.

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Symphony Space was thrilled to host an evening with Israeli writer Etgar Keret, whose stories we’ve featured many times on Selected Shorts. He was interviewed by his longtime friend, and host of This American Life, Ira Glass. In this condensed version of their talk, they playfully challenge each other on a wide range of topics, some political, some creative, but mainly about what it’s like to live in these uncertain times.

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When history comes knocking, you have to figure out what to do.

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Prologue: Brittany’s job is to answer anonymous calls and texts from people in the military. This year, she’s gotten more than usual–most of them are wondering about what to do with orders they’ve been given. Or orders they’re afraid they’ll get someday in the future. (9 minutes)Act One: Jad Abumrad tells the story of the "ideological genealogy” of Fela Kuti’s anti-colonial politics–his mother. In late 1940s Nigeria, Funmilayo Ransome-Kuti found herself at the center of a big, historical moment: an uprising led by thousands of women selling goods in Nigeria’s markets. Jad goes searching for who she really was, and how she became the person who galvanized a movement when history demanded it of her. (45 minutes)

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