From the start of the enterprise that became Sunburnt Country Music, I was a fan of The McClymonts, the band Brooke McClymont formed with her sisters, Sam and Molly. Their country-pop songs were always clever and fun and musically unforgettable, due to their way with a melody and their harmonies. I saw them play live as often as I could. Thus, when Brooke released an album with her husband, Adam Eckersley, I rushed to listen to it and discovered a work that had the excellence that they had both produced separately – Eckersley with his eponymous band – yet had a unique sound and sensibility. 

The songs on that first self-titled album would not have belonged with The McClymonts or The Adam Eckersley Band – they were definitively Brooke and Adam’s alone. It was an exciting development for a music fan, and it continued with their second album, Up, Down & Sideways, which produced chart-topping, award-winning hits such as ‘Star of the Show’ (written with their daughter, Tiggy) and ‘Memory Lane’.

One of the hardest things for any artist to do – let alone two together – is not only be consistent but create something different that is as good or better than what has come before. This involves risk, especially when there is a well-established fan base. And while Brooke and Adam have big, bold personalities, they are serious about their music so the risk is real. 

In the case of their third album, the newly release Souls on Show, the risk has manifested as a rich album about life and marriage and committing to make the best of both. As with previous albums, they take relatable subjects and apply their talents to them and the resulting songs are so good because they take the risk. They push themselves to make the music better each time. It’s a compliment to their audience, because what also seems true of them both is that they love that connection with their audience. If we show up, they will too, in spades.

In this new interview they talk about their creative process and how The Wang, where they host groups of people and perform songs old and new for them, has contributed to it, and their regard for each other as artists and people is so clear. All of this contributes to the quality of the music they produce. 

Live, Brooke and Adam are never not great, whether it’s with their band or as a duo (including at The Wang, where you can see them up close and free flowing in the best way). I’ve seen their band show enough times to know that it can leave a person high for days, on the quality of the music and the fact that Brooke and Adam always seem to be having the most fun every single time. They are touring in support of Souls on Show and you can find the details here: https://www.brookeandadam.com/ontour.

I used to think I was perhaps too biased about The McClymonts, but then decided that I was biased because they were so good. So perhaps I’m biased about Brooke and Adam too – but it’s because they’re so good. In this world, with so much information coming at us, with so many options for our time and attention, they make it easy for us to choose their music by accepting nothing less than excellence in themselves. For those of us who live and breathe music, there’s nothing better.

Souls on Show is out now through Universal Music Australia.

Listen to Souls on Show on Apple Music

Listen to Souls on Show on Spotify

Listen to Souls on Show on YouTube

For more Sunburnt Country Music:

Instagram

Facebook 

YouTube

website 

Substack

Hosted on Acast. See acast.com/privacy for more information.

Victorian Andrew Swift has released four ARIA chart-topping albums and won three Golden Guitars, in amongst touring regularly – although later it’s been a lighter tour schedule than usual, as he’s now the proud dad of Valentine.

Swift has built his fan base with both releases and touring, and the temptation for any artist in that position must be to continue in the same vein with the songs he writes and records. Yet for his latest single, ‘Brick by Brick’, Swift has changed musical direction – although still within country music – to bluegrass. Not just this song, either: his forthcoming album has been produced entirely without electric instruments by his longtime band member (and highly regarded producer) Damian Cafarella.

In this new interview Swift tells me that ‘Brick by Brick’ was written nearly two years ago in a co-write at his dining table with his fiancée, Simone Sordello, alongside Gretta Ziller, Melanie Dyer and Jackson James. The lyrics grew out of a shared frustration among the co-writers with someone who'd repeatedly tested their goodwill. 

‘This song is by no means a diss track,’ Swift says. ‘It’s just how we were feeling in that moment.’

The song was put on the back burner as Swift finished his most recent album, Lucky Stars. Yet ‘I’ve been wanting to do a bluegrass project,’ as he says, tracing the idea back to revisiting his 2015 debut, Call for the Cavalry, on a flight and hearing its Americana roots calling him back.

Currently seven songs into the new record, Swift is balancing studio time around fatherhood, working sessions in around Valentine's daycare days. His live shows will lean towards a solo or duo storyteller format in the near term, with plans to rework older favourites like ‘Runaway Train’ and ‘Head Full of Honey’ into the new sound for select performances, including a bluegrass hoedown in Tamworth.

You’ll find Swift performing at Groundwater Country Music Festival on Broadbeach on the Gold Coast, held on 17 and 18 October. See below for the full list of tour dates.

Listen to ‘Brick by Brick’ on Apple Music

Listen to ‘Brick by Brick’ on Spotify

Listen to ‘Brick by Brick’ on YouTube

SEE ANDREW SWIFT LIVE

Saturday 5th September - Noojee Hotel, Noojee VIC

Friday 11th September - Odessa’s, Creswick VIC

Saturday 12th September - Bells Beach Brewing Company, Torquay VIC

Friday 18th September - Golden Vine Hotel, Bendigo VIC

Saturday 19th September - Young Street Tavern, Frankston VIC

Friday 2nd October - Sooki Lounge, Belgrave VIC

Saturday October 3rd - The Bend Classic, Tailem Bend SA

Saturday October 10th - The Oaks, Albion Park Rail NSW

Sunday October 11th - Camden Hotel, Camden NSW

Saturday 17th October - Groundwater Country Music Festival, Broadbeach QLD

Sunday 18th October - Groundwater Country Music Festival, Broadbeach QLD

Tuesday 19th January - Bluegrass Hoedown, Tamworth Country Music Festival NSW

Wednesday 20th January - The Longyard Hotel, Tamworth NSW

Thursday 25th March - Friday 9th April - Singapore to Sydney Country Music Cruise

**Tickets on sale now and available via www.andrewswift.com.au**

For more Sunburnt Country Music:

Instagram

Facebook 

YouTube

website 

Substack

Hosted on Acast. See acast.com/privacy for more information.

When I was researching this interview with Devonport, Tasmania-based country-rock artist Zac Weeks, the New Zealand Gold Guitar Awards – and his success at them – kept coming up, the point where I then went looking for information about where he was from in New Zealand. There was none, and therefore I decided that I’d start the interview by asking about this.

It turns out that Weeks is very much from Tasmania but on a suggestion from some New Zealand country music artists he met at the CMAA Academy of Country Music, he entered into the Gold Guitar Awards and emerged as a runner-up in the open singer-songwriter category, which is very good going for a first-time entrant. 

It was at Academy that Weeks’s latest single, ‘Long Neck Long Gone’, came together. The title had sat in his Notes app for four years; it was a line borrowed from a friend as they were finishing a ginger beer on a night out in Devonport. At Academy Weeks was paired with in-demand songwriter Matt Scullion, and the song took shape within minutes. 

‘What about this: “long neck, long gone, she left me alone”,’ Weeks recalls Scullion offering, before the two wrote the rest of the track together.

While Weeks has previously recorded with producer Matt Fell, who is also based in Tasmania, he recorded the latest single with Jacky McCormack, who is on the Central Coast of New South Wales. 

At the time we spoke Weeks was currently touring Tasmania – and he does play quite a lot around the Apple Isle – before heading to the Gympie Music Muster, which starts on Thursday 27 August. He’s already had an action-packed year, and no doubt Gympie will provide even more motivation for him to continue performing and writing – so stand by for future releases!

Listen to Zac Weeks on Apple Music

Listen to Zac Weeks on Spotify

Listen to Zac Weeks on YouTube

For more Sunburnt Country Music:

Instagram

Facebook 

YouTube

website 

Substack

Hosted on Acast. See acast.com/privacy for more information.

Victorian artist Madeline Leman’s latest country-folk album, Ripen on the Vine, was recorded in 2023, and while Leman has released some singles since then, the album needed a little more time to emerge – for a very important reason. As she tells me early in this interview, her young son was unwell for several months, so the album’s release was necessarily delayed.

Upon release it went to number 4 in the ARIA Country chart and number 5 on the Australia Indie chart, and Leman has also played shows in support of it, no doubt swelling the numbers of fans for her intelligent, often whimsical music that combines beautifully crafted lyrics with rich musicality.

Leman grew up in a musical family – her parents met while playing in a band together, and were folk artists. They dubbed her the ‘human radio’ because she would sing so often from such a young age. Piano was her first instrument, and Missy Higgins a big early influence, so Leman began writing songs on piano.

She then taught herself guitar and, while at university, listened to a lot of country music. At that time in Melbourne the alt-country/Americana scene was at its height, but it was a folk artist with whom she made the most lasting connection. Sharing a house with folk artist Leah Senior, Leman played her a song she’d written; this led Senior to Leman to play in a folk duo with her. 

Leman also talks about recording certain songs on the album and the choices that were made musically and lyrically, and we talk about clothes – if you watch the interview rather than listening to it, you’ll see that her clothing choices are as astute as her musical ones!

It was a great pleasure to meet Leman, who is a passionate, articulate artist and one whose music is enriching on so many levels. And listen to the end to hear her talk about the line-dancing class she teaches …

Listen to/buy Ripen on the Vine on Bandcamp

Listen to Ripen on the Vine on Apple Music

Listen to Ripen on the Vine on YouTube

For more Sunburnt Country Music:

Instagram

Facebook 

YouTube

website 

Substack

Hosted on Acast. See acast.com/privacy for more information.

Georgia Scarlett and Joel Spence are two Queensland country artists who have been releasing solo music independently for several years, and who have now found a creative partnership that has produced two singles which have taken them in a musical direction that is distinct from their own music while preserving their musical identities. 

The first single is ‘The Wise Folks Say’, which was the reason for our recent interview. The second, released after this interview was recorded, is ‘Honey Let’s Go’.

Their story begins at the Song Muster in Gympie, which has now generated several outstanding songs and songwriting partnerships that bring established and emerging songwriters together. Scarlett and Spence were placed in the same writing group and produced ‘The Wise Folks Say’ in a single session. 

‘This spark just connected instantly once we started talking our experiences, our journeys through life, some of the wisdom that’s been passed down to us,’ says Scarlett. ‘Every verse is a different life lesson. It has that old-fashioned country wisdom that I really love.’

The duo brought the song to producer Kelsey Berrington. The result is a song in which the duo’s voices are given the space to meld and separate as needed, revealing the way they balance and complement each other. 

Spence grew up in the Lockyer Valley, west of Brisbane, on a cattle and grain property. He has been writing and recording since his teens, and also has an academic interest in the power of music, conducting research into how community-led songwriting and performance can foster healing, cultural justice, and empowerment for First Nations Peoples in remote communities. 

Scarlett is originally from Bundaberg and grew up learning piano but found that she was better suited to clarinet, and has since added guitar and harmonica to her repertoire. She released her debut solo album, Rhythm of Life, last year. 

Scarlett and Spence’s collaboration on ‘The Wise Folks Say’ worked so well that they have now released a second single together, ‘Honey Let’s Go’. 

Listen to ‘The Wise Folks Say’ on Apple Music

Listen to ‘The Wise Folks Say’ on Spotify

Listen to ‘The Wise Folks Say’ on YouTube

For more Sunburnt Country Music:

Instagram

Facebook 

YouTube

website 

Substack

Hosted on Acast. See acast.com/privacy for more information.

Jessie Robins grew up in Katherine in the Northern Territory as one of a set of triplets and the daughter of a helicopter mustering pilot, and – as she tells me in this new interview – she has been singing since she was a small child. Creativity also runs in the family as her sisters are also working in creative fields. 

Robins now lives in Brisbane, where she performs regularly across the city and occasionally on Stradbroke Island, and she has released her debut country pop single, 'I Should Have Known Better'. The song was written with Shannon McArthur, a producer and songwriter living in Austin, Texas who is Robins’s longtime collaborator. They made a connection made through YouTube long before Zoom made remote creative partnerships commonplace.

Robins has been writing songs since childhood, and tells me that she still has notebooks from those years and occasionally finds a melody or a lyric she could use now. ‘I Should’ve Known Better’ came about through Robins watching a friend navigate a relationship from beginning to end, and the song sat with her for a couple of years before the timing felt right to release it. 

‘Now that those circumstances have passed,’ she says, ‘I felt like it was the right time to move forward.’

The song's title implies regret, but the sound does not. Robins was deliberate about this – she wanted something people could put on in the car and feel okay about, not sad. 

‘It’s okay to test things and trial things and then come out the other side with learnings,’ she says.

The genre of country music isn’t Robins’s natural habitat – she didn’t grow up listening to it. But over her years of performing and studying at JMC Academy in Brisbane, people kept telling her she sounded country. Eventually, she stopped resisting, and the result is this nuanced debut track.

Listen to ‘I Should’ve Known Better’ on Apple Music

Listen to ‘I Should’ve Known Better’ on Spotify

Listen to ‘I Should’ve Known Better’ on YouTube

For more Sunburnt Country Music:

Instagram

Facebook 

YouTube

website 

Substack

Hosted on Acast. See acast.com/privacy for more information.

Nashdale are a Central Coast country duo – Kerryn Daniel on lead vocals and Brent Murphy on guitars and vocals – who have been playing together for over a decade and releasing original music since 2024. Their third single, ‘Boots Back On’, is out now, and an EP is in the works for the Tamworth Country Music Festival next year.

While it seems like the pair came up with the perfect moniker for a country duo, Nashdale is a real place: a small locality outside Orange in the Central West of New South Wales, where Daniel grew up and her grandparents had an orchard. 

Daniel and Murphy have been performing together for a decade, a collaboration which started when Murphy heard Daniel sing with a friend’s band and, as he tells me in this new interview, launched a plot to steal her! Obviously he had the right instincts, considering how long they’ve been working together, and in the interview it was clear how much respect they have for each other and also how their dynamic would work on stage and in creating music.

After several years playing shows on the NSW Central Coast, the enforced inactivity of the pandemic gave them the opportunity to start recording originals together. Murphy has a home studio, and it was there that they started demoing songs with no particular plan. As they told me, they now have around thirty in various stages of development.

Their third single, ‘Boots Back On’ came about when Daniel played Murphy that she loved the groove of, and Murphy reached into his stack of old lyric drafts for something that might fit the energy. The song is about acknowledging that something isn’t working and putting your boots back on and getting on with things. 

There are other releases in the works, including an EP timed to come out around the 2027 Tamworth Country Music Festival. And if you’re a ‘Coastie’, make sure to check out Nashdale live!

Listen to ‘Boots Back On’ on Apple Music

Listen to ‘Boots Back On’ on Spotify

Listen to ‘Boots Back On’ on YouTube

For more Sunburnt Country Music:

Instagram

Facebook 

YouTube

website 

Substack

Hosted on Acast. See acast.com/privacy for more information.

Art can emerge at any age, and that’s just as true of younger artists as those who find their creative voices later on. Sydney singer-songwriter Hayden Phillis is not yet twenty years old and has spent his teen years developing his skills as a musician, singer and songwriter, attending the CMAA Academy of Country Music three times – twice as a singer-songwriter, once in the instrumentalist strand, which he describes as one of his favourite experiences, forcing him to rapidly develop piano skills and adaptability in a band setting. 

His debut album, Too Young, may have been released only last year but Phillis already has a new single, ‘Stick Poke Tattoos’, which was inspired by a friend’s relationship and written using Phillis’s somewhat wry powers of observation. He’s a songwriter who is interested in human experiences, and exploring them through his songs. He writes on buses, at gigs, in the notes app on his phone – collecting fragments, testing them against what he already has, and discarding what doesn’t fit.

‘I had the attitude of writing what I see and what I think,’ he says. ‘I wasn’t trying to put myself in a box that everyone will like.’

Both the first album and his forthcoming second, which is to be called What Time Doesn’t Know, were recorded at Rabbit Hole Recording Studio on the Central Coast with producer Dingo (Brandon Dodd), a collaboration Phillis talks about in this new interview.

He also mentions his upcoming long trip to Nashville, his plans for the 2027 Tamworth Country Music Festival – and his hobby making video games, which is another creative outlet and form of storytelling.

Listen to ‘Stick Poke Tattoos’ on Apple Music

Listen to ‘Stick Poke Tattoos’ on Spotify

Listen to ‘Stick Poke Tattoos’ on YouTube

For more Sunburnt Country Music:

Instagram

Facebook 

YouTube

website 

Substack

Hosted on Acast. See acast.com/privacy for more information.

The first time I interviewed country-folk artist Olive Mae she was in a caravan she shared with her husband and children, and they were travelling around Australia, embracing freedom – a concept that is at the core of Olive’s latest single, ‘Country Songs’.

Now settled in the south-west of Western Australia, about ten minutes’ drive from the popular Margaret River area, Olive is playing fewer shows on the road but certainly not playing less overall, as we talk about in this new interview.

‘Country Songs’ is, Olive says, her first attempt at writing a country song; she previously believed she was writing folk songs – although, as she says in the interview, when one of them ended up being nominated in a country music awards category, she reassessed! 

The song is partly about how music might have been the path she wanted to take from a young age but instead she followed the advice of others to pursue more conventional paths. 

‘Sometimes you’ve got to do the wrong thing just to realise what’s wrong,’ she says. ‘That’s just as important as finding what’s right.’

Ultimately, though, art won out, which is partly how she found herself in that caravan, touring the land. 

‘I wanted to be free,’ she says, ‘to choose the path that you want to take and not take on anyone else’s thoughts on how you should be living.’

Of course, being free is not as simple as the phrase makes it sound – it requires courage to focus on what you know is right for you and ignore others who are trying to steer you away for their own reasons. 

As ever, it was a great deal of fun chatting to Olive, who will be at this year’s Gympie Music Muster in August, attending the CMAA Academy’s Campfire songwriting programme. She’s also booked her first Tamworth headline show for the 2027 festival, at the Listening Room at the Community Centre on Thursday 21 January. 

Listen to ‘Country Songs’ on Apple Music

Listen to ‘Country Songs’ on Spotify

Listen to ‘Country Songs’ on YouTube

For more Sunburnt Country Music:

Instagram

Facebook 

YouTube

website 

Substack

Hosted on Acast. See acast.com/privacy for more information.

Central Coast NSW country-pop artist Ella Powell has been evolving her sound and storytelling over her last few singles, and her latest, ‘Hate My Clothes’, has the most intriguing title yet. 

As Powell tells me in this new interview, the song began as a feeling rather than a concept. She had a verse and a chorus and took those to co-writer and producer Ben Horsley, who has worked on her last two singles. 

The title of the song was Horsley’s suggestion, and it is not a song about Powell needing a new wardrobe but, rather, about finding an identity – something that most humans go through in their teens and early twenties, and which can be more pressing for artists in an era when brand is so important and artists are trying to, well, make art. 

Powell started performing at eight and released her first proper single, ‘Paper Town’, in her mid-teens – it’s a song she tends to keep in her set, despite releasing several singles since, because it brought many fans to her for the first time. She is now in her early twenties and, for the first time, says she knows exactly who she is as an artist and exactly what she wants to make. 

A year or two of releases are already mapped out, writing sessions are ongoing with Horsley, and production on new material has begun. At the core of Powell’s songwriting is a drive to tell stories. As she tells me, she writes several songs simultaneously to reduce attachment to any one, and is comfortable abandoning material that isn’t working, which is a discipline she has developed over years of writing. Her ideas come from overhearing conversations, scrolling book titles online, and using random word generators as prompts – I hadn’t heard of anyone using that last one, and am now intrigued!

It’s always exciting to see what Powell comes up with next, and also lovely to talk to her, so I hope you enjoy this conversation.

Listen to Ella Powell on Apple Music

Listen to Ella Powell on Spotify

Listen to Ella Powell on YouTube

For more Sunburnt Country Music:

Instagram

Facebook 

YouTube

website 

Substack

Hosted on Acast. See acast.com/privacy for more information.