Sebastian Siadecki is a photographer living and working in Durham, North Carolina.  His work has been published in the New York Times and Eyeshot Magazine.  He is a recent graduate of the International Limited-Residency MFA in Photography at the Hartford Art School.

In this episode, we talk about his debut artist's book, Four Days in November, which is a photographic meditation on the assassination of John F. Kennedy and its enduring grip on the American consciousness. Designed by Trey Millward, the book combines original photographs made in and around Dallas in 2023 with previously unpublished archival images from the collection of the Sixth Floor Museum in Dallas, weaving the past and present into a single, unsettled narrative.

Some topics include: doctors, why John Gossage is the best, street photography, JFK, trauma to your nether regions, photo competitions, self-publishing, harsh critiques, and MFAs.

Taking Notes #1 (there are about 76 podcasts called "Taking Notes" but I don't care enough to come up with something different).

The first episode of many. Hopefully. Maybe. We will see. This one is free to listen so you can get the idea but future ones may not be. They will also be on Spotify and Apple for easy listening.

This is a deep dive into Daniel's photography practice. We go over many things: assisting, workshops, his new book with Deadbeat Club, sequencing, editing, daily photos, photobook inspirations, and much more.

Daniel first traveled to Greenland in 2023, when he was offered access to photograph the S.I.L.A. research group. Standing for the Significance of Ice-loss to Landscapes, and named after the Inuit concept Sila—denoting both the physical world as well as a spiritual understanding of living within it—the group studies glacial melt and its downstream effects. As Dorsa returned to Greenland over the years that followed, his work gradually evolved into a journal of a place caught between preservation and transformation, where ancient rhythms meet new realities.

Serving as both a pseudo-scientific documentation and a personal record, To Skip a Sinking Stone explores how Greenland, much like the ice sheet itself, embodies deep contradictions: life-giving and life-taking, ancient and ever-changing, a source of both scientific inquiry and spiritual resonance. Rather than attempting to resolve these tensions, the work embraces them. The images reflect the complexity of a land that defies containment or simplification. In Greenland, where extremes shape both land and life, joy continues to surface even in the presence of uncertainty. The title recognizes that climate change may feel like an unavoidable reality, yet people still reach for moments of light, connection, and meaning. 

I hope you enjoy.

Daniel Dorsa is an American photographer  currently based in Los Angeles. His work explores the relationships between people, the environments they inhabit, and the landscape that connect them. Rooted in the tension and harmony between the natural world and the built environment, Dorsa’s imagery  reflects a curiosity about how these forces shape human connection. 

Dorsa’s work has been featured in the British Journal of Photography, Boooooooom, and Der Greif, among other publications.  To Skip a Sinking Stone is his fourth book and his first with Deadbeat Club Press, following Paradise (2021), The Sun Was Gold Like A Yolk Dripping (2023), and Lupine (2025).