In this episode, Dmitry and I discuss the 1992 version of Candyman with the new 2021 version. We get into gentrification, white savior films, and what really drives urban legends. As per usual, we also go into a weird amount of tangents but somehow manage to stay most focused on the films.
As Chicagoans, these movies meant a lot more to us. Both films are centered around the housing project, Cabrini-Green. the 1992 film is centered around a white female grad student, named Helen, writing a thesis on urban legends. She stumbles upon the story of Candyman and things go literally off the hook from there. She visits the projects and begins to understand the racially charged story behind Candyman. In this process, she slowly summons him herself and finds out the real terror a white person can bring down on a black community in crisis. Gaslit and possessed, she eventually gives into Candyman but not without rescuing a baby from him. A baby that everyone believed that she stole and intended to kill.
Flash forward to the 2021 film. This slasher film is less about the wild kills and more of a commentary on the dangers of gentrification. We see that the projects have been demolished and cheap condos have taken their place. Artists and yuppies have taken over the neighborhood and the legend of Candyman has been replaced with the legend of Helen and the baby she stole. The story is easily accessed on the internet and all accounts lead to the conclusion that a white woman lost her mind while visiting the projects and went on a killing spree. An artist named Anthony McCoy hears of this story and believes that it's the perfect subject for his next art project. While doing research, he visits the row homes that still stand and gathers any information that could be useful for his art project. It's only then that he learns how central to the Candyman legend he is...