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Often music reflects the mood of the time we are in. That is the case with Megillat Esther – but in a surprising way. While we are chanting in a joyous musical mode, reflected in the trope of Purim, we suddenly hear two mournful tunes at several points during the Megillah reading. There are six verses that we sing to this mournful trope, the trope for Eicha, the book of Lamentations, which we read on Tisha B’Av. What does Purim, our happiest holiday, have to do with Tisha B’Av, our saddest?
Join us on Shabbat morning as we examine different times during the Jewish year where there is a juxtaposition between joy and sorrow. How do we hold both at the same time?
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Often music reflects the mood of the time we are in. That is the case with Megillat Esther – but in a surprising way. While we are chanting in a joyous musical mode, reflected in the trope of Purim, we suddenly hear two mournful tunes at several points during the Megillah reading. There are six verses that we sing to this mournful trope, the trope for Eicha, the book of Lamentations, which we read on Tisha B’Av. What does Purim, our happiest holiday, have to do with Tisha B’Av, our saddest?
Join us on Shabbat morning as we examine different times during the Jewish year where there is a juxtaposition between joy and sorrow. How do we hold both at the same time?
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