Leaky ceilings, mould and dysfunctional lifts. Can the mundane facts of renting a rundown apartment be the stuff of supernatural horror? Indeed. Join Jason and Ali for a chat about Dark Water (2005) and its star, the great Jennifer Connelly.

Sinners (2025) is a rare thing: a popular blockbuster lauded by film critics. But what do Jason and Ali make of this hybrid of period drama, gothic horror and Mississippi Delta blues? Listen to find out!

Is Winnnie the Pooh: Blood and Honey (2023) as bad as all that? Definitely not. Jason and Ali praise an intelligent, iconoclastic instant classic.

Terry's Baby

Apartment 7A (2024) is the official prequel to Rosemary's Baby, made more than half a century after the original. Jason and Ali revisit the spooky Bramford building, its witchy residents, and the unsuspecting heroine who is to give birth to Satan's offspring.

Ira Levin's 1967 novel and Roman Polanski's 1968 film brought the horror genre into the cultural mainstream. Jason and Ali reflect on satanic cults, satanic sex and the resulting satanic baby.

Poltergeist (1982) is a supernatural horror classic featuring many (real!) skeletons. It is also a fun-filled family comedy. Jason and Ali stare at old analogue TV screens to discuss the famous film and its 2015 remake.

Frank de Felitta wrote two of strangest supernatural horror films of the 'boom' period. Jason and Ali get baffled by Audrey Rose (1977) and unsettled by The Entity (1982).

Osgood Perkins's The Monkey (2025) is a very loose adaptation of a 1980 Stephen King story. King's story takes death very seriously, but Perkins mocks the Grim Reaper. Jason and Ali talk about a very morbid comedy.

What do you get when you mix a pandemic, murderousness, international travel, pathological horniness, racism and size insecurity? Apparently, a film called Ebola Syndrome (1996).

Presence (2024) is an inventive, uncanny new take on the familiar terrain of the familial ghost story. An upper-middle class American family is haunted by the ghost of its inherent dysfunctionality. Jason and Ali reflect on annoying siblings, teen serial killers, and immersive Steadicam cinematography.