We bounce from basement banter into big pop culture swings, from a water aerobics win to a truly confusing R&B family tree tied to Sam Cooke and the Womack name. Then we go deep on Steve Martin’s The Jerk before closing the line with Weezer and why “All My Favorite Songs (Are Slow And Sad)” sticks in your head. 

• quick audio quality apology and where to skip for The Jerk and Weezer 
• standing-in-line-for-a-concert premise and why we picked Weezer 
• water aerobics race story and the joy of being cheered on 
• stacked enemies in arcade beat-em-ups and how games fake limitations 
• Womack Sisters connections and the strange aftermath around Sam Cooke and Bobby Womack 
• Heat detour, real-life inspiration, and why certain movies echo into culture 
• Water Park Shark review and why some bad movies are not fun-bad 
• Sienna Spiro debate, vocal style, and our slightly dark theory about “lived-in” voices 
• hospice song request with a twist ending and why story songs work 
• The Jerk plot recap, favorite gags, and the comedy logic of letting jokes run 
• Opti-Grab, sudden wealth, the breakup scene, and why the ending still feels good 
• Weezer “All My Favorite Songs (Are Slow And Sad)” key changes, covers, and dream cover picks 
• soundtrack pairings and what the song reminds us of emotionally 

Make sure you check us out on uh YouTube. 
And wherever you go. Our cover. Yeah, our podcast. Our covers on YouTube. And we are on podcasts. If you want to hear us sing, you gotta go to the YouTube. Then you can go to our website, theaudiencewon'like.com. 

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This is also where you can watch our covers of the songs we discuss.
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We bounce from basement banter into a full-on Adventure Time hang, rewatching episodes that still feel original, funny, and oddly tender even when they get unsettling. We also detour through books, games, music gear, and The Who’s “Pictures Of Lily,” because that’s how our brains work when we’re waiting in line together. 

• the Jeffries data sheet for skipping to topics on our site 
• RIP jokes, bad timing, and the superstition of learning songs for work 
• the Q chord, Flight Of The Conchords, and why weird instruments matter 
• Joe Abercrombie’s First Law world, favorite quotes, and audiobook narrator praise 
• retro beat ’em ups, the “stacked enemies” quirk, and what makes them satisfying 
• new music we learn, from Loretta Lynn and Conway Twitty to Tennessee Ernie Ford 
• creepy story podcasts and why “realistic weird” hits harder than paranormal 
• why Adventure Time connects in our family, plus the Minecraft treehouse tragedy 
• episode picks and moments: The Enchiridion, The Jiggler, My Two Favorite People, Boom Boom Mountain 
• Marceline and the Nightosphere, The Eyes, the Ice King, and “poo brain” logic 
• Hall Of Egress as serious sci-fi and what it changes about Finn 
• The Who’s “Pictures Of Lily,” bass love, lyric weirdness, and cover and B-side picks 

Like and subscribe, and uh join us to check out pictures of Lily on YouTube. Yes. And tell all your friends. Tell them all, every last one, every single one.

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This is also where you can watch our covers of the songs we discuss.
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We bounce from movies and music into the messy truth of 90s summer freedom, where boredom is the feature and not a bug. We revisit everything from Star Trek IV comfort-watch energy to Lovefool chord talk, then circle back to what it feels like raising kids when you can “always know” where they are. 

• our standing-in-line concert podcast setup and why YouTube is part of the bit 
• remembering artists and creators we grew up with, plus the weird way news lands now 
• Sublime’s new era with Jacob Nowell, and why homage can still feel real 
• quick-hit review of The Punisher One Last Kill and what we wanted more of 
• Strong Songs as a deep-listening rabbit hole, from Talking Heads to The Cardigans 
• Koji Kondo, Japanese jazz fusion, and why retro game music works 
• Enemy of the State and the fun of “enhance” tech paranoia 
• Star Trek IV as pure escapism and a rare rewatch temptation 
• Project Hail Mary adaptation choices, including puppetry and pacing 
• parenting in dead zones, independence, and why tracking changes the vibe 
• summer mornings, hanging out alone, and what we ate when nobody watched us 
• water balloons, teenage intimidation, and the stories that still stick 
• 90s summer food and drink nostalgia, plus sensory memories that snap you back 
• Lovefool context, album tone, guitar shapes, and dream cover versions 

if you really like to uh see the concert with us, then you'll have to skip over to the YouTube if you're just a listener. 
check out Strong Songs. 

Send us Fan Mail

📺 Watch this episode on our YouTube Channel!
This is also where you can watch our covers of the songs we discuss.
👉 youtube.com/@TheAudienceWontLikeIt

Send us Fan Mail

📺 Watch this episode on our YouTube Channel!
This is also where you can watch our covers of the songs we discuss.
👉 youtube.com/@TheAudienceWontLikeIt

We bounce from a beloved audiobook rabbit hole into a three-movie gauntlet, then end with a classic Carole King song that somehow ties the whole night together. We argue about what makes a movie “good,” quote the unquotable, and try to decide whether a time loop diner story is genius, chaos, or both. 
• finishing Dungeon Crawler Carl book eight and why the audiobook narration matters 
• loving dense RPG style lore that you can skip or obsess over 
• explaining the Jeffries Data Sheet and why it helps people jump to any topic fast 
• talking growth, subscribers, and how we share the podcast with friends 
• debating movie quote culture and inventing clean swap words for R-rated lines 
• reviewing Surviving the Game as peak 90s action cheese with a stacked cast 
• breaking down Sexy Beast as a tense British crime film powered by Don Logan 
• unpacking Good Luck, Have Fun, Don’t Die as time loop, simulation, and satire 
• ranking all three movies and admitting our tastes do not match 
• digging into Carole King’s “It’s Too Late,” cover versions, and why it still hits 
Like, subscribe, share, tell your friends, look up something on the Jeffries.

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This is also where you can watch our covers of the songs we discuss.
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We stand “in line” for an Outkast concert and let the conversation wander from parenting math and bedtime TV to a full-on breakdown of a movie that entertains us while also making us feel genuinely uneasy. We end in our happy place, geeking out over Southernplayalisticadillacmuzik, why Outkast keeps evolving, and what it really takes to learn a song well enough to perform it. 
• third-child “dog years” and what content feels age-appropriate 
• why 24 still works as a cliffhanger machine 
• the Jeffries Data Sheet and why we want it to become a searchable app 
• What We Do in the Shadows as a mockumentary and the Norma Tanega theme song 
• The Wanderers (1979) as coming-of-age drama with genre whiplash 
• the classroom scene, what it normalizes, and why it hits so wrong 
• soundtrack highs, scene pacing lows, and the parts that feel unresolved 
• Outkast’s debut album, Organized Noize, and Southern hip hop history 
• covering rap songs by singing the whole verse and practicing with intent 
Hey, why don't you go ahead and write in um the comments? What age, what yeah, how you think it works? Dog years for the third child. Way in on that. 

Here's the Jeffries Data Sheet: https://docs.google.com/spreadsheets/d/1ldtSRbUtmIVvhDSMZiClQS02gNFfIjFqE9OgBdoM85M

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This is also where you can watch our covers of the songs we discuss.
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We turn Mother’s Day into a pop culture draft and argue about which fictional moms feel like real parenting. Along the way we share what’s been hectic at home, what we’re reading, and why Jimmy Buffett’s “Six String Music” is such a perfect low-key song to cover. 
• switching to every other week for a bit to protect quality 
• building the Jeffries data sheet to track references, covers, and recurring bits 
• quick detour through David Allan Coe, Shell Silverstein, and why “just kidding” is not a defense 
• what we’re reading, including The New Menopause and practical symptom support ideas 
• Corrections Corner plus our first truly mean comment and why thumbnails work 
• a run of kid events, concerts, and end-of-school chaos 
• media moms questions: stepmom picks, aunt energy, best-friend moms, vacation moms 
• head-to-head matchups and a “protect you from TV dads” scenario 
• Jimmy Buffett talk, concert memories, and the challenge of singing over lead guitar 
• end categories: B-side picks, dream covers, and soundtrack choices

Send us Fan Mail

📺 Watch this episode on our YouTube Channel!
This is also where you can watch our covers of the songs we discuss.
👉 youtube.com/@TheAudienceWontLikeIt

Send us Fan Mail

📺 Watch this episode on our YouTube Channel!
This is also where you can watch our covers of the songs we discuss.
👉 youtube.com/@TheAudienceWontLikeIt

We watch Star Trek’s “The Trouble With Tribbles” and then Deep Space Nine’s “Trials And Tribbleations” to see how the same story hits in two eras and why the tribute works so well. Then we switch gears and play a cover of Rend Collective’s “My Lighthouse” while we talk through what makes it fun and surprisingly tricky to perform.  
• The waiting in line premise and our chaotic setup  
• What we’re reading and listening to plus the joy of quitting books  
• Cleveland trip recap and a harpsichord heavy Bach festival shout-out  
• Why “The Trouble With Tribbles” still holds up as comedy sci fi  
• Low budget tribbles, poisoned grain, and the reveal of a Klingon agent  
• The DS9 time travel hook and how they blend into 1960s footage  
• Worf’s “we do not speak of this” Klingon continuity joke  
• Why “My Lighthouse” works as upbeat contemporary Christian music  
• Fast strumming and singing challenges plus favorite chord moments  
• Our cover and B side picks and the mood comparisons  
Hey guys, if you're still hanging around, why don't you go ahead and uh hit that subscribe button or uh give us a like us a review? A five-star review. Only a five-star review.  

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This is also where you can watch our covers of the songs we discuss.
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We bounce from music, TV, and games the way we actually talk while “waiting in line” together, and it somehow turns into real recommendations. We nerd out over Bob Dylan, argue our bedtime sitcom rankings, compare Hogwarts Legacy with Disco Elysium, and finish by covering “To Be With You” by Mr. Big. 
• the “waiting in line” podcast premise and why we might add a stanchion or ballet bar 
• building a searchable episode data sheet with timestamps and AI help 
• Blood on the Tracks as a 1975 Bob Dylan album worth sitting with 
• standout tracks and why Lily, Rosemary and the Jack of Hearts is hard to follow 
• the Minneapolis Six session player credit mess 
• quick book corner with A Little Hatred and The Wisdom of Psychopaths 
• redefining “bedtime sitcoms” and updating our rankings with Community and Rick and Morty 
• Great Courses and other “sleep shows” that help us wind down 
• Hogwarts Legacy as an approachable first RPG and why easy mode is valid 
• immersion breaks, linearity, and what we wish the game did differently 
• Disco Elysium first impressions, decision fatigue, and why failing can be fun 
• covering “To Be With You” with key changes, solos, and favorite covers 
Hey guys, uh follow us on uh YouTube, subscribe, like if you like. We’re also on Instagram, the audience won’t like it. We’re also on all the podcast platforms. And if you want to email us, that’s a little different. Take notes. It’s called AudienceWon’t Like It at gmail.com. 

Send us Fan Mail

📺 Watch this episode on our YouTube Channel!
This is also where you can watch our covers of the songs we discuss.
👉 youtube.com/@TheAudienceWontLikeIt