Tale Teller Kids™

Advanced Cello Articulation Tale Teller Club Private Lesson Free Audiobooks Suzuki ABRSM.

hi guys welcome to advanced cello lesson um i'm a little bit obsessed with articulation personally myself i think articulation is more important sometimes even in intonation as long as you've got the correct interval and the correct articulation it doesn't matter if you're slightly out on the actual note according to science articulation is in my opinion the greatest art in celloplane now i've i've recorded some cello now these are the definitions in terms of a digital logic pro i use logic pro to define these articulations but what i don't want you to do is think oh a robot can just copy what the artist does basically what the the robots actually try to do is copy us and they can't do that they will never do that so these um recordings are actually very narrow descriptions of a mass of movements do you see what i'm saying and they they can't they're technical but they don't express personality and they're quite shallow at expressing um emotion i i think because they're completely um missing the the personality of the human touch so i'm sharing these because i want you to understand when i start going on about how you articulate in one of our classes this is what i'm talking about and i think for that for as a learning tool they're really really good so um in order they are as i use an open note d sustain staccato spicato full long full short scoop fast scoop slow accented sustain crescendo fast crescendo slow forte piano fast fought a piano slow i'm not sure those i agree with the description of those two glissando down glissando up pizzicato trill semi trill hole and tremolo now i'm going to be focusing on our master classes on each of these definitions over the coming months i think they're quite interesting i think we can really play around with them i think it's better for you to have your own descriptors of the difference between i mean staccato and spaghetti are the obvious ones because they're um often written down well pretty much always written down so you know what to do but these other descriptions fall long fall short these haven't been written down for hundreds of years by composers these have been designed by a contemporary digital scientist well an i.t uh creator um in conjunction with a cellist of course they used um i think one of the big fancy symphony orchestras to sample so you know in that sense it's correct but really you know when you when you analyze your own playing you're going to have a different set of descriptors in your head because within each one of these you know for the glycemic down i mean that that basically means you're coming from above in terms of pitch unlikely in terms of physical direction because why else would you have a glissando down you wouldn't go up the up you know position to a higher position and then do a downward unless you've made a mistake probably although as i'm saying that i'm thinking well of course there'll be times when you do that but you know that that it's something that's more likely to happen when you're either making a big circle with your hand and you're coming down into it um or you're doing really a glide a glide so these descriptors are quite narrow i think but have a listen and i i do recommend that you that you listen to each one then stop it and try and copy it it's a really good way of understanding you there's no need to learn these by heart you'll you will know what uh attack what articulation you want to play on each note when you learn your pieces you woul i'll tell you what it's good fun though to do a scale and we'll do these we'll do a scale all staccato a stale or a scale or spoccato a scale of trills you know we'll be doing all of that um but what's really good about this is it just tells you the very very different ways of articulating the very same note so let's have a listen let me see if i can find it and here we go

okay oh...

Advanced Cello Articulation Tale Teller Club Private Lesson Free Audiobooks Suzuki ABRSM.

hi guys welcome to advanced cello lesson um i'm a little bit obsessed with articulation personally myself i think articulation is more important sometimes even in intonation as long as you've got the correct interval and the correct articulation it doesn't matter if you're slightly out on the actual note according to science articulation is in my opinion the greatest art in celloplane now i've i've recorded some cello now these are the definitions in terms of a digital logic pro i use logic pro to define these articulations but what i don't want you to do is think oh a robot can just copy what the artist does basically what the the robots actually try to do is copy us and they can't do that they will never do that so these um recordings are actually very narrow descriptions of a mass of movements do you see what i'm saying and they they can't they're technical but they don't express personality and they're quite shallow at expressing um emotion i i think because they're completely um missing the the personality of the human touch so i'm sharing these because i want you to understand when i start going on about how you articulate in one of our classes this is what i'm talking about and i think for that for as a learning tool they're really really good so um in order they are as i use an open note d sustain staccato spicato full long full short scoop fast scoop slow accented sustain crescendo fast crescendo slow forte piano fast fought a piano slow i'm not sure those i agree with the description of those two glissando down glissando up pizzicato trill semi trill hole and tremolo now i'm going to be focusing on our master classes on each of these definitions over the coming months i think they're quite interesting i think we can really play around with them i think it's better for you to have your own descriptors of the difference between i mean staccato and spaghetti are the obvious ones because they're um often written down well pretty much always written down so you know what to do but these other descriptions fall long fall short these haven't been written down for hundreds of years by composers these have been designed by a contemporary digital scientist well an i.t uh creator um in conjunction with a cellist of course they used um i think one of the big fancy symphony orchestras to sample so you know in that sense it's correct but really you know when you when you analyze your own playing you're going to have a different set of descriptors in your head because within each one of these you know for the glycemic down i mean that that basically means you're coming from above in terms of pitch unlikely in terms of physical direction because why else would you have a glissando down you wouldn't go up the up you know position to a higher position and then do a downward unless you've made a mistake probably although as i'm saying that i'm thinking well of course there'll be times when you do that but you know that that it's something that's more likely to happen when you're either making a big circle with your hand and you're coming down into it um or you're doing really a glide a glide so these descriptors are quite narrow i think but have a listen and i i do recommend that you that you listen to each one then stop it and try and copy it it's a really good way of understanding you there's no need to learn these by heart you'll you will know what uh attack what articulation you want to play on each note when you learn your pieces you woul i'll tell you what it's good fun though to do a scale and we'll do these we'll do a scale all staccato a stale or a scale or spoccato a scale of trills you know we'll be doing all of that um but what's really good about this is it just tells you the very very different ways of articulating the very same note so let's have a listen let me see if i can find it and here we go

okay oh...

Goodwood Revival from Royal Clarence Radio, the Suspenders and High Heels Saga Free Audiobook.
hello gorgeous people welcome to raw clarence radio oh what a weekend i have had i had to spend all day yesterday in bed just to recover so consequently um this is a bit late this update i went to goodwood revival on saturday which actually runs for three days uh or is it four thursday friday saturday sunday i think it starts on thursday i can't believe anybody would go for the whole session and you know the whole four days just exhausting absolutely exhausting totally wonderful had probably one of the best outings i can recall um i was with my daughter and my grandson so you know we have to really uh pandered to his every whim which you know suddenly you're uh you're at the mercy of a three-year-old and that in itself is uh quite tricky but i still have managed to have an absolutely wonderful wonderful time he was so deliriously happy so i would recommend actually it's a really good family day out there were lots and lots of rides to go on the wall of death was absolutely my favorite thing so these guys on motorbikes and they they go round so fast that they come right up a wall and you know they i could almost touch them because you're not allowed to and one guy was he was about perched on the seat of his motorbike sideways holding his hands in the air it was absolutely incredible wonderful wonderful um experience loud and dirty smelled of petrol and i i remember speaking to my godfather recently lord of kemp shot and he'd said that the um the new electric cars are when their race is not the same you get a different sound and you don't get the smell and for the first time i sort of understood what he was actually talking about there is something very smelly and uh i'm sure it's terrible for our lungs but especially you know under tent absolutely phenomenal there were you know merry-go-rounds and dodge them sadly my daughter lost some money on the dodgers because uh she put it put her change of 15 pounds under her knee and it she forgot it basically i mean the thing is when you're looking after a three-year-old you forget everything except the immediate job in hand which is making sure they're not abducted by uh predators so it's you know your it becomes quite stressful after a bit because obviously very crowded um but you know everything's under camera it's very very safe um what else we we did go this was the bit that sort of across the road uh it's called across the road and you know they've taken over a field and they've laid out an incredible tents and roads pathways uh sort of temporary um accessories i suppose for you know these these people know about putting on events uh i don't know what would have happened if it had rained because it wasn't undercover so i imagine if it had been raining it would have been less um pleasant but i'm i'm not sure i mean you i don't think we'd ever get torrential rain in september perhaps showers and i expected showers um now then i had very high heels on big mistake don't go in heels and now i understand why so many people dress up as land girls it's so much more comfortable and my feet were in agony absolute agony by the end of the day and that's why i had to stay in bed all day yesterday to rest my feet i mean it was the cells of my feet it was that constant you know that constant treading very very uncomfortable however i still managed to have a glorious time uh lots of ethnic food well no not ethnic food i love ethnic food more like street food and i i bought halloumi fries there were eight i shared them with my daughter and they were covered in paprika and i think i had an allergic reaction but you know that was okay and um you might be able to hear it i've got my my tongue swirled up so i'm i had to come home and go on the straight back on the antihistamines but that's okay we can manage all this sort of thing and um so the food i'd met a gentleman on the train actually it's...

Goodwood Revival from Royal Clarence Radio, the Suspenders and High Heels Saga Free Audiobook.
hello gorgeous people welcome to raw clarence radio oh what a weekend i have had i had to spend all day yesterday in bed just to recover so consequently um this is a bit late this update i went to goodwood revival on saturday which actually runs for three days uh or is it four thursday friday saturday sunday i think it starts on thursday i can't believe anybody would go for the whole session and you know the whole four days just exhausting absolutely exhausting totally wonderful had probably one of the best outings i can recall um i was with my daughter and my grandson so you know we have to really uh pandered to his every whim which you know suddenly you're uh you're at the mercy of a three-year-old and that in itself is uh quite tricky but i still have managed to have an absolutely wonderful wonderful time he was so deliriously happy so i would recommend actually it's a really good family day out there were lots and lots of rides to go on the wall of death was absolutely my favorite thing so these guys on motorbikes and they they go round so fast that they come right up a wall and you know they i could almost touch them because you're not allowed to and one guy was he was about perched on the seat of his motorbike sideways holding his hands in the air it was absolutely incredible wonderful wonderful um experience loud and dirty smelled of petrol and i i remember speaking to my godfather recently lord of kemp shot and he'd said that the um the new electric cars are when their race is not the same you get a different sound and you don't get the smell and for the first time i sort of understood what he was actually talking about there is something very smelly and uh i'm sure it's terrible for our lungs but especially you know under tent absolutely phenomenal there were you know merry-go-rounds and dodge them sadly my daughter lost some money on the dodgers because uh she put it put her change of 15 pounds under her knee and it she forgot it basically i mean the thing is when you're looking after a three-year-old you forget everything except the immediate job in hand which is making sure they're not abducted by uh predators so it's you know your it becomes quite stressful after a bit because obviously very crowded um but you know everything's under camera it's very very safe um what else we we did go this was the bit that sort of across the road uh it's called across the road and you know they've taken over a field and they've laid out an incredible tents and roads pathways uh sort of temporary um accessories i suppose for you know these these people know about putting on events uh i don't know what would have happened if it had rained because it wasn't undercover so i imagine if it had been raining it would have been less um pleasant but i'm i'm not sure i mean you i don't think we'd ever get torrential rain in september perhaps showers and i expected showers um now then i had very high heels on big mistake don't go in heels and now i understand why so many people dress up as land girls it's so much more comfortable and my feet were in agony absolute agony by the end of the day and that's why i had to stay in bed all day yesterday to rest my feet i mean it was the cells of my feet it was that constant you know that constant treading very very uncomfortable however i still managed to have a glorious time uh lots of ethnic food well no not ethnic food i love ethnic food more like street food and i i bought halloumi fries there were eight i shared them with my daughter and they were covered in paprika and i think i had an allergic reaction but you know that was okay and um you might be able to hear it i've got my my tongue swirled up so i'm i had to come home and go on the straight back on the antihistamines but that's okay we can manage all this sort of thing and um so the food i'd met a gentleman on the train actually it's...

Hymns Christian Church Public Domain Religious Teachings Free Audiobooks Sun of My Soul

section foto toe of limpopo krishan church sung firefox dat ook bij is wat in belgium in march to fase en eet some of my zoals evita by john kabel zo

over

en het is nou oké hallo

alles was

coleman dus als we nee

onzin een roze

we lopen en dat section photo to this recording is in de fabriek te menen

Hymns Christian Church Public Domain Religious Teachings Free Audiobooks Sun of My Soul

section foto toe of limpopo krishan church sung firefox dat ook bij is wat in belgium in march to fase en eet some of my zoals evita by john kabel zo

over

en het is nou oké hallo

alles was

coleman dus als we nee

onzin een roze

we lopen en dat section photo to this recording is in de fabriek te menen

The Adventures of Grandfather Frog by Thornton W. Burgess Grandfather 3 Smiling Pool Free Kids Book.
chapter 3 of the adventures of grandfather frog this is a librivox recording all librivox recordings are in the public domain for more information or to volunteer please visit librivox.com recording by leah sassowitz the adventures of grandfather frog by thornton w burgess chapter 3 longlegs visits the smiling pool long legs the blue heron watched billy mink and little joe otter disappear down the laughing brook as long as they were in sight he sat without moving his head drawn down between his shoulders just as if he had nothing more important to think about than a morning nap but if you had been near enough to have seen his keen eyes you would never have suspected him of even thinking of a nap just as soon as he felt sure that the two little brown-coated scamps were out of sight he stretched his long neck up until he was almost twice as tall as he had been a minute before he looked this way in that way to make sure that no danger was near spread his great wings flapped heavily up into the air and then with his head once more tucked back between his shoulders and his long legs straight out behind him he flew out over the green meadows and making a big circle headed straight for the smiling pool all this time billy mink and little joe otter had not been so far away as long legs supposed they had been hiding where they could watch him and the instant he spread his wings they started back up the laughing brook towards the smiling pool to see what would happen there you see they knew perfectly well that longlegs was flying up to the smiling pool in the hope that he could catch grandfather frog for his breakfast they didn't really mean that any harm should come to grandfather frog but they meant that he should have a great fright you see they were like a great many other people so heedless and thoughtless that they thought it fun to frighten others of course we'll waken grandfather frog in time for him to get away with nothing more than a great scare said little joe otter as they hurried along it will be such fun to see his big goggly eyes pop out when he opens them and sees long legs just ready to gobble him up and won't longlegs be hopping mad when we cheat him out of the breakfast he's so sure he is going to have they reached the smiling pool before longlegs who had taken a roundabout way and they hid among the bulrushes where they could see and not be seen there's the old fellow just as i left him fast asleep whispered billy mink sure enough there on his big green lily pad sat grandfather frog with his eyes shut at least they seemed to be shut and over on top of his big house sat jerry muskrat jerry seemed to be too busy opening a freshwater clam to notice anything else but the truth is he was watching all that was going on you see he had suspected that billy mink was going to play some trick on grandfather frog so he had warned him when he had seen long legs coming towards the smiling pool he had given grandfather frog another warning and he knew that now he was only pretending to be asleep straight up to the smiling pool came long legs the blue heron and on the very edge of it among the bulrushes he dropped his long legs and stood with his toes in the water his long neck stretched up so that he could look all over the smiling pool there just as little joe otter had said sat grandfather frog on his big green lily pad fast asleep at least he seemed to be fast asleep the eyes of long legs sparkled with hunger and the thought of what a splendid breakfast grandfather frog would make very slowly putting each foot down as carefully as he knew how long legs began to walk along the shore so as to get opposite the big green lily pad where grandfather frog was sitting and over in the bulrushes on the other side little joe otter and billy mink nudged each other and clapped their hands over their mouths to keep from laughing...

The Adventures of Grandfather Frog by Thornton W. Burgess Grandfather 3 Smiling Pool Free Kids Book.
chapter 3 of the adventures of grandfather frog this is a librivox recording all librivox recordings are in the public domain for more information or to volunteer please visit librivox.com recording by leah sassowitz the adventures of grandfather frog by thornton w burgess chapter 3 longlegs visits the smiling pool long legs the blue heron watched billy mink and little joe otter disappear down the laughing brook as long as they were in sight he sat without moving his head drawn down between his shoulders just as if he had nothing more important to think about than a morning nap but if you had been near enough to have seen his keen eyes you would never have suspected him of even thinking of a nap just as soon as he felt sure that the two little brown-coated scamps were out of sight he stretched his long neck up until he was almost twice as tall as he had been a minute before he looked this way in that way to make sure that no danger was near spread his great wings flapped heavily up into the air and then with his head once more tucked back between his shoulders and his long legs straight out behind him he flew out over the green meadows and making a big circle headed straight for the smiling pool all this time billy mink and little joe otter had not been so far away as long legs supposed they had been hiding where they could watch him and the instant he spread his wings they started back up the laughing brook towards the smiling pool to see what would happen there you see they knew perfectly well that longlegs was flying up to the smiling pool in the hope that he could catch grandfather frog for his breakfast they didn't really mean that any harm should come to grandfather frog but they meant that he should have a great fright you see they were like a great many other people so heedless and thoughtless that they thought it fun to frighten others of course we'll waken grandfather frog in time for him to get away with nothing more than a great scare said little joe otter as they hurried along it will be such fun to see his big goggly eyes pop out when he opens them and sees long legs just ready to gobble him up and won't longlegs be hopping mad when we cheat him out of the breakfast he's so sure he is going to have they reached the smiling pool before longlegs who had taken a roundabout way and they hid among the bulrushes where they could see and not be seen there's the old fellow just as i left him fast asleep whispered billy mink sure enough there on his big green lily pad sat grandfather frog with his eyes shut at least they seemed to be shut and over on top of his big house sat jerry muskrat jerry seemed to be too busy opening a freshwater clam to notice anything else but the truth is he was watching all that was going on you see he had suspected that billy mink was going to play some trick on grandfather frog so he had warned him when he had seen long legs coming towards the smiling pool he had given grandfather frog another warning and he knew that now he was only pretending to be asleep straight up to the smiling pool came long legs the blue heron and on the very edge of it among the bulrushes he dropped his long legs and stood with his toes in the water his long neck stretched up so that he could look all over the smiling pool there just as little joe otter had said sat grandfather frog on his big green lily pad fast asleep at least he seemed to be fast asleep the eyes of long legs sparkled with hunger and the thought of what a splendid breakfast grandfather frog would make very slowly putting each foot down as carefully as he knew how long legs began to walk along the shore so as to get opposite the big green lily pad where grandfather frog was sitting and over in the bulrushes on the other side little joe otter and billy mink nudged each other and clapped their hands over their mouths to keep from laughing...

The Mystery of the Downs by Arthur J. Rees; John R. Watson Chapter 10 Free Teens Audiobook.
chapter 10 of the mystery of the downs by john watson and arthur j reese this librivox recording is in the public domain recording by tony oliva chapter 10. will you come to someplace where we can have a talk yes where shall we go her eyes met his frankly as she replied and marceline as he looked at her was impressed with her beauty and the self-possession of her manner she was young younger than he had thought on the night of the storm not more than 22 or 23 at the most and as she stood there with the bright autumn sunshine revealing the fresh beauty of her face and the slim grace of her figure she made a striking picture of dainty english girlhood to whom the sordid and tragic sides of life ought to be a sealed book but marslin's mind as he glanced at her traveled back to his first meeting with her in the lonely farmhouse where they had found the body of the murdered man on the night of the storm he led her to one of the numerous tea rooms on the front choosing one which was nearly empty his object being to have a quiet talk with her since the eventful night on which she had walked home with her after they had discovered the dead body of the owner of cliff farm several important points had arisen on which he desired to enlighten her and others on which he desired to be enlightened by her i thought of writing to you he said after he had found seats for his companion and himself in a quiet corner of the large tea room and had given an order to the waitress but i came to the conclusion that it was unwise that you might not like it he found it difficult to strike a satisfactory balance and his attitude to her on the one hand it was impossible to be distant and formal in view of the fact that they were united in keeping from the police the secret of her presence at cliff farm on the night of the murder on the other hand he did not wish to adopt a tone of friendly familiarity based on his knowledge that she had something to hide when he studied her from the young man's point of view as merely an attractive member of the opposite sex he felt that she was a charming girl whose affection anyone might be proud to win but his security against her charms was the feeling of distrust that anyone so good-looking should have anything to hide he had no sentimental illusion that she would confide her secret to him she waited for him to continue the conversation and pretended to be engaged in glancing around the room but from time to time she gave him a quick glance from beneath her long lashes what i wanted to tell you most of all is that when i went back to cliff farm the next day the detective from scotland yard found a comb on the floor of the sitting room downstairs where we set after you let me in a comb she cried what sort of a comb a tortoise shell comb about three inches long with a gold mounting that is strange she said it was found on the floor close to the chair where you stood do they know whom it belongs to no fortunately but they are very anxious to find out naturally they think it points to the conclusion that there is a woman in the case of course they would think that she said do you think anyone in ashlane sea could identify it as yours he asked have you had it any length of time it was not mine she declared i did not lose a comb not yours he exclaimed in astonishment i am trying to think to whom it belonged she said meditatively as far as i know lady visitors at cliff farm were few and yet it could not be mrs bond the woman who went there to tidy up the place once a week you say it was gold mounted rather an expensive looking comb i thought said the young man yes it looks as if there was a woman in the case the arrival of the waitress with the tea things brought about a lengthy pause in the conversation to marsland it looked as if there must be two women in the case if the comb did not belong to miss maynard but he was not...

The Mystery of the Downs by Arthur J. Rees; John R. Watson Chapter 10 Free Teens Audiobook.
chapter 10 of the mystery of the downs by john watson and arthur j reese this librivox recording is in the public domain recording by tony oliva chapter 10. will you come to someplace where we can have a talk yes where shall we go her eyes met his frankly as she replied and marceline as he looked at her was impressed with her beauty and the self-possession of her manner she was young younger than he had thought on the night of the storm not more than 22 or 23 at the most and as she stood there with the bright autumn sunshine revealing the fresh beauty of her face and the slim grace of her figure she made a striking picture of dainty english girlhood to whom the sordid and tragic sides of life ought to be a sealed book but marslin's mind as he glanced at her traveled back to his first meeting with her in the lonely farmhouse where they had found the body of the murdered man on the night of the storm he led her to one of the numerous tea rooms on the front choosing one which was nearly empty his object being to have a quiet talk with her since the eventful night on which she had walked home with her after they had discovered the dead body of the owner of cliff farm several important points had arisen on which he desired to enlighten her and others on which he desired to be enlightened by her i thought of writing to you he said after he had found seats for his companion and himself in a quiet corner of the large tea room and had given an order to the waitress but i came to the conclusion that it was unwise that you might not like it he found it difficult to strike a satisfactory balance and his attitude to her on the one hand it was impossible to be distant and formal in view of the fact that they were united in keeping from the police the secret of her presence at cliff farm on the night of the murder on the other hand he did not wish to adopt a tone of friendly familiarity based on his knowledge that she had something to hide when he studied her from the young man's point of view as merely an attractive member of the opposite sex he felt that she was a charming girl whose affection anyone might be proud to win but his security against her charms was the feeling of distrust that anyone so good-looking should have anything to hide he had no sentimental illusion that she would confide her secret to him she waited for him to continue the conversation and pretended to be engaged in glancing around the room but from time to time she gave him a quick glance from beneath her long lashes what i wanted to tell you most of all is that when i went back to cliff farm the next day the detective from scotland yard found a comb on the floor of the sitting room downstairs where we set after you let me in a comb she cried what sort of a comb a tortoise shell comb about three inches long with a gold mounting that is strange she said it was found on the floor close to the chair where you stood do they know whom it belongs to no fortunately but they are very anxious to find out naturally they think it points to the conclusion that there is a woman in the case of course they would think that she said do you think anyone in ashlane sea could identify it as yours he asked have you had it any length of time it was not mine she declared i did not lose a comb not yours he exclaimed in astonishment i am trying to think to whom it belonged she said meditatively as far as i know lady visitors at cliff farm were few and yet it could not be mrs bond the woman who went there to tidy up the place once a week you say it was gold mounted rather an expensive looking comb i thought said the young man yes it looks as if there was a woman in the case the arrival of the waitress with the tea things brought about a lengthy pause in the conversation to marsland it looked as if there must be two women in the case if the comb did not belong to miss maynard but he was not...