Inspired by recent collaborations with some of America's coolest indie A-listers (Vampire Weekend's Ezra Koenig, Danielle Haim, Justin Vernon aka Bon Iver, James Mercer, Jamila Woods) Bruce Hornsby has been prolific in recent times, making a trilogy of albums beginning with the ‘return-to-form album’ Absolute Zero (2019). This trilogy is a real display of Hornsby’s musical prowess and curiosity – a mix of progressive, avant garde pop and contemporary classical works. Completing the trio of albums, Flicted, Hornsby’s 23rd studio record, is a collection of songs built from ‘cues’ for his music to Spike Lee’s films (Bruce and Spike have been collaborating since the early 90s).

The album features some phenomenal side players including the producer Blake Mills (on guitar) and yMusic, a Brooklyn-based chamber sextet that lends lush arrangements throughout. Indeed as Bruce hints during our conversation, more is to come from his sessions with yMusic.

“I’m a lifelong student and I’m way more interested in getting better as a musician, a vocalist and especially as a writer. I’ve been getting nasty letters ever since my second record saying “how dare you change”, but my silent response is “you haven’t heard anything yet.”

Perhaps all ‘pop’ musicians of longevity should aspire to Bruce Hornsby’s musically borderless, ‘post-genre’ way of working.

“My art of longevity is not giving a rat's ass about what’s popular, or whether I’m popular but to please myself and to grow, evolve, change and expand…on and on”.

When it comes to music, and Bruce Hornsby, whatever you do, don’t call it a comeback. 

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