Doctor Charles Smith is a scientist and dreamer.  He has a revolutionary idea for how the human race can develop itself and the planet. 

With the fruits of his work about to be revealed, Smith receives a visit from his commercial sponsor, who gets more than he bargained for in an explosive, life-threatening (and perhaps life-changing) encounter, as the horror of his vision is finally revealed.

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Alphonse and Emina have become lovers. His desire to please her makes him drop his guard and appear in public places. As a double act they go to local villages, beginning to make money and plans for the future: until the past catches up with them...    

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By chance, young dancer Emina meets equally youthful, trumpet-playing soldier Alphonse in a barn in the mountains of war-torn Southern Spain. They are both innocent and experienced in entirely different ways. Initially wary, they tell each other stories that weave fact and fiction. She lies and he believes her. He tells the truth and she mistrusts him. But when he plays and she dances, they understand each other perfectly.    

Original Music - David Sutton Anderson
Trumpet - Anthony Aarons
Saxophone - Melanie Henry

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After the dramatic series of arrivals and events at the Knap on marriage engagement night in Part 1, the triangle of relationships between Sally Hall, her ex sister-in-law Helena, and Farmer Charles Darton becomes tangled still further by marriage, death, and more courtship interloping.

The path to an eventual denouement highlights the problematic position of women in 19th Century Victorian society, reflecting protofeminist themes that are present in many of Hardy’s major works.

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On a dark night, Farmer Charles Darton and his friend Japheth Johns are riding on their way  to The Knap to meet Sally Hall,  Charles' bride-to-be. Losing their way is the prelude to a series of unexpected arrivals and events that potentially changes lives forever.

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Having ended Part 1 with his business plan "in the air", Jimmy 'Skiver' McIver at last gets the backing and support of his old school friend and businessman Roger Soul and Denise, Roger's glamorous PA. They launch the dry cleaning business with a fanfare. 

Sadly, the venture has attracted renewed attention from loan shark Mo Greensmith, who has hatched a dastardly plan of deceit and revenge-by-extortion on Roger Soul - with Jimmy as "piggy in the middle"!  As events quickly turn disastrous, and caught between a big rock and a very hard place, 'Skiver' lives up to his name and flees. 

But will it be enough to save his skin?

Part 2 of 2

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Jimmy ‘Skiver’ McIver is back! Last heard from in “Ashes to Ashford”* sunning himself on a Caribbean beach, “Crudely, Badly, Cheaply” takes us back 15 years to less lucky times for our feckless Cockney wheeler-dealer. 

In Part 1 of the prequel, Jimmy bumps into old school mate and businessman, the decidedly-successful Roger Soul and pitches a money-making idea for a dry cleaning business to him. But with no stake of his own to put in, Jimmy embarks on a risky road that attracts the possibly dangerous attention of Maureen ‘Mo’ Greensmith, the “formidable” local loan shark. 

With only the support of Fred and Lemmy at the Dog and Duck pub, what could possibly go wrong for ‘Skiver’ this time? 

*(Parts 1 and 2 of “Ashes to Ashford” are available on this podcast)

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On a dark, stormy Victorian night atop a Wessex hill, Shepherd and Mrs Fennel are holding a christening party at their cottage for a second-born child. Proceedings are interrupted by the consecutive arrival of three strangers to shelter from the elements. One of these men is not who he seems – but which one is it?

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There 's nothing like a good biblical story...and this is NOTHING like a good biblical story!

Mary Poppins jokes aside, this is a short story relating how Pharoah Contraraoh fared whilst trying to Make Egypt Great Again (MEGA). It contains one or two ripe parallels for our 21st century world - delivered with humour.

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To celebrate the centennial of the 20th century’s most seminal poem this is our 2017 recording, re-issued for a limited time only.

Its aural landscape highlights and enhances the themes, imagery, and allusiveness contained in the fractured consciousness of Eliot and Ezra Pound’s work, without gimmickry or radical “re-interpretation”. 

Included are minor additions to the published version from Eliot’s original pre-Pound poem, to add clarity and complexity. At its heart (as it is at the centre of the work) is the male/female character and multiple voices of Tiresias - the words and sounds. Available to listen to and/or download from July 15 to November 15, 2022. The poem's broadcast is by kind permission of Faber & Faber Ltd.