Our expanding public domain library features daily stories for little ones that will light their imaginations.

the street money of the sun baby spirit heels the soul the world I yo yo semua please sama morning everybody in The God Must Be Crazy for ini Akhirnya in the flower Grey tzn4m rubyrose intense the sweetest

wordpress.com site and smiling at YKS Anfield tapi and singing out fashion enjoying The Flash University deviden Taubat smile flower white Flowers sinetron dus-dus fwd Life away from the east and the flowers and the dark someway decu exchange Yes we saw the mix

Nigeria oh my Talent damai improve learning from Michael Jackson Dash miniopterus pesona Prima skiphop Zoo Wonder Girls Day next day out These Days and some some some form of children with healthy and see the sun and the great

dan tewas wedding and the First thing at helping everywhere and Sprinkle website demikian FT Kyle we have nice dream depan

I heard Strike money

hai hai

Our expanding public domain library features daily stories for little ones that will light their imaginations.

the street money of the sun baby spirit heels the soul the world I yo yo semua please sama morning everybody in The God Must Be Crazy for ini Akhirnya in the flower Grey tzn4m rubyrose intense the sweetest

wordpress.com site and smiling at YKS Anfield tapi and singing out fashion enjoying The Flash University deviden Taubat smile flower white Flowers sinetron dus-dus fwd Life away from the east and the flowers and the dark someway decu exchange Yes we saw the mix

Nigeria oh my Talent damai improve learning from Michael Jackson Dash miniopterus pesona Prima skiphop Zoo Wonder Girls Day next day out These Days and some some some form of children with healthy and see the sun and the great

dan tewas wedding and the First thing at helping everywhere and Sprinkle website demikian FT Kyle we have nice dream depan

I heard Strike money

hai hai

Let's play jazz together, simple lessons in a fun way with the Tale Teller Club

hi tail tellers welcome to um the tertiary club and my first class which is a jazz class from um really what i will describe as a classical perspective so i'm assuming that you've got a little bit of uh knowledge but you don't actually have to have that much knowledge to do these uh classes with me but it would would help if you had a piano in front of you but you don't have to have a piano in front of you and you can play whatever instrument you've got to hand because i'm going to tell you the names of the notes so today we're going to talk about the different triads a triad is a group of three notes um and they really are the the the grounding of all sort of jazz and improv work you know if you know these basically you're going to be able to play anything but the purpose of today's uh little mini lecture is to understand what these triads what they sound like so that you can predict what they sound like so when you're improvising you you know whether you want to play a particular triad before you're even your hands are even there okay so we're going to talk about major triads minor trads diminished triad and an augmented triad like some japanese gangs or something doesn't it so let's start off with the major you're going to need a c an e and a g okay now it might be said that the major triad major key you know songs in that key tend to sound um a bit more upbeat it's a it's a little bit of a um a catch-all you know there are lots of ways of describing it another way could be bold i like bold better sort of i've just jumped out of a cake i'm marilyn monroe

do you see it has that kind of sound about it it might have been a bit loud for the recording apologies um now a minor minor keys and chords are accused of being sad but i think that's a bit sweeping as well um melancholy and pensive are good words and perhaps um verging on a little it's very slightly uh um sorrowful or mournful let's have a listen so you'll need to see the e-flat oh very different and all together ah yes i've got it can you hear that

here's the major and here's the minor there's only one little semitone difference in the middle there and it's really

uh it's a sort of uh oh sound so you jumped out the cake oh no i've forgotten to put my clothes on do you see a little bit worrisome isn't it a little bit like oh goodness me now diminished um triad this is uh it's one of my favorites actually this sounds really dramatic as as if something is really going on um it's agitated let's listen to it we've got the c and that e flat still we're going to play a g flat now they don't sound much apart but what happens when we play them together oh that's very interesting isn't it

now what that's so we're starting to think what are we thinking is awesome wells or there's some sort of um danger you're going to get caught uh coming out the cake it wasn't your cake you're at the wrong party yeah let's do all three of those the major the minor the diminished

can you hear the difference i'll stop

talking and it was what are we starting we're starting to feel a little bit unresolved don't we a little bit um ordinary we were playing we'd have to come back to the sound cheerful and bold um triad if we'd started in that it just depends what song you're playing there's one more

well there's many more but there's one more for today one more chord and that is the augmented okay now this one sounds um a little bit um mystical i suppose and uh ethereal a bit up in the clouds so let me play it we're going to go back to the e we're not uh flattening the e anymore and we're going to sharpen that g okay it's had an augmentation a bit like um well i don't like to name names i'm sure you so know somebody who's been augmented c e natural oh let's play this together

how interesting let's play everything the major...

Let's play jazz together, simple lessons in a fun way with the Tale Teller Club

hi tail tellers welcome to um the tertiary club and my first class which is a jazz class from um really what i will describe as a classical perspective so i'm assuming that you've got a little bit of uh knowledge but you don't actually have to have that much knowledge to do these uh classes with me but it would would help if you had a piano in front of you but you don't have to have a piano in front of you and you can play whatever instrument you've got to hand because i'm going to tell you the names of the notes so today we're going to talk about the different triads a triad is a group of three notes um and they really are the the the grounding of all sort of jazz and improv work you know if you know these basically you're going to be able to play anything but the purpose of today's uh little mini lecture is to understand what these triads what they sound like so that you can predict what they sound like so when you're improvising you you know whether you want to play a particular triad before you're even your hands are even there okay so we're going to talk about major triads minor trads diminished triad and an augmented triad like some japanese gangs or something doesn't it so let's start off with the major you're going to need a c an e and a g okay now it might be said that the major triad major key you know songs in that key tend to sound um a bit more upbeat it's a it's a little bit of a um a catch-all you know there are lots of ways of describing it another way could be bold i like bold better sort of i've just jumped out of a cake i'm marilyn monroe

do you see it has that kind of sound about it it might have been a bit loud for the recording apologies um now a minor minor keys and chords are accused of being sad but i think that's a bit sweeping as well um melancholy and pensive are good words and perhaps um verging on a little it's very slightly uh um sorrowful or mournful let's have a listen so you'll need to see the e-flat oh very different and all together ah yes i've got it can you hear that

here's the major and here's the minor there's only one little semitone difference in the middle there and it's really

uh it's a sort of uh oh sound so you jumped out the cake oh no i've forgotten to put my clothes on do you see a little bit worrisome isn't it a little bit like oh goodness me now diminished um triad this is uh it's one of my favorites actually this sounds really dramatic as as if something is really going on um it's agitated let's listen to it we've got the c and that e flat still we're going to play a g flat now they don't sound much apart but what happens when we play them together oh that's very interesting isn't it

now what that's so we're starting to think what are we thinking is awesome wells or there's some sort of um danger you're going to get caught uh coming out the cake it wasn't your cake you're at the wrong party yeah let's do all three of those the major the minor the diminished

can you hear the difference i'll stop

talking and it was what are we starting we're starting to feel a little bit unresolved don't we a little bit um ordinary we were playing we'd have to come back to the sound cheerful and bold um triad if we'd started in that it just depends what song you're playing there's one more

well there's many more but there's one more for today one more chord and that is the augmented okay now this one sounds um a little bit um mystical i suppose and uh ethereal a bit up in the clouds so let me play it we're going to go back to the e we're not uh flattening the e anymore and we're going to sharpen that g okay it's had an augmentation a bit like um well i don't like to name names i'm sure you so know somebody who's been augmented c e natural oh let's play this together

how interesting let's play everything the major...

this is a librivox recording all librivox recordings are in the public domain for more information or to volunteer please visit librivox.org this recording is by mark smith of simpsonville south carolina

the wind in the willows by kenneth graham chapter 10 the further adventures of toad

the front door of the hollow tree faced eastwards so toad was called at an early hour partly by the bright sunlight streaming in on him partly by the exceeding coldness of his toes which made him dream that he was home in bed at his own handsome room with the tudor window on a cold winter's night and his bedclothes had got up grumbling and protesting that they couldn't stand the cold any longer and had run downstairs to the kitchen fire to warm themselves and he had followed on bare feet along miles and miles of icy stone paved passages arguing and beseeching them to be reasonable who had probably been aroused much earlier had he not slept for some weeks on straw over stone flags and almost forgotten the friendly feeling of thick blankets pulled well up around the chin setting up he rubbed his eyes first and his complaining toes next wanted for a moment where he was looked round for familiar stone wall and little barred window then with a leap of the heart remembered everything his escape his flight his pursuit remembered first and best thing of all that he was free free the word and the thought alone were worth fifty blankets he was warm from end to end as he thought of the jolly world outside eagerly waiting for him to make his triumphal entrance ready to serve him and play up to him anxious to help him and to keep him company as it always had been in days of old before misfortune fell upon him he shook himself and combed the dry leaves out of his hair with his fingers and his toilet complete marched forth into the comfortable morning sun cold but confident hungry but hopeful all nervous terrors of yesterday dispelled by rest and sleep and frank and heartening sunshine he had the world all to himself that early summer morning the dewey woodland as he threaded it was solitary and still the green fields that succeeded the trees were his own to do with as he liked the road itself when he reached it in that loneliness that was everywhere seemed like a stray dog to be looking anxiously for company toad however was looking for something that could talk and tell him clearly which way he ought to go it is all very well when you have a light heart and a clear conscience and money in your pocket and nobody scouring the country for you to drag you off to prison again to follow with the road beckons and points not caring wither the practical toad cared very much indeed and he could have kicked the road for its helpless silence when every minute was of importance to him the reserved rustic road was presently joined by a shy little brother in the shape of a canal which took its hand and ambled along by its side in perfect confidence but with the same tongue-tied uncommunicative attitude towards strangers bother them said toad to himself but anyhow one thing's clear they must both be coming from somewhere and going to somewhere you can't get over that toad my boy so he marched on patiently by the water's edge round a bend in the canal came plotting a solitary horse stooping forward as if an anxious thought from rope traces attached to his collar stretched a long line taut but dipping with his stride and the further part of it dripping pearly drops toad let the horse pass and stood waiting for what the fates were sending him with a pleasant swirl of quiet water at its blunt bow the bard slid up alongside of him its gaily painted gunnels level with the towing path its sole occupant a big stout woman wearing a linen sunbonnet one brawny arm laid along the tiller a nice morning ma'am she remarked to toad as she drew up level with him i dare say it is ma'am responded towed politely as he walked along the towpath abreast of her i dare it...

this is a librivox recording all librivox recordings are in the public domain for more information or to volunteer please visit librivox.org this recording is by mark smith of simpsonville south carolina

the wind in the willows by kenneth graham chapter 10 the further adventures of toad

the front door of the hollow tree faced eastwards so toad was called at an early hour partly by the bright sunlight streaming in on him partly by the exceeding coldness of his toes which made him dream that he was home in bed at his own handsome room with the tudor window on a cold winter's night and his bedclothes had got up grumbling and protesting that they couldn't stand the cold any longer and had run downstairs to the kitchen fire to warm themselves and he had followed on bare feet along miles and miles of icy stone paved passages arguing and beseeching them to be reasonable who had probably been aroused much earlier had he not slept for some weeks on straw over stone flags and almost forgotten the friendly feeling of thick blankets pulled well up around the chin setting up he rubbed his eyes first and his complaining toes next wanted for a moment where he was looked round for familiar stone wall and little barred window then with a leap of the heart remembered everything his escape his flight his pursuit remembered first and best thing of all that he was free free the word and the thought alone were worth fifty blankets he was warm from end to end as he thought of the jolly world outside eagerly waiting for him to make his triumphal entrance ready to serve him and play up to him anxious to help him and to keep him company as it always had been in days of old before misfortune fell upon him he shook himself and combed the dry leaves out of his hair with his fingers and his toilet complete marched forth into the comfortable morning sun cold but confident hungry but hopeful all nervous terrors of yesterday dispelled by rest and sleep and frank and heartening sunshine he had the world all to himself that early summer morning the dewey woodland as he threaded it was solitary and still the green fields that succeeded the trees were his own to do with as he liked the road itself when he reached it in that loneliness that was everywhere seemed like a stray dog to be looking anxiously for company toad however was looking for something that could talk and tell him clearly which way he ought to go it is all very well when you have a light heart and a clear conscience and money in your pocket and nobody scouring the country for you to drag you off to prison again to follow with the road beckons and points not caring wither the practical toad cared very much indeed and he could have kicked the road for its helpless silence when every minute was of importance to him the reserved rustic road was presently joined by a shy little brother in the shape of a canal which took its hand and ambled along by its side in perfect confidence but with the same tongue-tied uncommunicative attitude towards strangers bother them said toad to himself but anyhow one thing's clear they must both be coming from somewhere and going to somewhere you can't get over that toad my boy so he marched on patiently by the water's edge round a bend in the canal came plotting a solitary horse stooping forward as if an anxious thought from rope traces attached to his collar stretched a long line taut but dipping with his stride and the further part of it dripping pearly drops toad let the horse pass and stood waiting for what the fates were sending him with a pleasant swirl of quiet water at its blunt bow the bard slid up alongside of him its gaily painted gunnels level with the towing path its sole occupant a big stout woman wearing a linen sunbonnet one brawny arm laid along the tiller a nice morning ma'am she remarked to toad as she drew up level with him i dare say it is ma'am responded towed politely as he walked along the towpath abreast of her i dare it...

Free lessons at tale-teller.club

Free lessons at tale-teller.club