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Instagram: @TaraCheyenneTCP / FB:
https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart [email protected]
With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I can’t remember the word for I can’t remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally. Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be, which premiered at The Cultch, and her solo I can’t remember the word for I can’t remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.
Instagram: @TaraCheyenneTCP / FB:
https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart [email protected]
With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I can’t remember the word for I can’t remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally. Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be, which premiered at The Cultch, and her solo I can’t remember the word for I can’t remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.
Instagram: @TaraCheyenneTCP / FB:
https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart [email protected]
Photo: Jack Goodison
About Maria:
Maria Zarrillo (they/them) is an Arts Manager with a background in producing, stage management, advocacy, and research. Maria has worked with a variety of companies and communities in these capacities both locally and nationally. Maria is the Managing Director of Rumble, working alongside Artistic Director Jivesh Parasram, while maintaining a freelance career in stage management. They are a self-described horror enthusiast, non-fiction writer, avid reader, and art-seer. They recently launched their horror blog called Horror Addenda.
With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I can’t remember the word for I can’t remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally. Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be, which premiered at The Cultch, and her solo I can’t remember the word for I can’t remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.
Instagram: @TaraCheyenneTCP / FB:
https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart [email protected]
About Arthi:
Arthi Chandra is a very serious director, writer, and lesbian based out of Vancouver, BC. She has directed and produced with many companies in both BC and Ontario (The Arts Club, Bard on the Beach, The Shaw Festival, Theatre Replacement, The Chop Theatre, Studio 58, Pacific Theatre, UBC, and more). Arthi teaches devising and directing at the post-secondary level and enjoys it very much. She graduated from Simon Fraser University’s School of Contemporary Arts; was recently part of WhyNot Theatre’s ThisGen fellowship; and is an Associate Artist at Theatre Replacement. She also acts, and is the happiest while cooking or gardening.
About Tara:
With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I can’t remember the word for I can’t remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally. Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be, which premiered at The Cultch, and her solo I can’t remember the word for I can’t remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.
Instagram: @TaraCheyenneTCP / FB:
https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart Music
About Mary:
Mary Hartman (she/her) has combined an academic background and experience as a professional actor and director to create opportunities for people all ages to learn through participating in Shakespeare performance. Mary has played a variety of roles professionally including Helena in A Midsummer Night’s Dream, Olivia in Twelfth Night, Horatio in Hamlet and Phebe in As You Like It and has directed productions of Shakespeare’s plays in extraordinary situations, from a seven-person workshop of Measure for Measure to Julius Caesar with 150 fourth graders. As Director of Education at Bard on the Beach, she has designed and developed many new programs to inspire community through Shakespeare. She has traveled extensively to share strategies through associations of teachers and theatre professionals. She holds a master’s degree from King’s College, University of London and a bachelor’s degree from Dartmouth College, and has received numerous awards and honours.
About Tara:
With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I can’t remember the word for I can’t remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally. Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be, which premiered at The Cultch, and her solo I can’t remember the word for I can’t remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.
Instagram: @TaraCheyenneTCP / FB:
https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart Music:
About Tara:
With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I can’t remember the word for I can’t remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally. Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be, which premiered at The Cultch, and her solo I can’t remember the word for I can’t remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.
Instagram: @TaraCheyenneTCP / FB:
https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart Music:
About Tara:
With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I can’t remember the word for I can’t remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally. Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be, which premiered at The Cultch, and her solo I can’t remember the word for I can’t remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.
Instagram: @TaraCheyenneTCP / FB:
https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart Music:
Links:
Sara Jones Comedy:
https://www.instagram.com/sarajonescomedy/
"The Sound Of The North" podcast
https://www.studio2880.com/about/our-members/member?q=The%20Sound%20of%20the%20North%20podcast%20
About Tara:
With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I can’t remember the word for I can’t remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally. Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be, which premiered at The Cultch, and her solo I can’t remember the word for I can’t remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.
Instagram: @TaraCheyenneTCP / FB:
https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart Music:
Links:
www.actionatadistance.ca
Dancing On The Edge Festival 2025:
https://www.dancingontheedge.org/
Company 605:
https://company605.ca/
Morrow:
https://oddmeridian.ca/morrow.html
About Vanessa:
Vanessa Goodman acknowledges that she lives, works, and creates on the ancestral and unceded territories of the Coast Salish peoples, including the Sḵwx̱wú7mesh (Squamish), Stó:lō, Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh), and xʷməθkʷəy̓əm (Musqueam) Nations. She holds a Bachelor of Fine Arts from Simon Fraser University and is the artistic director of Action at a Distance Dance Society. She is drawn to art that carries meaning beyond aesthetics, using choreography as a means to explore liminal expressions within the human condition. Her choreographic practice weaves together generative movement and sonic embodiment to create immersive performative environments. Through her work, she seeks to cultivate intimacy between the body and its surroundings, challenging conventional forms of performative hierarchy through collaborative approaches. She has received several awards and honours, including The Iris Garland Emerging Choreographer Award (2013), The Yulanda M. Faris Scholarship (2017/18), The Chrystal Dance Prize (2019 & 2024), the Schultz Endowment from the Banff Centre for Arts and Creativity (2019), The Isadora Award (2025) and participation in the "Space to Fail" program (2019/20) through Hyde Productions (NZ), Critical Path (AU), and The Dance Centre (CA). Longstanding collaborations include "Graveyards and Gardens" with Caroline Shaw, "BLOT" with Simona Deaconsecu, and multiple works with Loscil (Scott Morgan), Brady Marks, and James Proudfoot. Her work has toured Canada, the United States, Europe, and South America. www.actionatadistance.ca
About Tara:
With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I can’t remember the word for I can’t remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally. Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be, which premiered at The Cultch, and her solo I can’t remember the word for I can’t remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.
Instagram: @TaraCheyenneTCP / FB:
https://www.facebook.com/taracheyenneperformance
Podcast produced, edited and music by Marc Stewart Music:
Links:
www.sarahkfinn.com
Instagram: @sarah.k.finn
About Sarah:
Sarah Finn (she/they) is a performer, writer and multimedia artist making theater and film. Their work plays with found + original text and media, puppetry, clown and movement, to create landscapes of humor & freak-out. Her solo show Is this the right thing to be doing? was presented at Portland Institute of Contemporary Art in 2024, and its full-length version will premiere in Vancouver in September 2025. Their performances & films have been presented at festivals in North America, Czech Republic, Germany, and Japan, as well as venues in New York, including Anthology Film Archives and Mabou Mines, where they received a Brooklyn Arts Council Grant, MAP Fund Microgrant, and were a resident-artist at Mabou Mines and Object Movement. As a collaborator, they work as a designer, dramaturg, director and performer. She trained at Ecole Internationale de Théâtre Jacques Lecoq and is pursuing an MFA in Interdisciplinary Arts at SFU.www.sarahkfinn.com | @sarah.k.finn
About Tara:
With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I can’t remember the word for I can’t remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally. Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be, which premiered at The Cultch, and her solo I can’t remember the word for I can’t remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.
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