Ayrton and I had the time of our lives talking about this surrealist classic.

The wonderful Emily returned to the podcast this week to talk about Frankie and Johnny.

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I was absolutely chuffed when both Eoin Daly and Chels Eichholz agreed to talk about Funny Face on the podcast. Both guests need no introduction, as they have both made notable appearances on previous episodes of the podcast. However, it's worth noting that they're perfectly suited to the task of analysing this classic Audrey Hepburn vehicle. For someone like myself, who had never seen the film before, it was a real relief to have two experts leading the way.

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The lovely Emily Malek agreed to return to the podcast in order to discuss 1948's The Pirate. We were thrilled to chat about the significant cultural legacies left behind by stars Gene Kelly and Judy Garland, while also addressing some of the career difficulties that Vincente Minnelli faced at this time. What a joy to finally talk about a good movie!

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The fabulous Conrado Falco III returns to discuss one of the most beloved examples of dadcore cinema.

Wormholes: The Series

https://www.youtube.com/channel/UC51Tg9gR5mXxEeaansRUYRw

The Criterion Project

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Jackie DeStefano and I face real struggles when it comes to keeping on topic and this is yet another episode where we didn't really talk about the putative subject of the podcast. This thing turned into an Emily Brooke Hands cheer session that just so happened to feature a couple of lines of throwaway dialogue about Shelley Duvall and Keith Carradine.

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The wonderful Matthew Anderson joined me to discuss this early-1990s cult classic. As a Tarantino skeptic, I wasn't all that excited about the prospect of watching yet another violent crime drama about a bunch of hoods who suffer from loggerhead. Fortunately, Matthew is something of a film bro so we found that we were not in agreement about the films strengths and weaknesses.

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This week Emily and I are coming at you with a spiritual sequel to one of our previous episodes. Being a Hemingway aficionado, she was well-suited to discussing the 1932 adaptation of A Farewell to Arms, one of his most critically acclaimed novellas. We certainly had more positive things to say about it than we initially expected and can both readily admit that it represents a significant improvement on For Whom the Bell Tolls. This is also the closest we'll ever get to picking apart Helen Hayes's erratic film career, so you can look forward to hearing us break down her lack of consistent success in Hollywood.

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One of this podcast's closest friends makes his triumphant return in this episode and, as often happens, he found himself discussing an incest-tinged murder plot. We simply adored Myrna Loy and William Powell and found ourselves yearning for the good old days, a time in which films like The Thin Man were a dime-a-dozen in Hollywood. Longtime listeners will also be glad to hear that Christof took the opportunity to reel off his list of his favourite actresses of the 1930s. Naturally, Marlene Dietrich makes an appearance.

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Sporcle

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Valentina and I teamed up to talk about a film that can only really be appreciated by devout Catholics. We don't believe that little boys can be 'saved' by saintly women who kiss them on the cheek and could barely hold ourselves back from laughing when this film attempted to convince us that miracles can occur. Fortunately, we had a lot to say about the general state of actressing in 1990s Britain and Neil Jordan's unusual career trajectory.

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