Halle Berry stars in Gothika, a 2003 fusion of murder mystery and supernatural horror. But does it work? Jason and Ali talk about possession, prisons, and the pitfalls of Hollywood star power.

The Philippou brothers are back with one of the year's most unsettling films. In a leafy Australian suburb, a youth social worker dabbles in necromancy. Jason and Ali get worried for the children.

Let's Scare Jessica to Death (1971) is a cult classic from the early horror boom. It's the story of would-be hippies who find themselves at the mercy of one groovy bloodsucker. Jason and Ali, though, aren't scared to death.

Leaky ceilings, mould and dysfunctional lifts. Can the mundane facts of renting a rundown apartment be the stuff of supernatural horror? Indeed. Join Jason and Ali for a chat about Dark Water (2005) and its star, the great Jennifer Connelly.

Sinners (2025) is a rare thing: a popular blockbuster lauded by film critics. But what do Jason and Ali make of this hybrid of period drama, gothic horror and Mississippi Delta blues? Listen to find out!

Is Winnnie the Pooh: Blood and Honey (2023) as bad as all that? Definitely not. Jason and Ali praise an intelligent, iconoclastic instant classic.

Terry's Baby

Apartment 7A (2024) is the official prequel to Rosemary's Baby, made more than half a century after the original. Jason and Ali revisit the spooky Bramford building, its witchy residents, and the unsuspecting heroine who is to give birth to Satan's offspring.

Ira Levin's 1967 novel and Roman Polanski's 1968 film brought the horror genre into the cultural mainstream. Jason and Ali reflect on satanic cults, satanic sex and the resulting satanic baby.

Poltergeist (1982) is a supernatural horror classic featuring many (real!) skeletons. It is also a fun-filled family comedy. Jason and Ali stare at old analogue TV screens to discuss the famous film and its 2015 remake.

Frank de Felitta wrote two of strangest supernatural horror films of the 'boom' period. Jason and Ali get baffled by Audrey Rose (1977) and unsettled by The Entity (1982).