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Content Warning: this story is based on the recorded events of the so-called witch Mary Pannal. It involves references to a child and his father dying, and to Mary being hung and burnt as a witch.
Hello, Can You Hear Me? is an audio storytelling project that was funded by Wakefield Council as part of Our Year – Wakefield District 2024
It features ten folktales re-created by the storyteller, Beccy Dye. These were arranged on a period telephone which was then toured across the District. People simply dialled a number to reach a story, each story was broken up into parts, so if they wanted listens could create story mash-ups.
The project included a live, family-friendly performance which launched the exhibition in each venue.
Sounds Used in This Episode
Mentioned in this episode:
Content Warning for The Witch and the Haunted Hill
Hello, Can You Hear Me? is an audio storytelling project that was funded by Wakefield Council as part of Our Year – Wakefield District 2024
It features ten folktales re-created by the storyteller, Beccy Dye. These were arranged on a period telephone which was then toured across the District. People simply dialled a number to reach a story, each story was broken up into parts, so if they wanted listens could create story mash-ups.
The project included a live, family-friendly performance which launched the exhibition in each venue.
Sounds Used in This Episode
Hello, Can You Hear Me? is an audio storytelling project that was funded by Wakefield Council as part of Our Year – Wakefield District 2024
It features ten folktales re-created by the storyteller, Beccy Dye. These were arranged on a period telephone which was then toured across the District. People simply dialled a number to reach a story, each story was broken up into parts, so if they wanted listens could create story mash-ups.
The project included a live, family-friendly performance which launched the exhibition in each venue.
Sounds Used in This Episode
Hello, Can You Hear Me? is an audio storytelling project that was funded by Wakefield Council as part of Our Year – Wakefield District 2024
It features ten folktales re-created by the storyteller, Beccy Dye. These were arranged on a period telephone which was then toured across the District. People simply dialled a number to reach a story, each story was broken up into parts, so if they wanted listens could create story mash-ups.
The project included a live, family-friendly performance which launched the exhibition in each venue.
Sounds Used in This Episode
Hello, Can You Hear Me? is an audio storytelling project that was funded by Wakefield Council as part of Our Year – Wakefield District 2024
It features ten folktales re-created by the storyteller, Beccy Dye. These were arranged on a period telephone which was then toured across the District. People simply dialled a number to reach a story, each story was broken up into parts, so if they wanted listens could create story mash-ups.
The project included a live, family-friendly performance which launched the exhibition in each venue.
Sounds Used in This Episode
Hello, Can You Hear Me? is an audio storytelling project that was funded by Wakefield Council as part of Our Year – Wakefield District 2024
It features ten folktales re-created by the storyteller, Beccy Dye. These were arranged on a period telephone which was then toured across the District. People simply dialled a number to reach a story, each story was broken up into parts, so if they wanted listens could create story mash-ups.
The project included a live, family-friendly performance which launched the exhibition in each venue.
Sounds Used in This Episode
Hello, Can You Hear Me? is an audio storytelling project that was funded by Wakefield Council as part of Our Year – Wakefield District 2024
It features ten folktales re-created by the storyteller, Beccy Dye. These were arranged on a period telephone which was then toured across the District. People simply dialled a number to reach a story, each story was broken up into parts, so if they wanted listens could create story mash-ups.
The project included a live, family-friendly performance which launched the exhibition in each venue.
Sounds Used in This Episode
Hello, Can You Hear Me? is an audio storytelling project that was funded by Wakefield Council as part of Our Year – Wakefield District 2024
It features ten folktales re-created by the storyteller, Beccy Dye. These were arranged on a period telephone which was then toured across the District. People simply dialled a number to reach a story, each story was broken up into parts, so if they wanted listens could create story mash-ups.
The project included a live, family-friendly performance which launched the exhibition in each venue.
Hope in Normanton is an adaptation bringing together a series of stories by Peter Kirton from his book, Normanton: Grit, Grime and Courage
Sounds Used in This Episode:
Hello, Can You Hear Me? is an audio storytelling project that was funded by Wakefield Council as part of Our Year – Wakefield District 2024
It features ten folktales re-created by the storyteller, Beccy Dye. These were arranged on a period telephone which was then toured across the District. People simply dialled a number to reach a story, each story was broken up into parts, so if they wanted listens could create story mash-ups.
The project included a live, family-friendly performance which launched the exhibition in each venue.
Sounds Used in This Episode
Mentioned in this episode:
Content Warning for: A Withering Rose
The following episode is about a pivotal battle fought during the War of the Roses.
Hello, Can You Hear Me? is an audio storytelling project that was funded by Wakefield Council as part of Our Year – Wakefield District 2024
It features ten folktales re-created by the storyteller, Beccy Dye. These were arranged on a period telephone which was then toured across the District. People simply dialled a number to reach a story, each story was broken up into parts, so if they wanted listens could create story mash-ups.
The project included a live, family-friendly performance which launched the exhibition in each venue.
Sounds Used in This Episode
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