Poets, ghosts, and getting struck by lightning at the moment of greatest convenience: James and Paul tackle The Haunting of Villa Diodati. James would like to apologise generally for not being very with it for this episode, and specifically for forgetting everything he ever read about the Romantics and thinking Lake Geneva was in Italy.

We're back after a hiatus! Paul and James: lockdown edition discuss Can You Hear Me, goat-sucking bats, mental health, and that Dalek patrolling Robin Hood Bay.

A 3-in-1 special as Paul and James discuss Nikola Tesla's Night of Terror, Fugitive of the Judoon, and Praxeus. They have to hurry through, as a Frenchman is due to arrive at Paul's door at any moment.

The boys discuss Orphan 55, cheap package holidays, the value of allegory, and the difficulty of exploring the inner worlds of guest characters when you also have to give three different companions something to do.

We're back! Paul and James chat Spyfall 1 & 2, Britbox, the value of pastiche, and how Chibnall must have been saving up all his money in a big Scrooge McDuck style vault because the whole thing looked rather slick.

Happy New Year! Paul and James chat Resolution [of the Daleks], UNIT vs. Brexit, disagree slightly on the Ryan 'n' Aaron cafe scene, and ponder whether this was the best seasonal Doctor Who special yet

Tim Shaw (sic) returns, the Ux spend thousands of years worshipping a false God, and Graham has a Kelly / Nelly style Dilemma. Plus, Paul gets a special card and James writes a song about the thirteenth doctor's first season

James and Paul review It Takes You Away, and talk Scandi Noir, the actor Kevin Eldon, and whether that frog at the end was the greatest thing ever or an absolute abomination

Fear, superstition, and alien mud monsters: Paul and James review The Witchfinders, hear from a listener in a far-off land, and explain why Alan Cumming was probably a better choice for the role of King James than Jim Davidson

Poor Ryan heads into space only to find a massive warehouse very similar to the one he worked in on earth. James and Paul discuss Kerblam! Corporate satire with a twist: is it now easier to imagine the end of the world than the end of capitalism?