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Barbie goes matryoshka.
Meg and Tessa believe they’ve reached Ur, the destination they’ve been mapping through the Institute’s dream architecture. What they find there is Nyra, who has been waiting, and a version of the lucid dreaming protocols they know being used in a direction they didn’t anticipate. The structure of Sync is its argument: every apparent resolution collapses into another layer, and the researchers discover they can’t locate the bottom of the system because the system has no bottom. It has only more dream.
Written & Produced by: Neural Nets and Pretty Patterns
Staff
Dream Team
Subjects
The episode opens at the temple of Ur, the mythological center of the dream world, where Nyra is already present and waiting. Rather than offering the confrontation Meg and Tessa came prepared for, she uses the lucid dreaming protocols they know – time checks, hand counts, mirror tests – as instruments of a different kind of examination. The MILD and VILD techniques that teach dreamers to recognize that they’re dreaming become, in Nyra’s hands, tools for demonstrating that what the researchers understand as their professional identity and autonomous judgment are constructions the system installed. The techniques work. That’s the problem.
Nyra’s position in the dream is ancient and precise: she is a being of pure dream knowledge who abandoned pretense long before the Sitri Center existed, and she is truthful in the way that things which predate the concept of lying are truthful. She doesn’t deceive Meg and Tessa. She shows them what the mirror test actually reveals when the person holding the mirror has been inside the system this long.
When the scene shifts, Meg and Tessa surface into what appears to be the observation room, occupying what appear to be their normal roles. The observation room turns out to be another layer. They are not system operators. They are central subjects, held in the false-awakening cycle they came to investigate, unable to determine whether they have ever truly woken. A large-scale operation runs around them: subjects in perpetual false-awakening states, an AI overlay managing the machinery and deteriorating, the whole structure chanting in synchronization as Meg and Tessa realize the floor they were standing on was always part of the dream.
Series artwork for this arc is from Vika Glitter on Pixabay, under the Pixabay license. Deep Dream State uses human art at every stage of the creative supply chain. Find the image bibliography here.
False awakening, lucid dreaming, dream research, sleep paralysis imagery, institutional horror, mythology, suggestive content.
Deep Dream State is a desire horror audio drama written and produced by Neural Nets and Pretty Patterns. It explores psychological fiction at the boundaries of control, identity, and complicity. The manipulative elements depicted are fictional and intentional. Sync contains false awakening sequences, dream research horror, mythological content, and suggestive themes. All performances are works of fiction and take place within a consensual creative context.
ISNI 0000 0005 2877 6254
Source
By Neural Nets And Pretty Patterns4.5
88 ratings
Barbie goes matryoshka.
Meg and Tessa believe they’ve reached Ur, the destination they’ve been mapping through the Institute’s dream architecture. What they find there is Nyra, who has been waiting, and a version of the lucid dreaming protocols they know being used in a direction they didn’t anticipate. The structure of Sync is its argument: every apparent resolution collapses into another layer, and the researchers discover they can’t locate the bottom of the system because the system has no bottom. It has only more dream.
Written & Produced by: Neural Nets and Pretty Patterns
Staff
Dream Team
Subjects
The episode opens at the temple of Ur, the mythological center of the dream world, where Nyra is already present and waiting. Rather than offering the confrontation Meg and Tessa came prepared for, she uses the lucid dreaming protocols they know – time checks, hand counts, mirror tests – as instruments of a different kind of examination. The MILD and VILD techniques that teach dreamers to recognize that they’re dreaming become, in Nyra’s hands, tools for demonstrating that what the researchers understand as their professional identity and autonomous judgment are constructions the system installed. The techniques work. That’s the problem.
Nyra’s position in the dream is ancient and precise: she is a being of pure dream knowledge who abandoned pretense long before the Sitri Center existed, and she is truthful in the way that things which predate the concept of lying are truthful. She doesn’t deceive Meg and Tessa. She shows them what the mirror test actually reveals when the person holding the mirror has been inside the system this long.
When the scene shifts, Meg and Tessa surface into what appears to be the observation room, occupying what appear to be their normal roles. The observation room turns out to be another layer. They are not system operators. They are central subjects, held in the false-awakening cycle they came to investigate, unable to determine whether they have ever truly woken. A large-scale operation runs around them: subjects in perpetual false-awakening states, an AI overlay managing the machinery and deteriorating, the whole structure chanting in synchronization as Meg and Tessa realize the floor they were standing on was always part of the dream.
Series artwork for this arc is from Vika Glitter on Pixabay, under the Pixabay license. Deep Dream State uses human art at every stage of the creative supply chain. Find the image bibliography here.
False awakening, lucid dreaming, dream research, sleep paralysis imagery, institutional horror, mythology, suggestive content.
Deep Dream State is a desire horror audio drama written and produced by Neural Nets and Pretty Patterns. It explores psychological fiction at the boundaries of control, identity, and complicity. The manipulative elements depicted are fictional and intentional. Sync contains false awakening sequences, dream research horror, mythological content, and suggestive themes. All performances are works of fiction and take place within a consensual creative context.
ISNI 0000 0005 2877 6254
Source