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Emeka Ogboh used years of field recordings to create layered soundscapes of his hometown, Lagos in Nigeria. When he moved to Berlin, he added music and combined the sounds of both global cities in critically acclaimed albums. Now Emeka is in nipaluna / Hobart for Mona Foma, where he's making work with the locals – including 2023 Tasmanian of the Year John Kamara.
My Thing is... the chickenosaurus. As a teenager, JESWRI took to tagging to 'disrupt' the omnipresent advertising in his inner-city neighbourhood. But unlike many of his mates, JESWRI turned his graffiti into a career that's led to gallery commissions, community murals of Indigenous heroes and –ironically– advertising. The 'chickenosaurus' is his latest art project for Not Natural at the Science Gallery Melbourne.
Artist-inventor Jessie French has turned dried algae into a plastic product that perhaps could one day replace one of the more toxic plastic products around. Jessie's Melbourne studio is unlike a lab in that most of her experiments have resulted in beautiful artworks – sheets of colourful, transparent biopolymer.
By ABC5
44 ratings
Emeka Ogboh used years of field recordings to create layered soundscapes of his hometown, Lagos in Nigeria. When he moved to Berlin, he added music and combined the sounds of both global cities in critically acclaimed albums. Now Emeka is in nipaluna / Hobart for Mona Foma, where he's making work with the locals – including 2023 Tasmanian of the Year John Kamara.
My Thing is... the chickenosaurus. As a teenager, JESWRI took to tagging to 'disrupt' the omnipresent advertising in his inner-city neighbourhood. But unlike many of his mates, JESWRI turned his graffiti into a career that's led to gallery commissions, community murals of Indigenous heroes and –ironically– advertising. The 'chickenosaurus' is his latest art project for Not Natural at the Science Gallery Melbourne.
Artist-inventor Jessie French has turned dried algae into a plastic product that perhaps could one day replace one of the more toxic plastic products around. Jessie's Melbourne studio is unlike a lab in that most of her experiments have resulted in beautiful artworks – sheets of colourful, transparent biopolymer.

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