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A greatest hit of the Satanic Panic of the 1980s came when the metal band Judas Priest was put on trial for the suicides of two teens. While the case was preposterous – based on alleged hidden satanic messages in the music – it arose from a real tragedy.
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Maps, whether drawn by hand or by satellite, reflect the time they were drawn for. How will the next generation of cartographers deal with challenges like a world being reshaped by climate change?
Original Air Date: December 09, 2023
Interviews In This Hour:
Why are islands in the South Pacific disappearing? — Cartography in the age of Google Maps — This is your brain on maps — The mysterious music of the 'phantom islands'
Guests:
Lagipoiva Cherelle Jackson, Mamata Akella, Bill Limpisathian, Andrew Pekler
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During the mid-1800s, one third of all paper money in America was thought to be fake. It was the golden age of counterfeiting, and one exceptionally talented con artist stood out from all the rest. His fakes were nearly perfect…but for a trademark tell. Known to law enforcement only as “Jim the Penman,” this celebrity criminal led many Americans to wonder: can great art truly be criminal?
Guests
Ellen Feingold, curator of the National Numismatic Collection at the Smithsonian’s National Museum of American History
A man in Haditha, Iraq, has a request for the In the Dark team: Can you investigate how my family was killed?
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There’s a certain glamor to cynicism. As a culture, we’ve turned cynicism into a symbol of hard-earned wisdom, assuming that those who are cynical are the only ones with the courage to tell us the truth and prepare us for an uncertain future. Psychologist Jamil Zaki challenges that assumption.
In part one of The Gray Area’s new three-part series, “Reasons to be Cheerful,” Sean Illing asks Jamil Zaki about why cynicism is everywhere, especially if it makes no sense to be this way — and what we, as individuals, can do to challenge our own cynical tendencies.
Host: Sean Illing (@seanilling)
Guest: Jamil Zaki (@zakijam) psychologist at Stanford University and author of Hope for Cynics: The Surprising Science of Human Goodness
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How does a fresh tuna get from Japan to Nebraska before it goes bad? And how does its journey show up in the price of your spicy tuna rolls? Zachary Crockett gets schooled.
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When the Fox News Channel launched in 1996, critics called it disorganized, incompetent, and laughably inept. But it wouldn’t be a joke for long. During the 2000 election, Fox News would captivate the nation – and just maybe change the fate of American democracy.
Want more from Slow Burn? Join Slate Plus to unlock full access to all seasons, including members-only bonus episodes from The Rise of Fox News. You'll also enjoy ad-free listening to all of your favorite Slate podcasts. Subscribe now by clicking "Try Free" at the top of the Slow Burn show page on Apple Podcasts. Or, visit slate.com/slowburnplus to get access wherever you listen.
Season 10 of Slow Burn was written and reported by Josh Levin. It was executive produced by Lizzie Jacobs.
Slow Burn is produced by Sophie Summergrad, Joel Meyer, and Rosie Belson with help from Patrick Fort, Jacob Fenston, and Julia Russo.
Derek John is Slate’s executive producer of narrative podcasts.
This season was edited by Susan Matthews and Hillary Frey.
Merritt Jacob is our senior technical director. Mix and sound design by Joe Plourde.
Our theme music was composed by Alexis Cuadrado. Derreck Johnson created the artwork for this season. Episode artwork by Ivylise Simones.
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Working from a biography with an unreliable narrator, we attempt to shake the great Connie Converse free from its pages and offer a fresh perspective on her music, radical politics, and deep community ties. We consider how to grapple with an artist’s legacy and the cloud of mystery surrounding them in a way that is respectful and ethical, while mindful of a biographer’s positionality, biases, and personal connection to their work.
In December last year, Cambodian-American filmmaker Kalyanee Mam’s short film Lost World screened at our Shifting Landscapes exhibition in London. Kalyanee’s films tenderly document the changing cultural and ecological landscapes of her homeland, and in Lost World she shares the story of a community in Koh Sralau whose livelihoods are threatened as the mangrove forests they depend on are ruthlessly mined for sand to build an “eco-park” in Singapore. In this conversation, recorded live at the exhibition, Emergence executive editor Emmanuel Vaughan-Lee speaks with Kalyanee about her years-long process of creating the film, and the intimate relationships she holds with people and land that allow her to tell powerful, and often heartbreaking, stories of changing landscapes from a place of humility and connection.
Read the transcript
Watch Kalyanee’s short film Lost World and read her companion essay
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