This week, we are going to dive into some renewed Wiley business, some new bangers that have dropped in 2021 and some bits for our new segment called "Drillin Them Softly."

We're gonna drop right into a spotlight tune, then for a guest mix, we hit South London for a certy grime mix from Monsters label head Shiverz.

Onhell’s half-hour journey begins with a raunchy, sewery raucous of sounds. The mix’s fast-paced rhythm finds minimal pause, creating an on-the-go atmosphere that accelerates those along for the ride. Paying tribute to the art of emceeing, Onhell incorporates clever voice-overs that guide the mischievous musical adventure. If mixes could drive, this one would outspeed opponents in high-risk highway races on the regular.

Get yourself ready for 30 minutes of Dubstep.

#AmericanGrime

#BackgroundNoise

Poklypz' style descends from the roots of old school UK bass music, fused with contemporary flavors.

He is a part of the original riddim creators and long-standing dubstep crew, Monsters, and with that crew Poklypz has been a mad man, dropping both vocals and productions that prove he truly is a beast of his own.

Nkw, with over a decade of experience, Poklypz continues to innovate, pushing the underground progression of the 140 landscape.

He produced the song Pokky which was released on my last project called Close Curtains and he truly is a master of his craft.

Ladies and Gentlemen, get yourself ready for 30 mins of dubstep.

#AmericanGrime

#BackgroundNoise

Although he was born in Japan, Karnage was a globe trotter, discovering dubstep around 2007 in Detroit. His first bass heavy anthem was Goth Trad's Cut End.

He gravitated towards the deeper and more minimal sound of dubstep and has since become a major player in Japan's rising bass music scene.

Now, with dubstep under his belt, Karnage is ready to take on new challenges like the genres of noise, phonk, dub and more.

We are actually on a release together that is due out on American Grime Records. It's the song Finesse by myself and Dayzero with Karnage's remix absolutely crushing it.

Ladies and Gentlemen, get yourself ready for 30 mins of dubstep.

#BackgroundNoise

#AmericanGrime

#MCJumanji

As an artist, he explores soundscapes and uses his music to project his feelings. The music becomes a diary of the scrambled mess that his mind often finds itself in.

Now, as 1/5 of the Chonk mob and half of XOX, Sepia looks to expand his sound and take you on a journey.

We've become brothers over the few years we've known each other and I couldn't be more proud of the things he has accomplished.

Ladies and Gentlemen, get yourself ready for 30 mins of dubstep.

#AmericanGrime #BackgroundNoise

Having lived some of his childhood in London, mrshl has always been influenced by the city across the pond, weilding the different sounds of dubstep, grime, 90s jungle and more. His unique Californian twist infuses his productions with an energy all his own.

Now, as the head operator at Bay Sine SF and host of host of Baysine radio show on Londons Subtle FM, mrshl is a steady force for the west side bass community and with releases on labels like Wheel and Deal, Subaltern and encrypted audio, he can definitely back it up.

When I met him, it was nonstop jokes and great energy in a restaurant accompanied by the legend Grim Sickers. Since then, we have collaborated on songs and helped each other grow coast to coast.

Without further adieu, get yourself ready for 30 mins of dubstep.

When I met him he was throwing a little series of shows in the green room of Churchills called Dubday Mondays. Fast forward to Dubdays bass brand expanding from Miami to NYC to Denver. These shows build a community, often accepting donations of food and clothing for the homeless.

I've had the pleasure of sharing the stage with this visionary and I can tell you first hand, he is no joke. As he often says, the only good system is a sound system. Get yourself ready for 30 mins of dubstep.

This is #AGPresents #Dubstep

“Garage is captivating. It matters because of its structure, pace and vibration. There is space in garage music’s DNA for a wealth of discovery,” explains KENNY99. “The rhythmic breaks and hitches walk like a human being, reviving vocals that speak like a Soul and identify with you in the moment. It is luxuriously tribal, African, and inclusive.”

“Garage culture has offered KENNY99 a space to exist freely and with unbridled expression,” he says. “In the last 10 years, garage music has become a vehicle for me to better fulfill my duties as a human being, Father, Brother, Nephew, Uncle, Son and Artist.”

Kozee’s mix is timely amidst the U.S.’s recent – and long overdue – awakening to the stark realities of systemic racism and queerphobia embedded in Western society and beyond. Her 30-minute journey emerges as a meditation on what it means to credit and celebrate Black and LGBTQ+ cultures for creating and sustaining electronic music scenes.

Soothing and inviting yet bold and unapologetic feminine voices sing over a 2-step beat throughout Jett’s 30-minute mosaic. Her mix portrays a peculiar innocence, intrigued by and invested in love-- a liberating kind of soul music with unforgettable flair. Jett features old-school gems that remain in rotation today, accompanied by an undeniable R&B presence, one of garage’s ancestors.

#AmericanGrime x #BackgroundNoise