Psalm 23 Selected Lullabies Eugene Field Free Kids' Audiobooks Spiritual Scriptures.
the 23rd psalm by eugene field read for librivox.org by becky crackle november 16 2006 canal winchester ohio

my shepherd is the lord my god there is no want i know his flock he leads in verdant meads where tranquil waters flow he doth restore my fainting soul with his divine caress and when i stray he points the way to paths of righteousness yea though i walk the veil of death what evil shall i fear thy staff and rod are mine o god and thou my shepherd near mine enemies behold the feast which my dear lord hath spread and lo my cup he filleth up with oil anoints my head goodness and mercy shall be mine unto my dying day then will i bite at his dear side forever and for a

end of the 23rd psalm this recording is in the public domain

Psalm 23 Selected Lullabies Eugene Field Free Kids' Audiobooks Spiritual Scriptures.
the 23rd psalm by eugene field read for librivox.org by becky crackle november 16 2006 canal winchester ohio

my shepherd is the lord my god there is no want i know his flock he leads in verdant meads where tranquil waters flow he doth restore my fainting soul with his divine caress and when i stray he points the way to paths of righteousness yea though i walk the veil of death what evil shall i fear thy staff and rod are mine o god and thou my shepherd near mine enemies behold the feast which my dear lord hath spread and lo my cup he filleth up with oil anoints my head goodness and mercy shall be mine unto my dying day then will i bite at his dear side forever and for a

end of the 23rd psalm this recording is in the public domain

Selected Lullabies by Eugene Field by Eugene Field Free Kids' Audiobooks Tale Teller Club

the divine lullaby by eugene field read for librivox.org by becky crackle november 16 2006 canal winchester ohio i hear thy voice dear lord i hear it by the stormy sea when winter nights are black and wild and when a fright i call to thee it calms my fears and whispers me sleep well my child i hear thy voice dear lord in singing winds in falling snow the curfew chimes the midnight bell sleep well my child it murmurs lo the guardian angels come and go o child sleep well i hear thy voice dear lord i though the singing winds be stilled though hushed the tumult of the deep my fainting heart with anguish chilled by thy assuring tone is thrilled fear not and sleep

speak on speak on dear lord and when the last dread night is near with doubts and fears and terrors wild oh let my soul expiring hear only these words of heavenly cheer sleep well my child end of the divine lullaby this recording is in the public domain

Selected Lullabies by Eugene Field by Eugene Field Free Kids' Audiobooks Tale Teller Club

the divine lullaby by eugene field read for librivox.org by becky crackle november 16 2006 canal winchester ohio i hear thy voice dear lord i hear it by the stormy sea when winter nights are black and wild and when a fright i call to thee it calms my fears and whispers me sleep well my child i hear thy voice dear lord in singing winds in falling snow the curfew chimes the midnight bell sleep well my child it murmurs lo the guardian angels come and go o child sleep well i hear thy voice dear lord i though the singing winds be stilled though hushed the tumult of the deep my fainting heart with anguish chilled by thy assuring tone is thrilled fear not and sleep

speak on speak on dear lord and when the last dread night is near with doubts and fears and terrors wild oh let my soul expiring hear only these words of heavenly cheer sleep well my child end of the divine lullaby this recording is in the public domain

I love perfoeming this jazz standard. Join me every day for our Lunchtime Recitals.
hello wonderful wonderful people of the internet welcome to the telltaler club and um you're probably listening to this on the telltale kids uh podcast welcome wherever you've come from and however you've arrived here i will be doing daily lunchtime recitals anywhere between one and three depending on the other workloads i'm a teacher professional performer so sometimes life gets a little bit crazy anyway um my name is sonia delamare and this is my performance pre-recorded but live performance of the entertainer a very famous jazz song of course it is um now in the public domain actually so you i'm within uh legal restrictions to perform and play this for you on the internet which is just absolutely fabulous is it not um what else can i say about it it's a piano um recording and well i just i hope you can feel the vibe from the tail cellar club and get an idea of what the jazz club is all about of course we have the classical um and the blues and we've got a room for every genre shall we say and also i do so a lot of contemporary stuff and film stuff is my my proper job as it were is a composer for film and tv so here we go i hope you enjoy it and have a lovely day the entertainer by scott joplin performed by tail teller club

the entertainer by scott the entertainer by scott joplin performed by tail teller club you

I love perfoeming this jazz standard. Join me every day for our Lunchtime Recitals.
hello wonderful wonderful people of the internet welcome to the telltaler club and um you're probably listening to this on the telltale kids uh podcast welcome wherever you've come from and however you've arrived here i will be doing daily lunchtime recitals anywhere between one and three depending on the other workloads i'm a teacher professional performer so sometimes life gets a little bit crazy anyway um my name is sonia delamare and this is my performance pre-recorded but live performance of the entertainer a very famous jazz song of course it is um now in the public domain actually so you i'm within uh legal restrictions to perform and play this for you on the internet which is just absolutely fabulous is it not um what else can i say about it it's a piano um recording and well i just i hope you can feel the vibe from the tail cellar club and get an idea of what the jazz club is all about of course we have the classical um and the blues and we've got a room for every genre shall we say and also i do so a lot of contemporary stuff and film stuff is my my proper job as it were is a composer for film and tv so here we go i hope you enjoy it and have a lovely day the entertainer by scott joplin performed by tail teller club

the entertainer by scott the entertainer by scott joplin performed by tail teller club you

Allegro Suzuki Book 1 Cello Free Audio Lesson Tale Teller Club Sarnia Music School.

uh let's play through the allegro and then we'll talk about um

what the new music notation means okay

now did you notice there's a real difference in the first half and the second part the third line i should say dolce that means sweetly so when i got to bar nine i had to really change my thinking and how i was going to um perform it and i think i think it worked i think i managed to do that did you notice as well that as i got to bar 12 i slowed down and got quieter and then i almost well i did i stopped well that funny mark that pause mark it looks like a an arch with a dot in it it's a bit like an eye that's a pause sign

and the rit means you slow down

bar 13 a tempo that means you go back to the original tempo okay so this is a piece of filled with contrasts now you have to uh to to get through the suzuki method you need to be using their recordings because i'm you know i'm a performer and i do my own thing i'm a composer so i'm not saying that i played that in exactly the correct way that the suzuki method would favor so please listen to the tapes i will put up a version later by um one of my robots probably cuddles or moma i think um well maybe all of them um and that'll be um also a version that i think you should listen to and i think you should play along to but really you need to be listening to the uh recommended let's turn that off and my battery is going to run out of that in a minute uh the recommended um recordings because then you can be sure that you're getting it as as they require for for the method um i put a lot of inflections in things and because i teach a lot of adults we tend to do we're a bit more experimental and but if you're one of my young students you you definitely should be listening to um the actual recordings um i like this piece i think the the hardest bit will be just getting that contrast i i think the notes are fairly simple and they're fairly straightforward and don't forget those big giant commas at the end of each line that means go back to your frog or a down bow okay i'd say stay in the um the center of gravity sort of area on your bow for this piece i think that's it i hope you enjoyed that was it just a little lesson wasn't it i'll pop the play-along tracks up later and hopefully that'll get you through because if i look over the page let me see what i've got here perpetual motion one of my favorites

Allegro Suzuki Book 1 Cello Free Audio Lesson Tale Teller Club Sarnia Music School.

uh let's play through the allegro and then we'll talk about um

what the new music notation means okay

now did you notice there's a real difference in the first half and the second part the third line i should say dolce that means sweetly so when i got to bar nine i had to really change my thinking and how i was going to um perform it and i think i think it worked i think i managed to do that did you notice as well that as i got to bar 12 i slowed down and got quieter and then i almost well i did i stopped well that funny mark that pause mark it looks like a an arch with a dot in it it's a bit like an eye that's a pause sign

and the rit means you slow down

bar 13 a tempo that means you go back to the original tempo okay so this is a piece of filled with contrasts now you have to uh to to get through the suzuki method you need to be using their recordings because i'm you know i'm a performer and i do my own thing i'm a composer so i'm not saying that i played that in exactly the correct way that the suzuki method would favor so please listen to the tapes i will put up a version later by um one of my robots probably cuddles or moma i think um well maybe all of them um and that'll be um also a version that i think you should listen to and i think you should play along to but really you need to be listening to the uh recommended let's turn that off and my battery is going to run out of that in a minute uh the recommended um recordings because then you can be sure that you're getting it as as they require for for the method um i put a lot of inflections in things and because i teach a lot of adults we tend to do we're a bit more experimental and but if you're one of my young students you you definitely should be listening to um the actual recordings um i like this piece i think the the hardest bit will be just getting that contrast i i think the notes are fairly simple and they're fairly straightforward and don't forget those big giant commas at the end of each line that means go back to your frog or a down bow okay i'd say stay in the um the center of gravity sort of area on your bow for this piece i think that's it i hope you enjoyed that was it just a little lesson wasn't it i'll pop the play-along tracks up later and hopefully that'll get you through because if i look over the page let me see what i've got here perpetual motion one of my favorites

hi guys um let's talk about may's song it's another folk song allegro moderato yeah um it's a sort of uh get out clause really from um it's in between really fast and really slow sort of medium an allegro is fast and moderators moderately but it's all relative isn't it um so you'd need to choose your own speed but we'll do it quite slowly so now the biggest thing to remember is when you start we're starting with jambo

but we're starting loud a bit longer on them

nice and loud all the way through now the next line where not as loud as the first line so if you haven't done the first line very loudly how are you going to know what less loud is you will barely be touching the string so be aware and then the next line

now what's going on there well we're a bit quieter than the top line

we've got that holding down the third again

and then we've got this look at that what's that what's that mean that uh sideways sign it looks like a sideways v an arrow head well what it means is that you're getting quieter and quieter okay so really quietly okay as quietly as you as you as you need to be you want to be heard and then back to now

okay and the second time you see there it says second time the second time you play it oh because the repeat at the end means you go back to the game and play again uh you slow it down so you there's a natural slowing and quieting and telling the audience that it's the end of the song that's how they know okay the end of the song is always a time to calm and recompose and especially in a dance piece i would reckon this is quite a festival type dancing um folk song okay and if you just carried on at the same speed and the same volume all the way through people wouldn't know what was going on they they'd be like oh gosh i'm going to pass out a minute because i've been dancing so um so um obsessively you know you've got to give them a rest so they can go and get refreshment and maybe get a volleyball okay so we've already learned the skill for holding down the f sharp and now what we've got to do is hold it down

and make that no quieter and then

hold it down again but still quiet and then

what i do is when i'm practicing i sort of exaggerate things a bit if it's if there's a start the staccato will exaggerate it if there's a really loud uh and are really quite unexaggerated and i do that for a bit until it's in my head that that's what i'm supposed to do and then i start to take it to a level that is more um tolerable for all concerned you to play and for the listener and the dancer in this case um but i i think it does quite well to exaggerate because what what happens is you understand the effect that certain um motions and feelings have on the string and your bow and how to channel it how to channel loud and how to channel quiet uh how to express it okay i think that's it for that bit um we'll be popping up a recording later with uh cuddles or momo um are going to be uh working on these tonight um and maybe actually i might get one done with uh we might get cuddles to do overcome little children in a minute okay um and we'll look at the allegro next um which is also fab fab fab so i hope you enjoyed my suzuki class with you and um i'll see you later

hi guys um let's talk about may's song it's another folk song allegro moderato yeah um it's a sort of uh get out clause really from um it's in between really fast and really slow sort of medium an allegro is fast and moderators moderately but it's all relative isn't it um so you'd need to choose your own speed but we'll do it quite slowly so now the biggest thing to remember is when you start we're starting with jambo

but we're starting loud a bit longer on them

nice and loud all the way through now the next line where not as loud as the first line so if you haven't done the first line very loudly how are you going to know what less loud is you will barely be touching the string so be aware and then the next line

now what's going on there well we're a bit quieter than the top line

we've got that holding down the third again

and then we've got this look at that what's that what's that mean that uh sideways sign it looks like a sideways v an arrow head well what it means is that you're getting quieter and quieter okay so really quietly okay as quietly as you as you as you need to be you want to be heard and then back to now

okay and the second time you see there it says second time the second time you play it oh because the repeat at the end means you go back to the game and play again uh you slow it down so you there's a natural slowing and quieting and telling the audience that it's the end of the song that's how they know okay the end of the song is always a time to calm and recompose and especially in a dance piece i would reckon this is quite a festival type dancing um folk song okay and if you just carried on at the same speed and the same volume all the way through people wouldn't know what was going on they they'd be like oh gosh i'm going to pass out a minute because i've been dancing so um so um obsessively you know you've got to give them a rest so they can go and get refreshment and maybe get a volleyball okay so we've already learned the skill for holding down the f sharp and now what we've got to do is hold it down

and make that no quieter and then

hold it down again but still quiet and then

what i do is when i'm practicing i sort of exaggerate things a bit if it's if there's a start the staccato will exaggerate it if there's a really loud uh and are really quite unexaggerated and i do that for a bit until it's in my head that that's what i'm supposed to do and then i start to take it to a level that is more um tolerable for all concerned you to play and for the listener and the dancer in this case um but i i think it does quite well to exaggerate because what what happens is you understand the effect that certain um motions and feelings have on the string and your bow and how to channel it how to channel loud and how to channel quiet uh how to express it okay i think that's it for that bit um we'll be popping up a recording later with uh cuddles or momo um are going to be uh working on these tonight um and maybe actually i might get one done with uh we might get cuddles to do overcome little children in a minute okay um and we'll look at the allegro next um which is also fab fab fab so i hope you enjoyed my suzuki class with you and um i'll see you later