With Crimes of the Future, David Cronenberg returns to the body horror that made his name - and even uses the name of one of his own films (despite this not being a remake). But now that it's landed in the UK, what did we think of it?

Dr Robert, lead singer and chief songwriter of The Blow Monkeys, chooses the eight items he would take with him, if he was about to be marooned on a desert planet

Autumn live dates (JR will be at the Worthing gig):

A fan, a lapsed fan and an agnostic form the panel for this discussion of Atlanta, Georgia's finest song-workers, R.E.M.

Now that we've all had chance to digest Jordan Peele's third offering as director, was Nope the dope, or was there scope for improvement...?

Recently debuting on Netflix, a new South Korean zombie thriller from Jung Byung-gil - but when does a lot of action become too much action, and how realistic does that action need to be?

Matt and Simon discuss the Disney+ series about Industrial Light and Magic, the special effects company formed by George Lucas in order to make the Star Wars films

Comparing and contrasting two original Sherlock Holmes films of the 1970s, Billy Wilder's The Private Life of Sherlock Holmes and The Seven-Per-Cent Solution, based on the novel by Nicholas Meyer

Nigel Kneale looks ahead to the future of television from the vantage point of 1968, predicting text speak and Love Island among other things. But is The Year of the Sex Olympics as dated as Ekin-Su, or standing test of time like laughing out loud, you only live once?

Our review of the latest from Roland Emmerich, a sci-fi rescue mission-cum-disaster movie about the moon falling from the sky, that's called Moonfall

Matt and Mark travel to an alternative timeline where the space race is still ongoing, in order to discuss the Apple TV+ series For All Mankind